musicforants.com's Best Albums of 2012


(photo by cubagallery)

We’re quickly approaching the end of 2012 and/or the world depending on your interpretation of Mayan prophecy, and that can only mean it’s time to reflect on the best albums of the year. For me, one record stood head and shoulders above the rest in 2012, so album of the year was an easy decision, but there was much deliberation for the other 24 positions (plus, honorable mentions). This was one of the most diverse years of music in recent memory, with pop, guitar-oriented rock, folk music, indie-pop and electronica all being represented just about equally. It was also a year where lots of debut albums and new favorites dominated my listening, with 3/5 of the artists making their first appearance on one of my year-end album lists.

I want to thank you guys for continuing to read and support this blog. Next year, musicforants.com will be making some changes / transitions. I’m dedicated to continue sharing my music recommendations, mixes, lists, musings and whatever else, but for a variety of reasons, that won’t look the same in 2013 as it does now (stay tuned for more info on that). As always, feel free to leave a comment if you like what you see on this list and let me know if you have any of your own favorite albums to add. Have a wonderful holidays!

25. Father John Misty – Fear Fun

MP3 Nancy From Now On
MP3 Hollywood Forever Cemetary Sings


 

24. Hospitality – Hospitality

MP3 Eighth Avenue
MP3 Friends of Friends


 

23. Dirty Projectors – Swing Lo Magellan

MP3 Gun Has No Trigger
MP3 About To Die


 

22. Allo, Darlin’ – Europe

MP3 Capricornia
MP3 Tallulah


 

21. Jessie Ware – Devotion

MP3 Wildest Moments


 

20. Bowerbirds – The Clearing

MP3 Tuck The Darkness In
MP3 In The Yard


 

19. Cloud Nothings – Attack On Memory

MP3 Stay Useless
MP3 Wasted Days


 

18. First Aid Kit – The Lion’s Roar

MP3 Emmylou
MP3 King of the World


 

17. Bat For Lashes – The Haunted Man

MP3 Laura


 

16. Titus Andronicus – Local Business

MP3 Still Life With Hot Deuce On A Silver Platter
MP3 In A Big City


 

15. Shearwater – Animal Joy

MP3 You As You Were
MP3 Breaking The Yearlings


 

14. Lord Huron – Lonesome Dreams

MP3 Time To Run
MP3 Brother


 

13. DIIV – Oshin

MP3 How Long Have You Known


 

12. The Mountain Goats – Transcendental Youth

MP3 Cry For Judas
MP3 Harlem Roulette


 

11. Sigur Rós – Valatari

MP3 Ekki múkk


 

10. Twin Shadow – Confess

MP3 Five Seconds
MP3 When The Movie’s Over


 

9. Hot Chip – In Our Heads

MP3 Don’t Deny Your Heart
MP3 Flutes


 

8. Andrew Bird – Break It Yourself

MP3 Eyeoneye
MP3 Danse Carribe


 

7. Spiritualized – Sweet Heart, Sweet Light

MP3 Hey Jane


 

6. Japandroids – Celebration Rock

MP3 The House That Heaven Built
MP3 Younger Us


 

5. Jens Lekman – I Know What Love Isn’t

MP3 I Know What Love Isn’t
MP3 The End Of The World Is Bigger Than Love


 

4. Chromatics – Kill For Love

MP3 Kill For Love
MP3 Lady


 

3. Beach House – Bloom

MP3 Myth
MP3 Lazuli


 

2. Grizzly Bear – Shields

MP3 Speak In Rounds
MP3 Yet Again


 

1. Frank Ocean – channel ORANGE

MP3 Pyramids
MP3 Thinking About You

Honorable Mentions:

Moonface – with Siinai: Heartbreaking Bravery
Grimes – Visions
The Tallest Man On Earth – There’s No Leaving Now
Tame Impala – Lonerism
Chairlift – Something
Kindness – World, You Need A Change Of Mind
Alabama Shakes – Boys & Girls
Porcelain Raft – Strange Weekend

Spotify Playlist: musicforants.com’s Best Albums of 2012

Thanks again to everyone for reading! Stay tuned…

musicforants.com's Best Songs of 2012


(photo by cubagallery)

These are 50 tracks that delighted, inspired and fascinated us in 2012 and that we think are worthy of remembering long after the year is over. We present them here in highly unscientific ordered list form, with Matt’s songs marked with a “-MG” and my choices with a “-TJ” next to them. To better spread the love, we’ve stuck with the one song per artist rule. Click here to download all the tracks in a zip and subscribe to our Spotify Playlist to stream them all. Enjoy y’all!

