Deerhunter @ Pitchfork (7/17)

My relationship with Deerhunter has come a long way since I last saw them perform at Pitchfork Festival in 2007. At the time, I found them vastly overrated and their set didn’t do anything to convert me (although seeing Bradford Cox perform in a dress was interesting). Flash forward to current day and I agree with the consensus that Deerhunter are one of the very best indie rock bands around today and I consider Halcyon Digest to be one of the best records of the last couple years.

The band opened with one of my favorites “Desire Lines” and proceeded to play a bunch of my favorites like “Revival”, “Nothing Ever Happened” and “Helicopter” (though I would have loved to see “Memory Boy”). Whether it was feedback-heavy guitar jams or psychedelic garage pop, the band’s kaleidoscopic sonic textures and gripping melodies sounded impeccable. This is one case where I am thrilled that I was wrong. Deerhunter freakin’ rule.

MP3 Desire Lines

Follow the jump for more Deerhunter pictures. Click here to see the full set.

Continue reading “Deerhunter @ Pitchfork (7/17)”

musicforants.com's Best Albums of 2010


(photo by cubagallery)

In a few days 2010 will come to a close and as I look back, I really must say this has been one of my favorite years to cover since I started writing about music. I don’t know how the rest of the decade will keep up the pace, because this year has set the standards extremely high. I’ve commented before that it seems almost all of my favorite artists (Arcade Fire, Sufjan Stevens, Belle & Sebastian, The National, of Montreal, etc) released albums in 2010, and fortunately most of them were magnificent. There was also terrific debut albums (Janelle, Monae, Local Natives, Twin Shadow), sophomore successes (Tallest Man on Earth, Titus Andronicus, Morning Benders) and established artists gone solo (Jonsi, Owen Pallett) that filled our ears with lovely music this year.

This year myself and the other two other brilliant writers on this blog, Matt and Cheryse, voted (very democratically, I may add) on our favorite albums of the year to make one definitive, collaborative list. Below is our Best Albums of 2010 and since there so many albums we loved that couldn’t quite fit on the list, we each have Honorable Mention sections where listed a few of our other favorites. As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. To the readers, thank you for continuing to support this blog year after year and reading what we have to say. Have a wonderful new year!

25. Caribou – Swim

Dan Snaith’s release as Caribous is perhaps the most cleverly named album of the year. From start to finish Swim plays with absolute fluidity like some sort of dance music album marked by the mischievery of skinny-dipping. Each track picturizes the algorithm of oceanic behavior with wavelike breakbeats sequious to life and never really assuming an end. If it not watery and textured, it is a swimmingy rhythmic album that leaves all of the others drowning in sound. –Cheryse

MP3 Odessa
MP3 Kaili

24. Owen Pallett – Heartland

Owen Pallett has already created an impressive body of work at his young age whether it’s the wonderful albums he created under his previous moniker, Final Fantasy or the lovely string arrangements he composes for Arcade Fire. Heartland is his magnum opus though, mixing grandiose, classically-inspired instrumentation and addictive melodies to create thrilling pop gems like “Midnight Directives”, “E Is For Estranged” and “Lewis Takes Off His Shirt”. –Taylor

MP3 Midnight Directives
MP3 Lewis Takes Off His Shirt

23. The Black Keys – Brothers

The Black Keys have gone back to the basics with their six-full length release to date. Dan Aurbech and Patrick Carney have taken the dove-colored intentions of Attack & Release and stolen the spotlight of bluesy rock with riffs of contemptuous optimism. Brothers is an album of pure heart, one I’d like to consider the unofficial confession of a good man weighted with ugly truths yet empowered by his loyalty to the matter at hand. –Cheryse

MP3 Tighten Up

22. Twin Shadow – Forget

Twin Shadow simply appeared earlier this year, fully formed and with a debut album that sounded completely sure of its intentions. With Forget, George Lewis Jr. has made a record that hearkens back to archaic techniques while simultaneously sounding fresh and original. It’s as if these songs have been in the back of your mind for years and you’re just now remembering them. Call it immediate nostalgia. — Matt

MP3 I Can’t Wait
MP3 Castles in the Snow

21. Wolf Parade – Expo 86

You can usually tell a lot about a record in the opening seconds. Wolf Parade’s third the record begins with a relentless guitar riff, piercing synths, and Spencer Krug yelping about hammocks, dream-catchers, and minivans, and the album doesn’t ever let up after that. Both Krug and Dan Boeckner have grown monumentally as artists and the tunes found on this album like “Little Golden Age”, “What Would Your Lover Say”, and “Yulia” stand among the most electrifying and passionate rock anthems these intensely creative songwriters have crafted. –Taylor

MP3 What Did My Lover Say
MP3 Yulia

20. Gorillaz Plastic Beach

For all his world travel and style-dipping, Damon Albarn has ultimately decided he just wants to make great pop music. Eschewing the rigid concepts of the first two records and adopting a loose theme, Plastic Beach is free to sample and explore at will. Albarn recruited his best cast of guests yet, each adding their unique touch in wonderful, and sometimes surprising, ways. Who knew Lou Reed could sound so at home on an electro beat? — Matt

