A few months ago I sent Taylor an e-mail with a deceptively simple question: does he prefer digital downloads or physical products. It was something I was thinking about a lot at the time. I had just bought my first few things from iTunes and was slightly weirded out. I’m a very tactile person and a collector by nature, so paying $9.99 for something I could neither hold in my hands or file with the rest of my collection just didn’t sit right with me. Sure iTunes organizes everything, but it will never replace the shelves that line my walls. I like seeing what I own in physical space, it gives it the feel of a real library. I ended up re-buying all everything I got from iTunes on CD because it bothered me so much. (You’re welcome for the double sales, Cymbals Eat Guitars, Junior Boys, and Wavves.) Of course, all of this boils down to personal preference. Some people prefer storing everything on an external hard drive, content with the music and some cover art. Some people enjoy the physical package. These are the things I think about all the time. I already feel like an old man.
One of the the main factors in my decision to abandon downloads, other than my general annoyance, was Light in the Attic. A label/distro based out of Seattle, Washington, Light in the Attic produce the kind of products that make me proud to still by CDs and records. Earlier this year, I received their reissues of Serge Gainsbourg‘s Histoire de Melody Nelson and The Monks‘ The Early Years 1964-1965 and Black Monk Time and, jeezer, are they some beautiful packages. Light in the Attic must be full people who care a great deal about music, because the amount of time and love that went in to just these three records is almost embarrassing.