50. Porcelain Raft – Unless You Speak From Your Heart MP3

Porcelain Raft’s Strange Weekend is one of my favorite debut albums of the year, and this swelling synth-pop anthem is the shining moment. -TJ

49. Sharon Van Etten – Give Out MP3

“Give Out” is Sharon Van Etten exploring the tension of exciting possibilities that she knows will inevitably lead to resentment. It exists in this weird space of breakups that haven’t actually happened yet. -MG

48. Moonface – Teary Eyes and Bloody Lips MP3

One of our generations’s most gifted songwriters delivers this soaring new-wave guitar anthem that sits as one of the best (and most explosive) tracks in Spencer Krug’s extensive catalog. -TJ

47. The xx – Chained [stream]

Even if “Chained” wasn’t really indicative of the rest of The xx’s new album, it proved that their first round wasn’t a fluke. They sound even more sure of themselves here, stripping away their sound until we’re left with something simple and pure. -MG

46. Hundred Waters – Me & Anodyne MP3

Hundred Waters have proved to be one of the most promising new bands of the year with tracks like this otherworldly gem, filled with layers of  vocals, synth textures and bubbling electronica. -TJ

45. Dirty Projectors – About To Die MP3

The best part of any Dirty Projectors song is trying to figure out why they put these particular sounds together, and “About to Die” provides plenty of puzzlers. It’s simultaneously weird and accessible, a combination few pull off as well.  -MG

44. Bobby Womack – Please Forgive My Heart MP3

Soul legend Bobby Womack delivers a passionate, heartfelt vocal performance in this electro-soul confessional produced with gorgeous sonic flourishes by Damon Albarn. -TJ

43. Nite Jewel – One Second Of Love MP3

“One Second of Love” sounds homemade, but not lo-fi. It’s intimate, but still gives off the vibe that it could pour out of speakers if it needed to. -MG

42. Eternal Summers – Millions MP3

The Virginian indie pop duo, Eternal Summers captivate with this dreamy, sunkissed power-pop tune that captures the very essence of summer in a brisk 2 minutes and thirty seconds. -TJ

41. Death Grips – I’ve Seen Footage MP3

“I’ve Seen Footage” was Death Grips’ shot across the bow of 2012, and by the end of the year the band had courted more than their share of controversy. It’s a reminder of a simpler time, when they were just assaulting eardrums instead of offending eyeballs. -MG

Follow the jump below to see the rest of the list!

Continue reading “musicforants.com's Best Songs of 2012”

Favorite Live Shows of 2012

As a result of certain life events due to transpire next year, I may not be going to concerts / festivals at the same rate I used to, so it’s a good thing that I went all out this year. This was my first year I went to Bonnaroo in addition to my usual Pitchfork Fest / Pygmalion coverage, and I  got to see some of all-time favorite, bucket list artists for the first time like New Order, Jeff Mangum and the Beach Boys. Below are my 20 favorite live shows of the year. You can visit the musicforants.com flickr page to view all my concert pictures.

20. Santigold @ Bonnaroo (Manchester, TN)

MP3 Santigold – Lights Out

***

19. Wild Flag @ Pitchfork Festival (Chicago)

MP3 Wild Flag – Romance

***

18. The Head and the Heart @ Canopy Club (Urbana)

MP3 The Head and the Heart – Sounds Like Hallelujah

***

17. Alabama Shakes @ Bonnaroo (Manchester, TN)

MP3 Alabama Shakes – Hold On

***

16. Lord Huron @ Pygmalion Festival (Champaign/Urbana)

MP3 Lord Huron – The Stranger

Continue reading “Favorite Live Shows of 2012”

Pygmalion Festival – Day Two (Dirty Projectors / Best Coast / Lord Huron / Tennis / Hospitality / Hundred Waters)

One of the great things about this year of Pygmalion Music Festival is that since it was condensed to three days instead of the normal four days (or five, the case of ’10), the festival organizers were able to fit a ton more of amazing bands into one night, all killer no filler if you will. Friday night was the best example, starting with great sets by Tennis and Dirty Projectors at the outdoor stage in downtown Urbana.