MP3 Superfast Jellyfish (ft. Gruff Rhys and De La Soul)

19. of Montreal False Priest

After the bizarre, kaleidoscopic Skeletal Lamping, it’s great to see Kevin Barnes embracing some more straightforward pop songwriting without losing his proclivity for stylistic experimentation. From the explosive electro-funk opening of “I Feel Ya Strutter” to the magnificent psych-pop of Janelle Monae-featuring “Enemy Gene” and playful, humorous synth-pop of “Famine Affair” and “Our Riotous Defects”, False Priest is a phenomenal addition to an already outstanding catalogue. — Taylor

MP3 Coquet Coquette
MP3 Enemy Gene (ft. Janelle Monae)

18. The Morning Benders Big Echo

The Morning Benders have come a long way since their 2008 release Talking Through Tin Cans. Although they have always been lyrically sound and collectively cool, Big Echo hit the shelves with alarming growth, mostly instrumental which has directly brought Chris Chu’s vocal ability to life. This record is full of beautiful arrangements and harmonies so romantic you might actually just misinterpret the meaning of the song. I’m still trying to figure out how they’ve taken such an innovative direction with their sound and yet have produced something that is unexpectedly nostalgic. –Cheryse

MP3 Excuses
MP3 Promises

17. Belle & Sebastian Write About Love

As has been well-documented on this blog, Belle & Sebastian are one of my favorite bands in the universe and through eight albums, the Scottish collective has become one of the most prolific and consistently wonderful pop bands in recent history. Though their latest album Write About Love doesn’t quite reach the heights of past masterpieces it’s such an immensely enjoyable album that it hardly matters. Energetic, sunny pop numbers that have defined the band for the last decade are mixed in with wispy, twee-pop reminiscent of early B&S, all making for a captivating and highly satisfying listen. –Taylor

MP3 I Want The World To Stop
MP3 Write About Love

16. Deerhunter Halycon Digest

It is as though a year cannot come to an end without hearing something brilliant from the genius that is Bradley Cox. Halcyon Digest is undoubtedly Deerhunter’s most accessible album to date. Their once isolated and dissonant sound has evolved into something cohesive on this record and believe me when I say that it hits the stage at best as their most attention-getting, especially for those hearing them for the first time. Despite some overly reverbed vocals, each track transitions to the next with palatable instrumentation and the album as a whole brings a refreshing perspective to the table. –Cheryse

MP3 Revival
MP3 Memory Boy

15. Jonsi – Go

As the lead singer of Sigur Ros, Jonsi helped produce some of the most beautiful, ethereal music of the past decade, and his first solo album, Go showcases the artist at his most exuberant and accessible. These songs are overflowing with glorious, flourishing instrumentation of piccolos, strings, trumpets and piano. With help from some fabulous collaborators, composer Nico Muhly’s phenomenal compositions, producer Peter Katis’ dense soundscapes, and drummer Samuli’s powerful percussion, Jonsi has made an album that is both triumphant and awe-inspiring. –Taylor

MP3 Go Do
MP3 Boy Lilikoi

14. The Tallest Man on Earth The Wild Hunt

Trying to capture this album with words is mostly pointless. Description doesn’t do it justice; it’s impossible to catalog the intensity and emotion contained within The Wild Hunt. Kristian Matsson is more shaman than musician; he conjures tales and sounds that exist outside of time. Even with its spare pallet, The Wild Hunt invites and rewards exploration. Eventually, the only word needed to describe it is “home”. — Matt

MP3 King of Spain
MP3 Troubles Will Be Gone

13. Foals Total Life Forever

At any given time I begin to question the depth of Oxford Rock, I am instantly put into place by the Foals. Total Life Forever was an album I literally stumbled upon–and by that I mean it rendered me completely speechless. The frenetic temperament of their previous record Antidotes seemingly consumed itself and completely sedated their sound, creating a very docile sophomore release that has their likability factor hitting its peak. This album is their most consistent to date and without any hesitation is a step in the right direction. –Cheryse

MP3 Spanish Sahara

12. Titus Andronicus – The Monitor

I don’t know if there’s been a more hate-it-or-love-it album this year then New Jersey rockers, Titus Andronicus’ sophomore album, The Monitor. Of course, I am firmly in the “love it” category of this sprawling Civil War-themed album , which SPIN magazine aptly described as “Born to Run’s pissed stepchild on an epic spree”. This is an album that is oozing with fiery, youthful abandon which it channels through a barrage of piano, trumpets, violins, vehemently-played guitars and anthemic, sing-a-long choruses at every turn. It’s a fully immersive listening experience that leaves a lasting impression, taking you through breathtaking highs and crushing lows. –Taylor

