Band Name in Song Title Mix


photo: Kyle Dean Reinford

As anyone who’s been in a band (or at least created one in Guitar Hero / Rock Band) knows, a lot of thought goes into picking a band name. It’s often the first impression that the listener has of the group and is a defining aspect of a band’s identity. So it’s understandable that some bands use their chosen moniker in one (or sometimes more) of their song titles.

Two of my favorite albums from this year, Free Energy’s Stuck on Nothin’ and Titus Andronicus’ The Monitor include eponymous song titles and they got me thinking of more examples of the practice. Here’s a mix of 12 of my favorite examples of band names in song titles. If you have any more you can add, let me know in the comments.

MP3 Free Energy – Free Energy
MP3 Big Country – In a Big Country
MP3 Wilco – Wilco (The Song)
MP3 Queen – Killer Queen
MP3 God Help The Girl – God Help The Girl
MP3 The Monkees – (Theme From) The Monkees
MP3 Build to Spill – Built to Spill
MP3 Yo La Tengo – Georgia vs. Yo La Tengo
MP3 The Fratellis – Baby Fratelli
MP3 Belle & Sebastian – Belle & Sebastian
MP3 The Clash – Radio Clash
MP3 Titus Andronicus – Titus Andronicus Forever

Runners up: “Who Are You?” / “Talk Talk” / “The Dandy Warhols Love Almost Everyone” / “Bad Religion” / “My Name is Prince” / “Black Sabbath” / “The Good, The Bad, and The Queen”

The Living Sisters

Why didn’t anyone tell me about this? I wrote about my love of Becky Stark earlier this year, so I don’t know why I’m just finding out about the Living Sisters, a group that combines the talents of Stark, Eleni Mandell, and the Bird and the Bee’s Inara George. Each of these ladies is great in their own right, and like peanut butter and chocolate or Tim & Eric, they’re also great together.

On opener “How Are You Doing”, the girls’ three distinct voices twist and swirl around each other, meeting briefly every now and then for some glorious harmonies. The lazy beat perfectly compliments the melody, giving the song the feel of a relaxing afternoon. The instruments are smart enough to stay out of the way, leaving the focus on the ladies themselves and they show they’re more than capable of handling a song without any help. The song (and the rest of the record, Love to Live) don’t mess around; what you hear is what you get. And what you get is a batch of playful, exuberant AM gold.

“Double Knots” is maybe the best cut on the record, and features the group’s best vocal work yet. They each get their turn at a verse while the others coo in the background before coming together for more of those sparkling harmonies. Oh, and those handclaps on the chorus! Is there a song that handclaps don’t improve? The whole thing just makes me nostalgic for an era that ended some 30 years before I was even born.

The album is bit spotty and there may not be a lot here for non-fans, but if you’re familiar with the output of these three great artists there’s a solid chance you will dig Love to Live. But really, anyone looking for windows-open springtime gems should check it out.

Oh yeah, and keep me updated next time guys.

MP3 The Living Sisters – How Are You Doing
MP3 The Living Sisters – Double Knots

Hot Chip / The xx – Live @ Riviera Theatre

Last week there was no better place to be in Chicago then watching Hot Chip and The xx‘s sold-out concert at Riviera Theatre. It seems like every time I make my way to The Riv, I’ve seen an incredible, life-affirming show (see The Hold Steady, Belle & Sebastian, The Decemberists). I don’t know if it’s something about the venue itself, it’s booking staff, or if I’ve just been very lucky, but I’ve always had an amazing experience there (plus there’s easily accessible street parking!). This concert was a masterful example of build and release. The xx opened the show and built up the momentum with their hypnotic dream-pop and it was followed up by the outburst of glee that was Hot Chip’s hugely energetic set. It made for an amazing night of music.

The xx have had no problem finding an audience for their unique, entrancing music, they just came off releasing one of the best albums of 2009 and have become perhaps the year’s biggest breakout band. The audience was very receptive to the minimalstic, transcendent sounds of the band, which speaks volumes of both their seemling instant ubiquity in indie culture and their captivating music. The xx opened, appropriately enough, with “Intro”, a song which was recently thrusted to the spotlight when it was used in the Apollo Ohno AT&T commercial. The lighting back lit the band beautifully making them appear as shadowy figures which adds to the intrigue of their music.