All due respect to Best Coast, but as far as band’s that play retro, sunny pop music, Tennis were clearly the winners on Friday night. The band played a fantastic set, drawing from the band’s debut Cape Dory and their latest album Young and Old, that was carried by Alaina Moore’s mesmerizing vocals and charismatic stage presence. Highlights included some old favorites like “Marathon” (the first Tennis song I heard, and still my favorite) and “South Carolina” and some dreamy tunes from their new album including “Origins” and set closer “High Road”. On a chilly night in late September, Tennis made the whole crowd feel warm and fuzzy.

MP3 Tennis – High Road

After just seeing Dirty Projectors at Pitchfork this summer, I knew what to expect (lots of angular guitar, odd time signatures and vivid, alluring harmonies), but that didn’t make the experience any less engrossing. Dave Longstreth has lept up to become one of my favorite indie rock frontman, when he wasn’t pulling off the band’s super-intricate art-rock jams, he was cracking jokes about being able to see the Walgreens sign poking through the trees from the stage and discussing with the crowd whether the moon was waxing or waning. Again, the tracks from Swing Lo Magellan like “Gun Has No Trigger” and “About To Die” were the highlights for me although the extended noisy jam on “Useless Chamber” was up there as well.

MP3 Dirty Projectors – About To Die
MP3 Dirty Projectors – Gun Has No Trigger

I headed out during the last couple Dirty Projectors songs, just in time to catch the beginning of Hospitality‘s set. The Brooklyn band put out one of the best debuts (and best indie-pop records in general) of 2012 with their self-titled album earlier this year, and even though they were relegated to the small stage, they completely rocked it. The band worked through some of the ultra-catchy, jangly pop on the record like “Eight Avenue”, “Friends of Friends” and “All Day Today”, while emphasizing their impressive guitar-work to make up for the lack of horn section from the album. They even played a couple new songs, that showed just why they’re one of the most promising new bands working today.

MP3 Hospitality – Friends of Friends

If you had asked me what my most anticipated act for Friday night at Pygmalion Festival was, my answer would have been Lord Huron, hands-down. The band has been on my radar for over a year and a half when they released two amazing EPs, Into The Sun and Mighty. It’s been a long wait, but they are finally releasing their debut album, Lonesome Dreams next week and I was thrilled to be able to hear them perform a bunch of new songs and a couple old at the Canopy Club.

Singer / songwriter Ben Schneider and his fellow troubadours played an enthusiastic set of their unique, tropical-inflected rhythms and upbeat afro-pop percussion, immersing the crowd in their lush, breezy sound. The band has a knack for writing melodies that stick with you and that was certainly on display throughout their set, especially on their 1-2 punch to close of set of “Time To Run” and classic “The Stranger”. I only wish they had some more time, because I could have easily watched Lord Huron play all night.

MP3 Lord Huron – Time To Run
MP3 Lord Huron – The Stranger

To borrow from one of Best Coast‘s most overused lyrics, the band seemed a bit “lazy” on stage at their headlining Canopy Club set. Bethany Cosentino didn’t waste any time mentioning her displeasure with their late time slot, complaining that it was way past all their bed times, and the band generally gave off the vibe that she didn’t want to be there (in heavy contrast to the rest of the headliners, who seemed absolutely elated to be playing). Yeah, it was still decently fun singing a long to tunes like “The Only Place” and “When I’m With You”, but overall the band was flat and non-engaging. The very young crowd didn’t seem to mind too much, but I, for one, gave up after a few songs to check out Hundred Waters next door.

MP3 Best Coast – When I’m With You

It turns out the decision to give up on Best Coast early and catch Hundred Waters, was the best one I made all night. Even though the band were moved last-minute from the larger Channing-Murray venue to the Red Herring cafe (essentially a basement), they still managed to put on a captivating set and sounded incredible. The band’s experimental folk/pop was the perfect late-night chill/dance music with their rippling synths, syncopated electronica and inventive harmonies create their full, complex songs. Just watching the percussionist produce the lush soundscapes by twisting knobs and clicking colorful buttons was one of the most rewarding experiences of the festival for me.

