Cover: The Last Names – Me And My Arrow (Harry Nilsson)

It’s been a long while since I’ve posted any covers, but Bishop Allen side-project The Last Names playing Harry Nilsson’s “Me and My Arrow” (from the animated film The Point!) is something I couldn’t resist. The sweetly melodic, playful tune is a perfect match for the indie pop duo and Darbie Nowatka does a lovely job on lead vocals. The band is covering a new track every week this year, which so far, has included cuts from New Order, The Monkees, Buzzcocks and Dire Straits. Cool! Thanks to YANP for the tip.

MP3 The Last Names – Me and My Arrow (Harry Nilsson cover)

Listen to more of Last Names 52 covers project at their tumblr.

Desert Stars

Desert Stars have delivered me something I haven’t heard in awhile—and it’s been a long time since I’ve discovered a band I can listen to so repeatedly. With catchy choruses that somehow never seem to get old, front woman Janelle Best’s deep vocals prove to be strikingly similar to Beach House’s Victoria Legrand, especially when up against a Teen Dream-esque backdrop of organ, keyboard, and groaning guitar riffs. With a distantly eerie yet emotional vibe, I look forward to day this quintet released their breakthrough LP.

MP3 Boys I Like
MP3 Farewell Decade

Check out Desert Stars on bandcamp / tumblr.

Listen: Japandroids – The House That Heaven Built

Yesterday was a pretty huge day for music news, Sigur Ros announced a new album (and released a beautiful new track), The Morning Benders changed their name, new tracks from Best Coast and Moonface and, perhaps best of all Jet announced they were dunzo. So I’d forgive you if you overlooked Vancouver garage-rock duo, Japandroids unleashing a new track from their upcoming LP, Celebration Rock. “The House That Heaven Built” explodes out of your speakers with it’s fuzzed-out guitar riff, forceful drum bashing and infectious vocal chants that recall The Hold Steady at their best. It’s an electrifying and irresistable shot-to-the-arm of a song. Listen below.

Pre-order Celebration Rock at Polyvinyl and for God’s sake go see them on tour.

MP3: CSLSX & I Break Horses – Violent Sea

I didn’t hear Swedish shoegazers I Break Horses debut album till after I made my Best of 2011 list last year, but if I had it would’ve probably ranked very highly. Hearts is a majestic album with a lush synths and stunning vocals from Maria Linden. I’m seeing the band play with M83 in about a month and I’m on the edge of my seat in my anticipation. In the meantime though, the band has a new track out, a collaboration with Philly dance collective CSLSX who adds blissed-out dance elements to I Break Horses’ gorgeous atmospheric shoegaze. Those synths at the end are just breathtaking.

MP3 CSLSX & I Break Horses – Violent Sea

I Break Horses’ Hearts is out on Bella Union. Listen to more CSLSX at Soundcloud.

This Is Just A Meta Mix On A Blog

Inspired by the return of one of my favorite TV shows, the hyper self-aware Community (whose Abed could be considered the patron saint of meta-humor) and the self-referring “Simple Song” on the new Shins album out this week, I’ve made a mix of my favorite meta-referencing songs. By this I mean songs that specifically reference themselves in the lyrics (stuff like “it goes like this, the fourth, the fifth”, “take it to the chorus” and “Second verse, same as the first verse” are out). I chose 20 of my favorite self-referencing songs for this mix, of which you can download / read each meta lyric below or listen to the mix on Spotify. If you can think of any good ones I missed, let me know in the comments. Cool. Cool cool cool.

MP3 The Shins – Simple Song

Well this is just a simple song / To say what you’ve done

MP3 Belle & Sebastian –  This Is Just A Modern Rock Song

This is just a modern rock song / This is just a tender affair / I count “three, four” and then we start to slow / Because a song has got to stop somewhere

MP3 David Bowie – Five Years

I think I saw you in an ice-cream parlour / Drinking milk shakes cold and long / Smiling and waving and looking so fine / Don’t think you knew you were in this song

MP3 Pulp – Something Changed

I wrote this song two hours before we met / I didn’t know your name or what you looked like yet

MP3 Carly Simon – You’re So Vain

You’re so vain / You probably think this song is about you

MP3 Wilco – Someone Else’s Song

I know it sounds like someone else’s song / From a long time ago

MP3 The Beatles – Only A Northern Song

If you’re listening to this song / You may think the chords are wrong / But they’re not / We just wrote them like that

MP3 Coldplay – Yellow

I came along / I wrote a song for you / And all the things you do / And it was called Yellow

MP3 Neil Young – Borrowed Tune

I’m singin’ this borrowed tune / I took from the Rolling Stones / Alone in this empty room / Too wasted to write my own