MP3 A More Perfect Union
MP3 A Pot In Which To Piss

11. Hot Chip – One Life Stand

With One Life Stand, Hot Chip have succeeded in becoming more heartfelt and musically accomplished then ever before without losing any of their dance-floor appeal. The London electro-pop quintet’s focus here is on straightforward pop songwriting without losing those huge, club-banging climaxes of cascading synths and frenzied disco beats. From the explosive synth / guitar attack of opening jam, “Thieves In The Night” to the irresistibly catchy closer “Take It In”, the band provides one spectacular song after another, resulting in their most consistent and overall best album yet. –Taylor

MP3 One Life Stand
MP3 Take It In

10. Local Natives – Gorilla Manor

I can’t think of an Artist Spotlight that I was more excited to write this year than that of Local Natives. Gorilla Manor earned, and rather comfortably, an infectious debut–and that stretches beyond any bias I have towards the Silverlake music scene. There isn’t a single filler on this record and is probably one of the few that harnesses its artful density even when played acoustically. From the leaks until the actual release, almost every song that has made its way to the blogosphere still continues to dominate the hype machine. –Cheryse

MP3 Camera Talk
MP3 Sun Hands

9. Janelle Monae The Archandroid

What makes Janelle Monae’s Archandroid such a magnificent album is it’s tenacious creativity and unconventionality. A sci-fi concept album about a time-traveling dancing android that combines funk, pop, R&B, hip-hop, classical, indie and soul (to name a few) sounds like it would be a complete mess, but Monae succeeds tremendously at just about everything she tries. With her effervescent charisma, killer hooks, and out-of-this-world vocals, she’s made an album which should be considered a pop music classic. — Taylor

MP3 Tightrope (ft. Big Boi)
MP3 Cold War

8. Joanna Newsom – Have One On Me

Have One On Me is an overwhelming album in scope, length, and ambition, filled with beautifully woven and masterfully performed songs such as “Good Intentions Paving Company” and “Baby Birch”. It’s an album you feel that Newsom worked every waking second perfecting since the masterful Ys was released in 2006. An rich and plentiful listening experience, it will astound you the first time you hear it but requires multiple listens to unlock all of it’s lavish beauty. — Taylor

MP3 Good Intentions Paving Company
MP3 ’81

7. Big Boi – Sir Luscious Left Foot: Son of Chico Dusty

Sir Lucious Left Foot… is a fundamentally weird album. It’s hip-hop from another galaxy, one where Big Boi’s lightspeed flow and black hole lyrics are as common as two purple suns. The beats are supernovae, consuming everything in their path. It’s an amalgam of styles that could only come from out there, the place few dare to travel but Big Boi calls home. — Matt

MP3 Shutterbugg (ft. Cutty)
MP3 Shine Blockas (ft. Gucci Mane)

6. Arcade Fire – The Suburbs

It’s almost hard to imagine that at one time, Arcade Fire were just another obscure band from Canada, releasing music that reached very few ears and playing shows in half-empty bars. What’s amazing though, is through their journey from mildly successful underground band to Grammy-nominated chart-toppers, they haven’t lost touch of what makes them great, their life-affirming, overwhelmingly beautiful music.

The band expands their palette on this album, adding surging disco beats and euphoric synths to their exhilarating rock anthems, all while taking their overarching themes of innocence, rebellion, escapism, the universal human struggle, and looking at it from a new, wiser perspective. The album may be their most rewarding listen yet, complex, and fully immersive, delivering songs like “We Used To Wait” and “Sprawl II”, that stand among the most powerful of their career. Most of all, The Suburbs confirms Arcade Fire’s status as the best rock band in the world. — Taylor

MP3 We Used To Wait
MP3 Sprawl II (Mountains Beyond Mountains)

5. LCD Soundsystem – This Is Happening

This is a not a record, it’s an event of the style 40 years gone. Rent a mansion across the country. Build your own studio. Strict dress code. Labor over every minute detail. Do the drums sound perfect? Is the bass fuzzy enough? How many people do we need shouting on this chorus? After everything, it sounds completely effortless, as if the songs just formed as they went along. No one makes albums like James Murphy, because no one else can. –Matt

MP3 Dance Yrself Clean
MP3 All I Want

4. Beach House Teen Dream

Maybe it is unfair that I was allowed to speak on this album… considering how bat-shit crazy I am about this band, but dream-pop duo, Beach House, truly proved that third time’s a charm and again, I sit here grinning as a fan from the start. Teen Dream waltzed into the new year with its breathtaking composition, subtletly demonstrating a sense of confidence wrapped lyrical romanticism. This is an album of real grace and power the variety found within the song collection is truly endless. Perhaps credit is due to producer Chris Cowady, but in contrast to their previous releases, this record is incredibly tangible and punctuates on any infatuation you’ve might have the band prior. –Cheryse

