Dear and the Headlights are perhaps my favorite new band from this year and their brilliant debut album, Small Steps, Heavy Hooves is still a constant listen for me. So as you can imagine I was very excited at the chance to chat with the lead singer and creative force behind the band, Ian Metzger. We discussed how they found the band found their drummer on Craigslist, singing in made-up languages, picking a band name, and meeting Jeff Tweedy. Click here to view the whole interview and make sure to grab the MP3’s at the bottom.
What’s in heavy rotation on your iPod right now?
Bob Dylan, The Beatles, and Neil Young are on constant heavy rotation, but out of newer bands I’ve been listening to a lot of The Great Lake Swimmers, and this other band called Danielson, and Dr. Dog.
What’s the story behind the name “Dear and the Headlights”?
It’s just a really bad play on words, that’s all. (laughing)
So were you just brainstorming…
No I don’t think there was really much brainstorming involved, it was just like “hey what about this” as a joke and everyone’s like “yea sure” and I’m like “wait, no… are you sure?”, “yea why not”, “oh, ok…”.
I’ve sent the band to a few friends and the first thing that some people have said is that they love the name Dear and the Headlights.
It’s funny we get such mixed reactions. I think as a name in some ways it works very well just because of the saying itself, when you spell it the correct way people already think they’ve heard of the band just because everyone’s so familiar with the saying itself. It’s definitely easy to remember, you know. And then other people are like “that’s the worst name we’ve ever heard”. But at the same time it’s not like Radiohead is a really great band name.
You can’t really get any worse than Arctic Monkeys.
Yea once you write decent songs, if your music’s good then people kindof forget the badness or really pick it apart too much.
I read you found your drummer on Craigslist. How’d that happen?
The whole thing had been ridiculous and we had tried out like 13 different people over the course of two years and failed miserably with every one of them. So kindof as a last resort thing are guitar player Joel was like “well, I don’t know, just as a joke let’s put an ad out on craigslist” and within a day Mark responded. It was kindof funny, this was the first time Joel ever used Craigslist and it was the first time Mark ever used it and he was looking for drummer ads at the exact same time Joel posted it. I don’t know how conventional of way that is to find a drummer but it worked out for us.
How has your music progressed from when you started making demos to right now?
I think it’s just gotten more mature to be honest, I mean this whole thing before recording took about five years and some of those songs are a lot older than others. It’s just progressed as we’ve all become better musicians. I think I’ve become better at writing lyrics then I was.
What were the first songs that you recorded that made it to the CD?
A few of the older songs on the CD sound a bit old and dated to me. The oldest songs on the CD are Run In The Front, Sweet Talk, and Paper Bag. Paper Bag doesn’t sound as dated to me as the two others though.
What’s the most interesting tour experience so far for you?
I think playing Lollapalooza was absolutely the most crazy experience. It was kind weird, we’re such a small band, you know, it’s kindof crazy to be associated with and having all the same priviledges as all these other gigantic acts even ones that we’ve looked up to like My Morning Jacket and Modest Mouse. I got to meet Jeff Tweedy from Wilco.
Wow, I didn’t know that he was there.
Yeah, he didn’t play but he was there. I totally like geeked out big time when I saw him, I just did the lame thing like (in Wayne’s World voice) “Hey, you’re Jeff Tweedy” and he’s like “Yeah, I’m Jeff Tweedy” and I was like damn it, did I just say that?
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