MP3 Hundred Waters – Me & Anodyne

Follow the jump for lots more Pygmalion Festival Day Two photos. Click here to see the full set.

Continue reading “Pygmalion Festival – Day Two (Dirty Projectors / Best Coast / Lord Huron / Tennis / Hospitality / Hundred Waters)”

Dirty Projectors @ Pitchfork Music Festival (6/13)

It took a few attempts, but I can now say I’m a full-fledged fan of Brooklyn art-rockers Dirty Projectors, and full credit to their wonderful live show and excellent new album, Swing Lo Magellan for finally converting me over. The set kept the band’s most appealing qualities, David Longstreth’s angular, interweaving guitar and the girl’s alluring harmonies, always at the forefront of their sound, while their avant-garde eccentricities and odd time signatures added to the experience, never pushing it into unlistenable experimental territory.

The set relied heavily on their new material including singles “Gun Has No Trigger” and “Dance For You” and other standouts like “About To Die” and “See What She Seeing”. Some of the best Bitte Orca tracks also made appearances from “Stillness Is A Move” to “Useful Chamber”, and the band closed with perhaps my favorite Dirty Projectors track to date, the stunningly gorgeous ballad “Impregnable Question”. I can’t wait to catch these guys/gals again at this year’s Pygmalion Festival.

MP3 Impregnable Question

Follow the jump for more Dirty Projectors photos. Click here to see the full set.

Continue reading “Dirty Projectors @ Pitchfork Music Festival (6/13)”

Cover: Painted Palms – I Will Truck (Dirty Projectors)

Every since I heard of San Francisco’s Painted Palms a few months back, I’ve been itching for them to release some new material. Their Canopy EP (out 6/27) continues to get tons of spins for me and with their recent signing to Secretly Canadian they will hopefully get around to releasing a full-length by the year’s end. To hold us off temporarily though, the band released a cover of Dirty Projectors “I Will Truck”, which premiered on I Guess I’m Floating (the very blog which introduced me to Painted Palms).

The original song is a freakishly eccentric cacophony of glitchy noises and weird harmonies, which is unsurprising since this is Dirty Projector’s were talking about, while Painted Palms cover gives the track a tropical, west coast-pop makeover making the song much more listenable while still maintaining some of that inherent weirdness that gives the song it’s character. Here’s the cover and the original.

MP3 Painted Palms – I Will Truck
MP3 Dirty Projectors – I Will Truck

If you’re interested in some of Painted Palms own songs, this exhilarating track is a great starting point:

MP3 Painted Palms – All of Us

Best Albums of 2009

In a few days a new decade will begin and we’ll have a whole new debate about what to call the decade, but first we must reflect on the final year of the zeroes/naughties. It seems like I talk every year about how surprised I am by the amount of new artists that show up on my end of the year list, but they’ve really outdone themselves this year with 2/5 of the albums represented on this list being debuts. It was also a year of being blown away by bands that I was never been able to fully invest in before like Grizzly Bear, Dirty Projectors, and Animal Collective. Overall, 2009 has brought an wealth of excellent albums and leaves us with huge potential for the next ten years of music.

As far as this blog goes, I added two new writers this summer, Matt and Cheryse, who each have made brilliant contributions to this site. Instead of each doing our own separate lists, we decided to combine our favorite albums lists together on one all-encompassing collaborative list extravanganza. Below is our top 25 albums of 2009 and below that we’ve each listed a few of our other favorites that couldn’t quite fit into this list. As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. To the readers, thank you for continuing to support this blog and reading what we have to say. Have a wonderful new year/decade!