MP3 Zebra (UK Edit)
MP3 10 Mile Stereo

3. Kanye West – My Beautiful Dark Twisted Fantasy

Kanye West will not settle for being anything but the greatest, and he makes his case with this album. My Beautiful Dark Twisted Fantasy is an amalgamation of everything so far, the perfect summation of West-to-now. He has created a hydra, a siren, a phoenix, eternal and relentless, simultaneously beautiful, dark, and twisted. It is perfect and flawed, consummate and incomplete, alpha and omega. It is an album that could only be made right now and could only be made by him. — Matt

MP3 Runaway (ft. Pusha T)

2. Sufjan Stevens The Age of Adz

Sufjan Stevens makes intimate music. Even when tackling subjects like entire states or serial killers, he has always found a way to turn his focus inward, hoping to illuminate some hidden truth about himself. But with The Age of Adz, Sufjan Stevens has created his darkest and most personal album yet. The oppressive atmosphere, the despondent lyrics, the apocalyptic artwork: this is the product of someone working through some serious issues and letting us witness the process. The results are entirely uplifting, resulting in the kind of true catharsis few get to experience, even vicariously. We are all lucky Stevens let us face this with him. — Matt

MP3 I Walked
MP3 Impossible Soul

1. The National – High Violet

The National were once pegged as a perpetual underdog, but now with three genuine masterpieces under their belt, the Brooklyn-via-Ohio quintet have become a band that’s impossible to ignore. High Violet may just take the prize for their most exceptional album yet. The album is their most captivating, gorgeous creation as well as being the most staggeringly emotional. The band has taken their orchestral arrangement prowess to the next level with a breathtaking symphonic concoction of guitars, strings, horns, vocals and those oh so, important drum fills.

The band is ceaseless with their near-hysteric melodrama (equating marriage to cannibalism, fatherhood with paranoia, family reunions to a swarm of bees) but I don’t think that there’s anyone describing the American experience better in this day and age. And even in their somber ruminations, there’s dynamic performances and massive choruses to lift your spirits. I think Peter Silberman of The Antlers described it best when he said “The National isn’t so much ‘a band’ as it’s a piece of another person’s life that helps yours make sense.” By matching the sensational emotions that we all feel with delicately epic music, the band embraces the melancholy of society and makes our world that much more colorful. –Taylor

MP3 Bloodbuzz Ohio
MP3 Conversation 16

Taylor’s Honorable Mention:

Spoon – Transference
Broken Social Scene – Forgiveness Rock Record
Tokyo Police Club – Champ
The New Pornographers – Together
Laura Veirs – July Flame
Two Door Cinema Club – Tourist History
Shearwater – Golden Archipelago
Delorean – Subiza
Suckers – Wild Smile

Matt’s Honorable Mention

How To Dress Well – Love Remains
Gil Scott Heron – I’m Still Here
Robyn – Body Talk
Chromeo – Business Casual
Clive Tanaka y su orquesta – Jet Set Siempre 1°
The-Dream – Love King
James Blake – CMYK / Bell’s Sketch / Klavierwerke
Vampire Weekend – Contra
Sleigh Bells – Treats

Cheryse’s Honorable Mention:

Yeasayer – Odd Blood
Phantogram – Eyelid Movies
Mumford & Sons – Sigh No More
Dr. Dog – Shame
Love Language – Libraries
Toro y Moi – Causers of This
The Walkmen – Lisbon
Ra Ra Riot – Orchid
Born Ruffians – Say It

Thanks again to everyone for reading! We will be back in 2011…

musicforants.com's Best Songs of 2010


(photo by cubagallery)

Best songs of the year is typically the most difficult list to make but also the most rewarding. There’s nothing more indicative of a year in music then it’s greatest songs, and evident from the tracks listed below, I’d venture to say 2010 was a pretty great year.

To add some perspective and keep my head from exploding due to too much writing (it could happen), I asked Matt to help with the list this year. We combined our favorite songs (carefully removing any artist overlaps) and came up with a definitive 50 best songs of 2010, presented in highly unscientific ordered list form. My songs have a “-TJ” next to them and Matt’s are marked with a “-MG”. Simple enough, right?

There’s a link by each song choice where you can download/hear the song, and you can download complete zip of all the songs listed below by clicking this link. If you like a song, do the right thing and go buy music by that artist. I hope you enjoy these 50 songs just as much as we do!