“Crystalized”, my favorite track on their self-titled debut, came next and it’s just as mesmerizing of a song live as it is on record. Other then the occasional extended instrumental passages, their songs did not stray very far from the album, but just seeing the stark atmospheres and Oliver and Romy’s seductive harmonies crafted on stage was a treat within itself. It was especially interesting to watch the DJ booth where Jamie reproduced the beats from the album through wholly digital means (save one seldom-used cymbal). Most of all, the performance reminded me why I fell for the band in the first place and made me excited to see what they have in store for us next.

MP3 The xx – Crystalized
MP3 The xx – Islands

Hot Chip have been accused of mellowing out with their latest, more soulful album, but any traces of slowing down will be quickly debunked if you ever have the pleasure of seeing a Hot Chip concert. I don’t think apart from a Girl Talk you’ll be able to find a more dance-crazed set, with literally everyone in the crowd bouncing up and down and waving in their arms in the air like they just don’t care. The band, which had six members and countless instruments, played straight into the audience’s hands, feeding off the room’s energy. Their stage presence is absolutely kinetic, whether it’s singer/keyboardist Alexis Taylor grabbing a pair of maracas and jumping to the front of the stage to work the audience or multi-instrumentalist Joe Goddard rapidly switching from guitar to synths to steel drums and back to guitar, there was always plenty of movement on stage to match the active crowd.

The setlist was all that you could hope for, beginning primarily with tracks from One Life Stand and then moving towards the classics from their previous albums, mixing their soulful ballads like “Alley Cats” and “Brothers” with the adrenaline-pumping disco jams that made up the majority of the set. The sound was excellent throughout the night with the multiple synth / keyboard sounds mixing wonderfully with Alexis’ smooth, laid-back vocal style and the intense drumming. The heavy emphasis on percussion was visible at all times with two drum sets, maracas, steel drums, and a drum machine filling out the stage, and up to four members playing them at once. It’s unbelievable how tight the band were with so much going on at once and while still showing an impressive amount of showmanship.

The band opened with ”Hand Me Down Your Love”, one of the many club bangers from their new album, showcasing Alexis Taylor’s exceptional piano-playing skills. Immediately following was the tropical rhythms and rock guitar riffs of “One Pure Thought”, a song which definitely benefited from being heard in a live setting. But it was “Thieves in the Night”, a slow-building jam that erupts with a massive hook and synth/guitar attack at the climax that absolutely tore the place apart. The live performance solidified the song as one of my favorite tracks of the year. “Thieves” set the precedent for the rest of the night as the band thrilled the crowd with their irresistible electronica sounds.

For the rest of the set, Riviera Theater became a crazy, sweaty dance party with the band playing just nearly all of their hit singles including “Over and Over”, “One Life Stand”, “Boy From School” and “Take It In” (although sadly not “Shake A Fist”). The set ended with an extended “Hold On”, a Made In The Dark deep cut which was surprisingly was one of the biggest highlights of the night. The band saved the best for last though with an encore of “I Feel Better”, “No Fit State” and mega-hit “Ready For The Floor″ closing the night. The song exploded out of the speakers and had the Alexis Taylor climbing up the speakers and the crowd jumping and singing along (I dare you to find something funner to sing to then the “you’re my number one guy” bridge). There’s no argument, Hot Chip put on a seriously phenomenal live and I’d easily rank their performance at Riviera among my funnest concert experiences ever.

MP3 Hot Chip – One Life Stand
MP3 Hot Chip – Ready For The Floor

View many more Hot Chip / The xx pictures after the jump. Click here for the entire set.

Continue reading “Hot Chip / The xx – Live @ Riviera Theatre”

Vital

Vital started off as a Hip Hop MC and producer who wanted nothing more than find a sense of home behind the music scene that paced quickly before him… mastering demos for fellow artists in the Bay Area and then eventually releasing a few of his own. The simple twist of this fate here, however, is that while he succeeded in becoming a little more well-known in the game, he coincidentally remained unfamiliar to himself.

Vital, who’s real name is Duranta D. Cook, played no fool to this struggling identity of his. He continued to pursue his career in music, but on his own terms and now possesses a genuinely free and imaginative spirit towards his style of production–sky’s the limit, as they say and even more so through his amazing debut music video (see below).  Cook has escaped those 16-bars and is now a combination of Kid Cudi and John Legend, slyly scatting along the keys where Cudi falls unbearably flat–I can’t be the only one who thinks he is terrible singer. Yes, beneath that perfectly fitting woven and charming smile, lies an insanely creative man who brings new meaning to this idea of eccentricity, where words that read plainly on paper take shape once the music kicks in.