25. Islands Vapours

Islands’ third album takes the band back to it’s quirky pop basics, which after an album of sprawling, over-the-top psych-rock, is probably the best move. Vapours is full of smart, stylish, and wickedly melodic tunes like “No You Don’t” and “Tender Torture” that show that Nick Thornburn’s melodic chops have not waned one bit. –Taylor

MP3 No You Don’t
MP3 Tender Torture

24. Camera Obscura – My Maudlin Career

Dream-pop like no other! My Maudlin Career is Camera Obscura’s most timeless album to date. Foot working melodies from the early sixties, Tracyanne Campbell seems to be some traversed combination of The Cranberries and The Beach Boys, invalidating those pitted phrases of a lost generation. Camera Obscura seems to have picked up right where there they left off as means to finish their story. This album is enchanting collection that will no doubt immortalize what some call an absent sensation. –Cheryse

MP3 French Navy
MP3 The Sweetest Thing

23. Miike Snow – Miike Snow

Miike Snow’s ubiquitous self-titled debut not only invaded the air waves, but is easily one of the most remixed albums of 2009. Andrew Wyatt’s understanding of “three people just messing about” has granted them more success and attention than they had ever imagined… and let’s not argue those ratings. Effortless successes are always well-earned. There isn’t a time of day that I’m not in the mood to listen to this band and that within itself, comes as no surprise. From a production standpoint, Bloodshy & Avant have given us a perfect record. With its dark undertones and pulsating rhythms, it plays all the way through and never without getting stuck in your head. –Cheryse

MP3 Animal
MP3 Silvia

22. Asobi Seksu – Hush

Hush sees Asobi Seksu making a slight shift of the band’s sound, still living in a shoegaze world but now incorporating more pop sensibility and in doing so they create an album full of lush, mesmerizing tunes with gorgeous textures and strong melodic songwriting. Yuki Chikudate’s vocals soar through the gorgeous dream-pop like “Transparence” and “Me & Mary” making Hush a breathtaking listening experience. –Taylor

MP3 Transparence
MP3 Me & Mary

21. jj – jj n° 2

jj n° 2 is an enchanting dance pop album built upon layers of carefree Caribbean beats and blissful electronica that was plucked from obscurity and released on Swedish label, Sincerely Yours. Everything about this album, from the sublime, dream-like quality of the music to the lovely harmonies and clever use of samples makes it one of 2009’s true under-the-radar triumphs. Tracks like “from africa to malaga” and the exceptionally pretty “masterplan” are nothing short of exhilarating. –Taylor

MP3 from africa to malaga
MP3 masterplan

20. Kings of Convenience Declaration of Dependence

Lacking in any percussion, Declaration of Dependence really is just that — a lyrically sound album truly able to stand on its own. After a period of inactivity for nearly five years, Erlend Øye and Eirik Glambek Bø made the wait completely worth it. It is not just their signature inside-voices and intimate lyricism that brings this album to life, but also the beautiful string arrangement that strikes a lighter note on such heavy subjects. –Cheryse

MP3 Boat Behind
MP3 Mrs Cold

19. Bat for Lashes Two Suns

Two Suns is a truly fantastic album, and I don’t just mean “fantastic” as a synonym for good. It’s an imaginative, fanciful, and extravagant record by an artist who is not content to follow any paths but her own. Considering this chimera is only Natasha Kahn’s second album, it will be interesting to see where her ambition takes her next. — Matt

MP3 Daniel
MP3 Glass

18. Junior Boys Begone Dull Care

Begone Dull Care, the third from Canadian duo Junior Boys, is an exceptional produced and performed album, and one that’s constantly revealing more of itself to love. I was first attracted to the synth-heavy dance singles like “Hazel”, “Work”, and “Bits & Pieces” but it’s the masterfully structured, romantically-inclined ballads like “Dull To Pause”, “Sneak A Picture”, and “The Animator” that have kept me coming back. The combination of understated beauty with sunny electro-pop has made it one of my most listened albums of the year. –Taylor

MP3 Hazel
MP3 Dull To Pause

17. Yeah Yeah Yeahs It’s Blitz!

Aside from working with Spike Jonze this year, the Yeah Yeah Yeahs’ third album has played an important role in the whole “Karen O” phenomena. Although some critics insist she and the guys have digressed from their title as a “garage rock revival band,” I feel as though they just took the honorable claim… literally… fusing those distorted riffs and four-chord song structures with more relevant styles of music. They’ve boldly embraced their pop-instincts and presented us an album that is dance-floor ready, yet at times, so personal and full of lyrical vulnerability you can’t help but admit the decision to have done so was pure genius. –Cheryse