50. Pure Ecstasy – Easy MP3
“Easy” is some perfect pop melancholy wrapped in a blanket of fuzz. That might make Pure Ecstasy sound like hundreds of other bands right now, but these guys have it down better than just about everyone else. Now if only we could get a full-length, or at least a singles collection. -MG

49. Phantogram – Mouthful of Diamonds MP3

“Mouthful of Diamonds” hooks you in immediately with it’s old-school drum loops, irresistibly buzzy synths, and Sarah Barthel’s seductive vocals. The duo specializes in addicting, well-crafted electro pop and there’s no better example then this exquisite tune. – TJ

48. Lindstrom & Christabelle – Lovesick MP3

Lindstrøm dropped this song early in the year, but it stayed in heavy rotation for the next 11 months. “Lovesick” sounds like some alternate universe future disco, complete with piano stabs Christabelle cooing over everything. Also, it sounds like she’s saying “caramel empanada”. -MG

47. Japandroids – Younger Us MP3

One of my favorite tracks last year was Japandroids thrilling garage-punk anthem “Young Hearts Spark Fire” and this year’s single, “Younger Us” is a perfect continuation of the song’s passionate, nostalgic lyrics and explosive, fuzzed-out guitar riffs. -TJ

46. Gorillaz – Some Kind of Nature (ft. Lou Reed) Y2B

Picking just one song from Plastic Beach was hard, but I found myself going back to this one featuring Lou Reed rather than something more obvious. I don’t know how Damon Albarn managed to make the wily Reed sound at home so far out of his comfort zone, but it totally works. -MG

45. Cults – Go Outside MP3

Cults splashed onto the indie scene this year with nary more than a random press photo and a couple of exuberant throwback pop songs and now look how far they’ve come. I said: It really shows how far an infectious sing-a-long chorus and some glockenspiel will go when put in the right hands. The band has used some simple elements and made one of the most charming, joyous tracks of the year. – TJ

44. Gil Scott-Heron – Your Soul and Mine MP3

I’m New Here has no shortage of great tracks, but they’re all good for different reasons. “Your Soul and Mine” encapsulates the entire album, the sparse production providing accompaniment to Scott-Heron’s despondent prose but still somehow coming off as completely beautiful. -MG

43. Delorean – Real Love MP3

“Real Love” is one of the most cathartic tracks of the year and, as evidenced by their live show, also one of the funnest to dance along with. Mixing fluttering vocals with swirling bursts of synths and a vibrant house beat, the song is one breathtaking high after another. – TJ

42. Matthew Dear – You Put A Smell On Me MP3

Was there a song this year that sounded as filthy? You can almost taste the sweat dripping off of this jam. The songs blasts with the right kind of dark bombast to turn it into the soundtrack to any number of lascivious behaviors. -MG

41. Fang Island – Daisy MP3

I said: “Daisy” is an incredibly dense, nosiefest of a song that beats even Los Campesinos! in it’s excess and musical unrestraint. Comparisons are really mute though, because in all honestly this doesn’t sound like anything I’ve heard before, all I know for sure is that I really like it. Prepare for yourself for time-signature changes, outrageous guitar solos, and finely-tuned vocal harmonies. – TJ

Follow the jump below to see the rest of the list!

Continue reading “musicforants.com's Best Songs of 2010”

Favorite Live Shows of 2010

It’s time for more end-of-year lists! It’s been another busy year for me, but I’ve managed to see lots of great live shows. I figured out that well over half of the artists that made it onto my favorite albums of the year list I saw in concert, which I suppose is a pretty good thing. I chose the 15 shows of 2010 that I loved the most for this list. Make sure to visit the musicforants.com flickr page to check out all my concert pictures from this year.

15. Tokyo Police Club @ Castle Theater (Bloomington)

I just saw Tokyo Police Club last weekend and haven’t had time to do a proper show review, but the band put on a brilliant show. “Bambi”, “Wait Up (Boots of Danger”, and “Favorite Food” are some of my favorite tracks of the year and they all sounded great live. Plus, the Castle Theater, a newly opened venue in downtown Bloomington, was superb, I’m hoping to see many more shows there.

MP3 Toyko Police Club – Wait Up (Boots of Danger)

***

14. Big Boi @ Pitchfork Festival (Chicago)

Big Boi is responsible for some of my favorite hip-hop ever and he played all my favorites at his Pitchfork Festival set from his amazing solo work like “Shutterbugg”, “General Patton” and “Shine Blockas” to classic Outkast jams like “B.O.B.” and “Ms Jackson”.

MP3 Big Boi – Shine Blockas

***

13. Fang Island @ Canopy Club (Urbana)

Fang Island put on an outstanding performance during their Canopy Club set as a part of Pygmalion festival. The band’s fist-pumping party anthems are meant to be heard live and the destroyed, song after song.

MP3 Fang Island – Daisy

***

12. Wolf Parade @ Pitchfork Festival (Chicago)

This year was my first time seeing Wolf Parade, one of my long favorite bands, and they did not disappoint. The Expo 86 songs sounded fantastic live and the one-two punch of “This Heart’s on Fire” and “I’ll Believe In Anything” blew my mind.

MP3 Wolf Parade – Cave-O-Sapien

***

11. Guided By Voices @ Riviera Theatre (Chicago)

Guided By Voices’ reunion show was one of the most boisterously fun rock shows I’ve seen. The legendary band played a set of all-classic tunes and favorites like “Echos Myron”, “Game of Pricks”, and “I Am A Scientist” were all played to perfection.