MP3 Vital – Airport
MP3 Vital – Saying

You can download his EP for free at www.OfficialVital.com which features five of his original songs and a cover of A Day In The Life by The Beatles

I have an iPad, The Lodger, XX and other newsflashes

Thanks to my wife Celeste and her staff appreciation dinner, as of three days ago we are now proud owners of the coolest door prize imaginable, an iPad, which as you can imagine has been consuming much of my time this week (I’ll start posting more frequently soon, I promise). Although I consider myself an early adopter and heavy tech user (Apple products especially), I hadn’t anticipated getting this device anytime in the near future. Now that we have one, though, I don’t think I can live without it. It’s already completely changed how I browse the internet / check email and I actually look forward to reading the newspaper every day now which is something I could never say before. Here’s my 10 favorite apps so far on the iPad.

Netflix (watch movies on the go)
USA Today (very colorful, great layout, navigation)
Harbor Master HD (most addicting game ever)
Alice in Wonderland (for showing off the graphics / interactive capabilities)
iBooks (So far I have Sh*t My Dad Says, The Wire: Truth Be Told, and Abraham Lincoln, Vampire Hunter)
ABC Player (for my LOST fix)
Magic Piano (really cool, uniquely designed piano app)
Twitterrific (I’m used to Echofon and Tweetie, but this one’s growing on me)
Maps (for pretending you’re a CNN anchor)
Peggle (iPhone version but works fantastically on iPad)

Also, have to mention the WordPress app which I’m using to write this very post!

***

With all the great leaks in the past couple of weeks, it’s been hard to listen to anything that isn’t called High Violet, This Is Happening, Together, Heaven Is Whenever, or Forgiveness Rock Record. But I did get the chance to check out the a couple tracks from The Lodger’s upcoming album, Flashbacks. The Lodger is one of the UK’s catchiest guitar pop bands (“The Good Old Days” was one of 2008’s best jams) and their new stuff looks like it’s just as fun and jangly. I especially love the 60’s soul-influenced horn section and the cheerful boy/girl harmonies in “Have A Little Faith In People”. You can purchase Flashbacks soon from This Is Fake DIY Records.

MP3 The Lodger – Have A Little Faith In People
MP3 The Lodger – The Back Of My Mind

***

I really enjoyed this video for The xx’s “Islands” directed by Saam Farahmand which premiered on my friends at mtvU. Really cool concept and the ending is brilliant.

Speaking of The xx, I’ll be posting my review of their Chicago show with Hot Chip early next week. You can check out the photos early at the musicforants.com flickr page.

MP3 The xx – Islands

***

I’m super glad that Thursday TV is back, the Goodfellas / Godfather parody on Community made for probably the funniest episode of the night, but my favorite clip had to be this one from 30 Rock:

Happy Birthday, Bitches!

The Antlers / Phantogram – Live @ Canopy Club

Phantogram is a band from upstate New York that I was introduced to by Cheryse, when she did an artist spotlight on them early this year.  Since then, the duo’s profile has raised significantly with positive reviews across the board on their debut album Eyelid Movies and plenty of blog buzz. In their opening set for The Antlers on Saturday, they drew a pretty sizable crowd of both newcomers to the band and adoring fans who knew their songs by heart and chatted with the band in between songs. Sarah Barthel and Josh Carter were very likable and seemed genuinely thrilled to be there, even when their video effects malfunctioned for the first couple of songs. Their set-up was very minimal with Sarah working the synths / laptop, Josh on the guitar / sampler and both of them on vocals, but they were able to create an expansive, dazzling sound with the tools in their arsenal. I was extremely impressed with how they recreated some of nuances from the album like vocal looping and digital samples on stage.

Perhaps the most extraordinary about Phantogram, is the songs themselves, which are well-crafted and fully absorbing. The band has undoubtedly strong songwriting chops which were very visible in the live performances of captivating electro-pop songs like “Mouthful of Diamonds”, “Running From The Cops”, and “When I’m Small”. Their songs are easy to sing along with and even easier to dance with. Josh and Sarah’s vocal harmonies were fantastic, bucking the trend of electronica bands who can’t deliver live on vocals. Sarah especially is a magnificent vocalist and was able to sing sublimely while playing the synths/keyboards and triggering lights / videos on her laptop. They added some additional harmonies with vocal looping which was very cool to see. The video projections were well done, images like fuzzy static and rippling water matched the bands aesthetic very well (they also utilized strobe lights which are always fun). The band played through a short set of highlights from their Eyelid Movies and a vinyl-only track called “Make A Fist”. I imagine with as much talent and charisma as they showed on stage, they’ll have no problem headlining their own shows soon.