MP3 Zero
MP3 Hysteric

16. Fever Ray Fever Ray

On the surface, Karin Dreijer’s first album without brother Olof sounds quite a bit like the Knife, just more subdued. But while Fever Ray lacks the urgency of her other band, it has the atmosphere in spades. The songs here play like the soundtrack to a surreal nightmare, unfolding almost organically, each one seeming to have a writhing, unctuous life of its own. Of course, the wonderfully creepy videos that have been accompanying the singles do a great deal towards coloring the mood of the album. But even without those, it’s not hard to conjure up some macabre visions to accompany Dreijer’s songs. Like a good horror film, Fever Ray gets under your skin and stays with you after it’s over. — Matt

MP3 When I Grow Up
MP3 If I Had A Heart

15. Harlem Shakes – Technicolor Health

One of the biggest bummers this year was Harlem Shakes breaking up, but at least they left us with one amazing collection of exuberant guitar pop jams. It would be hard to find a more unabashedly jubilant and in-your-face catchy album this year than Harlem Shake’s debut. The spirited melodies and harmonies on Technicolor Health give the album an undeniable charm as the band uses an array of brisk instrumentation to thrust the infectious tunes forward. It was extremely refreshing to hear an album that exuded so much joy and hopefulness and it’s a shame that the band won’t be around to bring more of that effervescent that’s sorely lacking in much of today’s indie rock. –Taylor

MP3 Strictly Game
MP3 Sunlight

14. The Mountain Goats The Life Of The World To Come

After 16 studio albums and dozens of singles and EPs, you would think that John Darnielle would be running out of ideas, but he continues to earn his place as one of the most prolific and immensely talented singer/songwriters of our time. The Life of the World to Come is one of his most fascinating collection of songs yet. Astute listeners know that spirituality and religion have found their way into The Mountain Goat’s lyrics in the past, but it’s never been so fully-realized as here. The album is never preachy or dogmatic, but rather takes you on an intimate, contemplative journey inspired by Biblical principles but actualized on a personal level. The result is an album that can be fragile and devastating on the chillingly stark “1 John 4:16”, bright and hopeful on the crisp folk-pop of “Romans 10:9”, and vivacious on the furiously triumphant “Psalm 40:2”. –Taylor

MP3 Genesis 3:23
MP3 Psalm 40:2

13. Passion Pit – Manners

It’s safe to say Passion Pit left little to no room for Owl City’s pathetic attempts at synth-pop this year. Whether its social deportment is considered good or bad, Manners, with all due respect, has rightfully proven this geeky-cool electro group from Cambridge is more than just a hype-band crossing paths with falsetto-loving critics in the blogosphere. They were able to grow from the adolescent sound of their EP (Chunk of Change) without losing a thread of their youth, dropping an enthusiastic album filled with playful arrangements and sweeping bass lines that bring out the terribly bad dancer in all of us. –Cheryse

MP3 Little Secrets
MP3 Moth’s Wings

12. Wilco Wilco (The Album)

The overwhelming appeal of Wilco may best be summed up in the whimsical, tongue-in-cheek opener “Wilco (The Song)”. As the song says if you “dabble in depression” and “times are getting tough”, you can put on headphones and “Wilco will love you, baby”. This album showcases a mature and thoughtful band who are comfortable with making easy-going, but still absolutely excellent music. On songs like “Deeper Down” and “One Wing” the band fully embrace their melodic, chamber pop qualities and show that after seven albums they can still stand up with the Fleet Foxes and Bon Ivers of the world (and even teach them a thing or two like on the whirlwind of raging, unhinged guitar during “Bull Black Nova”). –Taylor

MP3 Wilco (The Song)
MP3 Bull Black Nova

11. Fanfarlo – Reservoir

Forget the lazy comparisons to Arcade Fire or Beirut [Ed. Note: guilty on both accounts], Fanfarlo’s patient and self-releasing approach with Reservoir has earned them an instant-favorite spot on this year’s list. One couldn’t find a knife sharp enough to cut through the layers of acoustics perfected on this album. From start to finish, these multi-instrumentalists have created summery numbers that’ll warm your heart and get you through the coldest of winters. Their music is straight-forward, sincere, and plays with no other need than to be heard. Simon’s comforting vocals paired with such rich, pop melodies is far from any Venn diagram and is a sound that has become rightfully their own. –Cheryse