MP3 Guided By Voices – I Am A Scientist

***

10. Local Natives @ Pitchfork Festival (Chicago)

Local Natives intricate, multi-layered songs are a joy to hear on record, but they are even better to see live. The band performs like a well-oiled machine, from the aggressively energetic percussion to the gorgeous multi-part harmonies, every aspect of their performance was incredible.

MP3 Local Natives – Wide Eyes

***

9. Caribou @ Canopy Club (Urbana)

Caribou provided a phenomenal closing set to Pygmalion Festival this year. It was non-stop dance party from the trancey, synth-soaked opener “Kaili” to euphoric, puslating closer, “Sun”.

MP3 Caribou – Sun

***

8. Spoon / Deerhunter @ Aragon Ballroom (Chicago)

Spoon are as reliably great live band as they are on record, and they put on an electrifying performance. I’ll never tire of hearing amazing songs like “Jonathon Fisk”, “I Summon You” and “You Got Yr. Cherry Bomb” played live and the band had great opening support from Deerhunter.

MP3 Spoon – Mystery Zone

***

7. Janelle Monae / of Montreal @ Canopy Club (Urbana)

I was simply blown away by Janelle Monae’s opening performance at Pygmalion Festival. I was won over immediately by her magnetic stage presence, infectious energy, electrifying dance moves and absolutely spectacular vocals. Of Montreal had a difficult job following Monae’s sensational show, but their bizarre performance art and glam-dance-pop tunes are always entertaining to see live.

MP3 Janelle Monae – Tightrope

***

6. LCD Soundsystem @ Pitchfork Festival (Chicago)

LCD Soundsystem provided a masterful headlining set to day two of Pitchfork Festival. The band’s thrilling dance-rock anthems like “Losing My Edge” and “Daft Punk Is Playing At My House” stirred the crowd into a sweaty, dance frenzy and singing along to “All My Friends” with 15,000 people was an incredible experience.

MP3 LCD Soundsystem – All My Friends

***

5. The National / Owen Pallet @ The Pageant (St. Louis)

The three times I had seen The National before this had all been in outdoor festival settings, and this concert at The Pageant theater in St. Louis was by far my favorite. The band’s frenetic chamber rock is meant to be heard in this type of environment they put on a powerful and engaging live performance. Whether it was fist-pumping rockers like “Bloodbuzz Ohio” and “Abel” or intimate ballads like “Slow Show” and “Afraid of Everyone” all the songs hit their mark. Owen Pallet also put on an extremely impressive set with violin plucking and looping that rivals even Andrew Bird.

MP3 The National – Abel

***

4. Titus Andronicus @ Pitchfork Festival (Chicago)

Nothing could have prepared me for the glorious insanity of Titus Andronicus’ Pitchfork Festival set. The intensity and reckless abandon that these guys and gal play with is mindblowing. The band demolished everything in their path on songs like the uplifting “Four Score and Seven” and the near-15 minute triumphant epic “Battle of Hampton Roads”. One of the most captivating and passionated performances I’ve seen.

MP3 A More Perfect Union

***

3. Hot Chip / The xx @ Riviera Theatre (Chicago)

Hot Chip’s show was undeniably the funnest show I attended all year. The xx opened the show superbly with their hypnotic dream-pop and then came the outburst of glee that was Hot Chip’s sweaty, dance-crazed set. The band’s hits like “Ready For The Floor”, “Take It In” and “Boy From School” were phenomenal and the synth / guitar attack of Thieves in the Night” absolutely tore the place apart.

MP3 Hot Chip – One Life Stand

***

2. Jonsi @ The Vic (Chicago)

Jonsi’s concert was a completely immersive experience like nothing I’ve witnessed before. The Icelandic artist’s gorgeous songs were accompanied by an incredible array of visuals projected on the stage from snowstorms, rippling water, to leaping wolves. The intricate arrangements on tracks like “Tornado”, “Sinking Friendships” and the exuberant “Go Do”  were all performed magnificently by the band and Jonsi’s otherworldy falsetto was as beautiful as ever. Everything came together to make this a stunning, extraordinary concert.

MP3 Jonsi – Go Do

***

1. Sufjan Stevens @ Hilbert Circle Theatre (Indianapolis)

There was never really even a contest for this number one spot. Sufjan Stevens magnificent return to music this year was topped off by his unbelievably great live show. Sufjan toned down the rippling, glitchy noises from Age of Adz for the live performances turning them into ambitious, imaginative, yet highly-accessible pop songs. And while I was blown away by the electronica portions of the set (especially the 25 minute magnum opus “Impossible Soul”) it was the all-acoustic encore of “Concerning The UFOs” “Casimire Pulaski Day”, “Dress Looks Nice On You” and “John Wayne Gacy Jr.” that truly left me speechless. Hearing some of my favorite songs ever performed by my favorite artists in such an intimate and emotional fashion was truly awe-inspiring and something I’ll never forget.