MP3 Mouthful of Diamonds
MP3 When I’m Small

The Antlers made my favorite debut album last year and since Hospice was released I’ve been able to see the band three times. This was the first headlining set I’d seen them perform and it’s amazing to see the progression of this band in such a short time (check out they’re touring schedule: next month: Europe, then opening for The National, then Lollapalooza). The band has grown to be even more dynamic and passionate in their performance since the last time I saw them, which was showcased in their opener “Kettering”, which had Pete hitting some high notes that I didn’t know existed. There was a jump in the crowd when the Micheal’s drums came in after the quiet intro. The percussion is noticeably louder and more energetic then on record, while Darby’s keyboards still play a huge part in create that haunting, dreamy atmosphere. One thing that amazes me every time I see this band is how they maintain the emotion of the record, which is really one you have to hear front to back, in their live set. This is a testament to the band’s dedication and visible passion to their music, at some points it’s hard to watch as Pete sings so honestly about tragedy and heartbreak.

One very exciting part of the show was when the band debuted a new song that had never been played live. The song felt very consistent with the rest of the band’s catalog, with a very pretty keyboard melody and some of Pete’s lovely falsetto-ed vocals. Next up was the seminal moment of the show, “Two” which is one of my favorite songs of the last few years and was, like always, a magnificent and profoundly affecting performance. The introduction of the song also featured the best line of the night, after the band humorlessly debated the “newness” of the song, Pete quoted Marty McFly, “but your kids are gonna love it” and then jumped immediately into the song. Back to the Future references always make me smile. I had to make a quick exit before their final song,  “Wake”, but I’m sure it provided as epic of a climax to the show as I remembered it last time. Overall it was another excellent showing from the trio, but after following this band closely for nearly a year and a half, I wouldn’t expect anything less.

MP3 The Antlers – Kettering
MP3 The Antlers – Two

Follow the jump below for more pictures from the night. Click here for the full set.

Continue reading “The Antlers / Phantogram – Live @ Canopy Club”

Galapaghost

While we’re on the subject of ukuleles, I just remembered I’ve had Casey Chandler’s Galapaghost project sitting in my reserves since December. I think I’ve actually gotten a bunch of messages about this little gem, and I always intended on writing something, but then I just…didn’t. I don’t really have a good excuse, and listening to these songs now, I really wish I had written about them a while ago. Anyway, I sent Chandler a message about posting a few of his songs and it turns out that while I was being lazy since he first contacted me last year, he has been busy releasing not one, but two EPs as Galapaghost. And the results are surprisingly fantastic.

“You’re All I Need,” from Our Lost Generation, is a simple, folksy shuffle of a love song. Maybe it’s the ukulele, or the tambourine, or the rolling bass, but the song sounds perfectly suited for days like today when you can throw the windows open and let the sun dapple the room. Or better yet, grab some headphones and just go lay in the grass and watch the clouds float by. The song comes together bit by bit until, by the end, you find yourself unable to resit its charms any longer. Chandler is an excellent craftsman and his arrangements, while modest, never feel lacking. Everything is just as it should be.

Galapaghost’s second EP, Neptunes, is definitely a darker affair. “Don’t Go & Break My Heart” brings that tambourine back, but has an entirely different feel from “You’re All I Need.” Storm clouds have formed on the periphery, casting the song in a shadow of melancholy while Chandler pleads with a distant lover, maybe the same one from “You’re All I Need,” to do what the title says. It’s a sentiment that anyone separated, either literally or metaphorically, from the one they love can relate to.

Given Chandler’s generous output as Galapaghost in such a brief time, it will be interesting to see what he does next. If he keeps on the path he’s on, it’s likely that he is headed for something great.

MP3 Galapaghost – You’re All I Need
MP3 Galapaghost – Don’t Go & Break My Heart

Album Art Lover: Circular covers

I’m a big fan of album art (one of the reasons I collect vinyl) and occasionally I thought I’d talk about album covers that I like on here. A while back I did a post on album cover look-a-likes that people seemed to enjoy, so I thought I’d start off this feature with a post in a similar vein. This is a mix of 10 albums that feature a large circle prominently on the cover.

Looking through my collection, I was amazed at how many LPs (including two from this year) share this and the many variations of the circle cover, perhaps due to the simplicity and cleanness of the design and the shape which evokes the LP inside the sleeve. View the cover art and download an MP3 from each album below.