MP3 The Magic Numbers – This Is A Song

This is a song / and these are the words

MP3 Steely Dan – Deacon Blues

I cried when I wrote this song / Sue me if I play too long

MP3 Billy Bragg – A New England

I was twenty-one years when I wrote this song / I’m twenty two now but I won’t be long

MP3 The Postal Service – Such Great Heights

And when you scan the radio / I hope this song will guide you home

MP3 Leonard Cohen – Bird on a Wire

But I swear by this song / By all I have done wrong / I’ll make it up to you

MP3 Islands – This Is Not A Song

If this is just a song / then why do I find it so hard to move on

MP3 Okkervil River – Get Big

And once we get to the end of this song / then another will begin

MP3 The Magnetic Fields – I Think I Need A New Heart

‘Cause it all comes out wrong / Unless I put it in a song / So the radio plays / “I Think I Need a New Heart” / Just for you

MP3 Ted Leo & The Pharmacists – Hearts of Oak

I was whistling a new song to myself  / And it went, it went something like this one

MP3 Elton John – Your Song

My gift is my song / And this one’s for you

MP3 Weezer – Across The Sea

I’ve got your letter / You’ve got my song

Spotify Playlist: This Is Just A Meta Mix On Spotify

Kindness

London-based electro-pop producer Kindness (moniker for Adam Bainbridge) made some waves a couple years back with his chilled-out disco-funk cover of The Replacements classic “Swingin Party”. Instead of turning around a quick album though, he’s taken his time and crafted a wonderful debut, World, You Need a Change of Mind, which is full of soulful, airy synth-pop and oh-so-smooth dance beats. I’d describe it as sort-of like a cross between Hot Chip’s slower jams and Destroyer’s Kaputt (there’s even some sax!).

The track that’s got me most excited (other then the still-amazing “Swinging Party”) is “Cyan”, an incredibly infectious tune which abounds in dreamy synthesizers, funky bass lines and Bainbridge’s velvety, reverb-laden vocals.

MP3 Cyan
MP3 Swinging Party

World, You Need a Change of Mind will be out on Terrible Records (Chris Taylor from Grizzly Bear’s label) in May. You can stream it now at Guardian.

MP3: Hot Chip – Flutes

UK electro-pop maestros Hot Chip just premiered “Flutes”, the first track from their highly anticipated fifth studio album, and no surprise, it’s an absolute dancefloor banger. Beginning with a cut-up vocal sample that’s constantly on loop, “Flutes” builds layers and layers of explosive synths and frenzied disco beats while Alexis Taylor gives one of his most emotional, lovestruck vocal performances, culminating with him singing “One day you might realize, that you might need to open your eyes” during the soaring climax. It’s a combination of all of Hot Chip’s strengths into seven exhilarating minutes of pop bliss.

MP3 Hot Chip – Flutes

In Our Heads will be out on Domino Records on 6/12.

Radiohead @ Scottrade Center (3/9)

Ever since seeing Radiohead’s headlining set at Lollapalooza 4 years ago, I’ve been eagerly anticipating the opportunity to see them again. The journey to the concert was an experience in itself, we almost missed the show completely due to a flat tire on the way from Peoria to St. Louis. Thankfully, we had some friends nearby in Springfield (Thanks Tyler & Rachel!) who were able to switch vehicles with us, and we made it to our seat at the Scottrade Center with just seconds to spare before Radiohead (unfortunately, we missed opener, Other Lives). It’s a good thing we made it too, the band were in spectacular form, putting on an mind-bogglingly great performance.

Radiohead obviously pulled out all the stops for this tour, the visuals / light show was easily one of the best I’ve seen. The band played in front of a massive LED wall that displayed luminous, multi-colored graphics; high above them was a marquee of screens projecting images of the band; and best of all, there were were several floating LCD panels showing live feeds of the band and repositioning themselves each song. Every song had it’s own visual / color treatment, and the array of screens and panels worked perfectly to synchronize  with music. Awesome. I was also very happy with the songs they played, especially after early reports suggested the setlist would consist of King of Limbs / In Rainbows and not much else, seeing a number of my favorite tracks from OK ComputerKid AAmnesiac and Hail To The Thief  performed was delighting.



Radiohead began the set with three album-openers: “Bloom”, “15 Step”, and the first big sing-a-long of the night, OK Computer‘s “Airbag”. What struck me from the beginning (when I wasn’t being dazzled by the light show) was how much the band’s sound benefitted from having two drummers on board (Clive Deamer, on loan from Portishead), especially during the syncopated rhythms of “15 Step”. You might expect there to be some difficulty in translating new tracks like tracks like “Little By Little” and “Morning Mr. Magpie” with such experimental tendencies and emphasis on soundscapes to the stage, but they were actually very much improved in the live setting. The band (guitarist Johnny Greenwood in particular) masterfully layered on instruments and sounds, while Thom Yorke’s dynamic falsetto soared over the music.