MP3 Sufjan Stevens – Age of Adz

Honorable Mentions:

Robyn – Live @ Pitchfork Festival (Chicago)
The Antlers / Phantogram – Live @ Canopy Club (Urbana)
Cults – Live @ Canopy Club (Urbana)
Major Lazer – Live @ Pitchfork Festival (Chicago)
Cap’n Jazz – Live @ Krannert Center (Urbana)
St. Vincent – Live @ Pitchfork Festival (Chicago)
Candy Claws – Live @ The Art Theater (Champaign)

Spoon / Deerhunter – Live @ Aragon Ballroom

After taking an extended break from concerts, I now have a full calendar lined up for the next couple months kicking off with the always incredible Spoon, who played Aragon Ballroom last Thursday night with backing from Deerhunter and Micachu & the Shapes (who I unfortunately didn’t make it in time to see). Although this was my third time seeing Spoon, both others were festival shows and I’ve been looking forward to seeing them play a full set. The band generously played 24 songs over the hour and 45 minute set, mixing new songs with plenty of old favorites. Although the expansive ballroom certainly wasn’t the ideal place to see Spoon play (that would likely be Schubas or The Metro), the band was still able to triumph over the sound issues and put on a fantastic show.

The last time I saw Deerhunter was their ’07 Pitchfork Festival set soon after their debut album Cryptograms was released. I wasn’t too impressed with their primarly ambient noise-driven music at the time, but as the band has since adopted a melodic, structured sound I’ve grown to appreciate them more and more. During their set, I was struck with their musicmanship. Bradford Cox is a hell of a guitar player, and the band’s sprawling, punchy psych-punk gives him many opportunities to show off his advanced jamming skills (especially on “Nothing Ever Happens”). The band still have a good amount of droning, reverb guitar but they incorporate enough quick tempo changes and odes to pop to keep it interesting.

Britt Daniel took the Christmas-light adorned stage solo, opening the set with two acoustic performances, “Me and the Bean” and “The Mystery Zone”, both of which greatly benefited from being heard in their raw, stripped-down forms. The rest of the band band joined him for charged performances of “Written in Reverse” and “Got Nuffin'”, two of the fiercest rockers from the band’s newest album. While Transference has been viewed as a more difficult, complex album from Spoon, the songs packed a huge punch, especially “Written in Reverse” which is an absolute beast in a live setting.

The band continued with an exceptional one-two punch of “My Mathematical Mind” and “Don’t Make Me A Target”, both featuring extended Britt Daniels guitar freakouts. From there, Spoon played a brilliant mixture of crowd-pleasers (“The Underdog”, “I Summon You”), older favorites (“Everything Hits At Once”, “Jonathon Fisk”) and newly minted classics (“You Got Yr. Cherry Bomb”, “Dont Ya Evah”). They definitely lived up to their reputation for being a tight live band, both in their briskly-paced set and in the precision and dexterity of  their performances.

While the focus of the show never leaves Britt Daniel, who is an outstanding, intensely confident front man, the rest of the band must be praised for their solid contributions to the band’s sound. Eric Harvey’s rhythmic, melodious keys have always been essential to their recorded outpout, and live even more-so, while Rob Pope’s persistent bass and Jim Eno’s rigorous drumming lay a firm groundwork for Britt to unleash his vehement guitar outbursts. The band’s spastic intensity was seen most clearly in “Small Stakes” which has long been a favorite of mine, and was one of the tracks I hoped to see live the most. As soon as those glitchy keyboards started, I was ecstatic.

One of most interesting song choices came midway through the set when they played a cover of Wolf Parade’s “Modern World” which made for a pretty cool moment. The end of the first set saw them bust out the super infectious sing-a-longs as “I Summon You”, “Cherry Bomb”, and “The Underdog” all showcased just why the band has gone from relative obscurity to being one of the most prominent “it” band of the last few years. After a lovely reading of “Black Like Me”, the band took a short break before returning for a magnificent five-song encore which included the head-bobbing “I Turn My Camera On” and perhaps the catchiest song on the new album, “Trouble Comes Running”. After playing their breakthrough hit “The Way We Get By”, the band spontaneously burst into a thrilling version of “Johnathon Fisk”, complete with Britt jumping up to the very edge of the stage as he played the sharp, propulsive guitar riff. The performance was absolutely electrifying and put a perfect cap on the night.

Although I thoroughly enjoyed this show, I have to mention that it wasn’t without it’s problems. Due to the size and unforgiving acoustics of the room (I’ve heard Aragon described as playing in a gymnasium) the band was plauged with sound issues. From my perspective, directly in front of the stage, any flaws in the sound were barely noticeable, but I heard from fellow concertgoers the sound became distorted and muddled the further back you were in the room. Even more troubling, the band couldn’t hear each other on stage which made for some awkward syncing on songs without a heavy drum beat like “Ghost Of You Lingers”. Although he was clearly frustrated, Britt handled the sound issues like a pro and still managed to put on an excellent show by all accounts. Instead of discouraging him, he seemed to throw himself even more into performance, especially during the encore, where he thanked the crowd for sticking through and being “the best audience ever”. Classy fellow that Britt Daniel.