MP3 Caribou – Odessa


MP3 Wilco – A Shot In The Arm

MP3 Owen Pallett – Lewis Takes Off His Shirt


(vinyl only artwork)

MP3 of Montreal – Heimdalsgate Like A Promethean Curse

MP3 R.E.M. – At My Most Beautiful

MP3 Muse – Guiding Light

MP3 Tokyo Police Club – 2 In A Cave

MP3 Loney, Dear – I Was Only Going Out

MP3 Busdriver – Kill Your Employer

MP3 Hot Chip – Ready For The Floor

***

Let me know if you have any more ideas for album cover posts!

April Smith and the Great Picture Show

A year ago, April Smith and the Great Picture Show were on the very edge of breaking into the mainstream. Her music was on all those silly MTV shows like The Hills, she had high-profile opening spots for Carrie Underwood and Sara Bareilles, and was even blogged about by Perez Hilton. Luckily, April decided to take her band in another direction, her debut album, Songs For A Sinking Ship is about as far-removed from the mainstream pop world as can be; her latest touring mates have been like-minded bands like Fanfarlo and Langhorne Slim and she even did a session with Daytrotter earlier this year. Ah, all is right with the world.

April Smith’s album came out in February of this year, but with the weather getting warmer, now is the perfect time to check out this cheerful folk-pop tunes (and considering her name, you couldn’t pick a better month to do so). Opener “Movie Loves A Screen” is an absolute pop gem featuring a sunny array of ukulele, hand claps, and trumpet solos that would fit perfectly onto your summer playlist. The lively drum beat sounds like a variation of The Decemberist’s equally summery “The Sporting Life” and April’s voice is pure effervescence. Her earnest plea of “I just wanna mean something to you” exemplifies the album’s innocent, lighthearted take on love and life. Also check out “Colors” which features more spirited ukulele and trumpet instrumentation as well as a infectious sing-a-long coda. Download both tracks below!

MP3 Movie Loves A Screen
MP3 Colors

Purchase Songs for a Sinking Ship at emusic / amazon.

From the Chaff: Woozy Viper, Midas Fall, Harlan T. Bobo

From the Chaff (in reference to this idiom) is a semi-regular series where we post things that might have otherwise slipped through the cracks. Whether it’s singles, EPs or just MP3s that we like, it’s a place for us to collect the things we’ve heard lately but haven’t had a chance to write about yet.

MP3 Woozy Viper – Look Out!

Woozy Viper play a no-budget, no-frills version of rock & roll, the kind you find in legion halls all across the country. Maybe that’s why I love “Look Out!” so much, it reminds me of those bands I would see every weekend playing music just like this simply because it’s fun. The drums sound like they were recorded in the next room and the vocals are mixed too high, but a perfect recording was never the point of this kind of music. The wiry guitar, handclaps, and ghostly backing vocals turn the song into some macabre beach party, complete with references to graveyards and coyotes. You can grab Woozy Viper’s album over at their website for free, so you should go do that. – Matt

MP3 Midas Fall – Moviescenes

I listened to countless numbers of artists from my inbox over the week in a mostly-futile spring cleaning effort, but one band that stood out to me immediately was Edinburgh-based Midas Fall. The moody guitar-driven soundscapes and purposeful drumming of the Scottish post-rockers set the stage for vocalist Elizabeth Heaton’s ghostly croons which are reminscent of both Portishead’s Beth Gibbons and Bat for Lashes’ Natasha Khan. “Moviescenes” is the album-opener and it’s is a great showcase for the band’s glistening, layered guitars (the band has 3 guitarists) which play on post-rock’s loud-soft dynamics as well as Heaton’s captivating, provocative vocals. It’s an enthralling song and one that shows great potential for the young band. – Taylor

MP3 Harlan T. Bobo  – Mile. Chatte

Harlan T. Bobo‘s music is hard to put your finger on, not because it’s complex or inaccessible (in fact it’s quite the opposite), but because it represents so many genres and musical styles. I’ve been listening to his new album, Sucker, which parades from garage rock to twangy folk to guitar pop. The Memphis singer/songwriter has all the bases covered on this mostly light-hearted album. “Mile. Chatte” is a charming first single from the album featuring simplistic acoustic guitar and lines call-and-response vocals sang in both English and French. There’s something about the effortless harmonies and playful euphemisms of the song though that make it a true delight. – Taylor