After tearing through the distorted guitar assalt of “Myxamatosis”, Thom took a seat at the piano for quieter portion of the set, starting with whimsical ballad “Kid A”. The tour debut of In Rainbows closer “Videotape” followed and then a fantastic version of “The Daily Mail”,  a track which is sure to become a live favorite. After grooving through one of their most obscure tracks “Amazing Sounds of Orgy”, Radiohead played one of their biggest hits, “Karma Police” (which Celeste reminded me was on the very first NOW! Compilation). The performance was made even more memorable by Thom mixing up some of the lyrics, leading him to quip “No one noticed, right?” and then sing “This is what you get, when you forgeeeeeet the words” during the chorus (it also made the line “For a minute there, I lost myself” oddly appropriate). Despite the lyrical mishaps, or perhaps because of them, the band really knocked the track out the park. Singing along with everyone around me to the outro was an incredible moment.

Radiohead finished off the main set with performances of “Lotus Flower”, complete with an electrifying display of flashing red lights, “There There” with an Johnny and Ed on tom drums, a great new track called “Identikit”, and In Rainbows MVP “Reckoner”. The ovation was near-deafening as the band left the stage shortly, before kicking off the first encore with sublime King of Limbs closer “Separator”, which handily reminded the crowd “if you think this is over, then you’re wrong”. Next played was “Weird Fishes / Arpeggi”, featuring some amazing guitar noodling and percussion and then another tour debut, OK Computer‘s glorious anthem “Lucky”. Thom Yorke sang the first couple lines of R.E.M.’s “Electrolite” before the keyboard line to “Everything In Its Right Place” kicked in, leading to loudest recognition applause of the night and a fully awesome close to the first encore.

Another short break and Thom Yorke and Jonny Greenwood took came out for a stripped-down version of “Give Up The Ghost”, a track which I usually skip on album but was extraordinary live, Thom’s powerful voice echoing up to the rafters. “You And Whose Army”, the only Amnesiac track of the night, came next, and featured some of the most interesting visuals of the night, with the LCD screens connecting to show an extreme close-up of Thom’s face while he sang (fed from a camera on his mic). The band ended with their most beloved live staple “Idioteque”, which whipped the crowd into a frenzy and let us see some of the Thom’s convulsive, freestyle dancing. As the lights turned a technicolor hue like a TV with no signal, the band left the stage, having put on another exhilarating, life-affirming concert. But really, I’d expect nothing less from the greatest band in the world.

MP3 Lotus Flower
MP3 Karma Police 

Follow the jump for many more Radiohead photos. Click here for the full set.

Continue reading “Radiohead @ Scottrade Center (3/9)”

MP3: Free Energy – Electric Fever

Philly retro-rock revivalists Free Energy put out one of the funniest debut albums of the last couple years with Stuck On Nothing in 2010 and they’re back in all their heavy-riffing, cowbell-playing glory with “Electric Feeling”, the first single from their upcoming 80’s pop-inspired album, Love Sign. Just as infectious and anthemic as anything from their debut, “Electric Feeling” is the perfect thing to blast out of your car stereo as you welcome in an early spring.

MP3 Free Energy – Electric Feeling

Past, Present, Future: Spin Magazine

Music magazines, like most traditional journalism outlets, have struggled to find a footing in recent years. As we have seen on a larger scale with daily newspapers, established brands are trying to figure out their place in the conversation: Rolling Stone slimmed down and shifted their focus to encompass the overarching culture rather than just music, and Paste ceased print publication in August 2010 to focus on a purely digital role. In years past, music magazines acted as gatekeeper, presenting readers with the weekly/monthly/quarterly dispatch as distilled by the opinions of the staff. But the Internet has democratized the dissemination of information, meaning that most people find out about a band’s tour dates the same instant the editors of Rolling Stone do.

Which raises the question: do we even need a curator anymore? With dozens (hundreds? thousands?) of websites and blogs relevant to your interests available at your fingertips every hour of the day, do we need a third party to parse through the deluge and tell us the important bits? Or can we now fill that roll on our own, creating a hyper-personalized experience that no single outlet could hope to create? The answer to the last question is obviously yes, but Spin creates a strong case for the relevance of print media with its newly-redesigned issue.

Continue reading “Past, Present, Future: Spin Magazine”