MP3 Spoon – Written In Reverse
MP3 Spoon – Jonathon Fisk

Head over to setlist.fm to view the show’s setlist.

View more Spoon / Deerhunter pictures after the jump. Click here for the entire set.

Continue reading “Spoon / Deerhunter – Live @ Aragon Ballroom”

Boom! Boom boom, cha! ("Be My Baby" Drum Intro) Mix

The “Be My Baby” intro is possibly the most iconic drum beat in pop music. The Phil Spector-penned “boom, boom boom, cha!” is instantly recognizable and the beat has been been both duplicated and used in a number of variations by artists time and time again. The Jesus and Mary Chain liked the beat enough to use it four times on their debut album, Psychocandy (most notably in “Just Like Honey”) and since then it seems to have become a staple in indie pop music.

The beat has endured from The Ronettes‘ original use in 1963 throughout every decade and has even found it’s way into 2010 with Owen Pallett’s “Lewis Takes Action”. There’s enough examples of songs using the drum beat to fill a dozen mix CD’s (many of them listed in this ongoing ilxor thread), but I’ve selected twenty of the my favorites that you can fit on one. Let me know in the comments if there’s any more you can add!

Download “Boom! Boom boom, cha! Mix” (94.46 MB – 1.1 hours)

MP3 The Ronettes – Be My Baby
MP3 Jesus and Mary Chain – Just Like Honey*
MP3 Camera Obscura – Eighties Fan
MP3 The Shangri-Las – Leader of the Pack
MP3 Pains of Being Pure At Heart – Gentle Sons
MP3 Johnny Boy – You Are The Generation That Bought More Shoes And You Get What You Deserve
MP3 The Magnetic Fields – Candy
MP3 Bat for Lashes – What’s A Girl To Do
MP3 Elvis Costello & The Attractions – Hand In Hand
MP3 Deerhunter – Vox Humana
MP3 The Mary Onettes – Explosions
MP3 The Pipettes – Sex
MP3 Depeche Mode – A Question of Lust
MP3 Empire of the Sun – Without You
MP3 Jay Reatard – An Ugly Death
MP3 Girls – Ghost Mouth
MP3 Editors – The Weight of the World
MP3 Asia – Heat of the Moment
MP3 Jens Lekman – A Higher Power
MP3 Owen Pallett – Lewis Takes Action

*also see “Sowing Seeds”, “Cut Dead”, “Something’s Wrong”

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Download Part 2 of this mix “Boom! Boom boom, cha! Redux”.
Download Part 3 of this mix “Boom! Boom boom, cha! (v3.0)”

Dept. of Forgotten Songs

Does it seem like every year the best of lists are out faster?  Blender, Paste, and Amazon have already released their lists for the year, and I’m busy re-listening to ’08 music and compiling my lists. In the process I’ve found some songs that I’ve enjoyed over the year, and for one reason or another forgot about, and have yet to feature on this site.  Here’s a few of those songs that I recently rediscovered.  Enjoy!

MP3 Frightened Rabbit – Keep Yourself Warm
This song hits me in the same way The Twilight Sad’s “Cold Days from a Birdhouse” did last year, and not just because of the lead singer’s shared Scottish accents.  It’s an incredibly passionate, soaring rock anthem.

MP3 Bodies of Water – Darling, Be Here
This California band made one of my favorite debuts last year. Their sophomore album replaces gospel-folk epics with prog-rock epics and this song is the best of them.  The monster guitar riff, quirky keyboard breakdown, and jubilant vocal climax makes “Darling, Be Here” a triumph.

MP3 The New Year – The Company I Can Get
This song seems fairly unnasumming at first, but I found myself hooked in by its waltzy piano, ringing guitar, and lingering melody.

MP3 Deerhunter – Agoraphobia
When I first heard this song, I had double check make sure it was actually Deerhunter.  The enthralling jangly synth-pop of “Agoraphobia” sounds nothing like the ambient post-punk Cryptograms, which is probably why I like it so much.

MP3 The Last Shadow Puppets – Standing Next To Me
This song bolts out of the gate from the first seconds, delivering some of the catchiest British dance-punk I’ve heard this year.  But aside from the playful guitar and heavy accents typical of the genre, the grandiose orchestration on the track (which includes everything from strings to tympani) really make it rewarding listen.

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I’ve already gotten a lot of great feedback on the new banner and logo. Big thanks go to Nick Duncan, talented designer/photographer, and all-around good-guy, for creating those for me.

The Anathallo review went up yesterday at Pitchfork, and although I would have given it a higher score and still don’t understand why the constant Sufjan comparisons are necessary, I think it was a solid write-up.  I think signing to anticon forced Pitchfork to start taking the band seriously and I do agree that Canopy Glow is a significant progression and continues to show tremendous potential for the band.