MP3 I’m A Pilot
MP3 The Walls Are Coming Down

10. Andrew Bird – Noble Beast

Noble Beast is a very generous album, not only in its play time, but also in terms of what Andrew has decidedly not held back from us. The disputably finicky songwriter seems a lot less concerned with the overall concept this time around, unveiling a calm and immensely creative man. Instead of an album cured in Andrew’s usual obscure usage of words, Noble Beast tips its hat to his overlooked agility as a solo instrumentalist. His nimble fingers and ability to multitask is sophisticatedly charming. I can’t help but sense that this was an exceptionally comfortable and congenial project for him. The album stands proudly as a full-length showcase of his musicianship and impeccable ear for instrumentation – a serious must-have. Organic and unhurried, it is as therapeutic for us as listeners as it is for him as an artist. –Cheryse

MP3 Oh No
MP3 Anonanimal

9. Japandroids Post-Nothing

There was a lot written about all the day-glo pop music coming out over the summer, but for me nothing was a better soundtrack to the season than Post-Nothing. The rambunctious racket these two dudes crank out captures that youthful exuberance that comes with not having any meaningful responsibilities; driving aimlessly through the city, breaking into mausoleums at 2 a.m., stealing shovels out of yards just because they are there. All the energy in the world can only take you so far though, and Japandroids’ songs have proven they can last beyond a fleeting infatuation. Buried underneath all that in-the-red fuzz are some catchy-as-hell pop songs that get stuck in your head, leaving you no choice but to play them again and again. And maybe nab a few more shovels. — Matt

MP3 Young Hearts Spark Fire
MP3 Wet Hair

8. Dirty Projectors – Bitte Orca

Was a more divisive album released this year? Whether you love it or hate it though, you have to hand it to the band for making some of the most original and creative music of the year. While Bitte Orca wasn’t the easiest record to get into, those who stuck it out were treated to some maddeningly brilliant tunes. Blissed-out melodies butt heads with arrangements that sound like they could fall apart at any second in a whirlwind of an album that is hard to wrap your head around on the first, or even the second, listen. In an age where many songs try too hard to grab people right away, Dirty Projectors have created an album that not only does that, but one that is still revealing itself months after its release. — Matt

MP3 Stillness is the Move
MP3 Useful Chamber

7. Cymbals Eat Guitars – Why There Are Mountains

Growing up on a steady stream of bands like Sunny Day Real Estate and Modest Mouse, this album sounds like it was hand-crafted just for me. I was blown away by Cymbals Eat Guitar’s debut album from the very first listen and I’m still perpetually being captivated by the band’s explosive sound. Why There Are Mountains is a hugely ambitous and broad-reaching album full of epic, sweeping guitar and cathartic, angst-ridden vocals. It’s no surprise that shortly after being unleashed on the web this band found waves of fans like myself who had grown up on 90’s indie rock classics and were thrilled to have something that revived the passion and youthful energy of that sound and matched it with dynamic, powerful songwriting. What the band achieves here is a mind-boggling great collection of songs that is in no way a retread, but is both forward-looking and unpredictable. –Taylor

MP3 …And The Hazy Sea
MP3 Wind Phoenix

6. The xx – xx

It seems like every year there’s one record that comes out of nowhere and just dominates my stereo. 2007 had Boxer, 2008 had For Emma, Forever Ago, and 2009 has xx. In this era of music blogs, most bands try and pump out music quickly and then capitalize on any hype they get before it fades away. The xx, however, did it differently; after being picked up by Young Turks, the band carefully crafted its sound over two years before releasing their debut album. It shows, too; the record is marked by the kind of restraint that kids this young shouldn’t even possess, let alone practice this well. But don’t let its minimal sound throw you, xx is a hard record to shake once it gets its hooks in you. — Matt

MP3 Crystalised
MP3 Shelter

5. Sunset Rubdown – Dragonslayer

I’ve said it before and I will probably say it again many times, Spencer Krug is a musical genius. It’s freakishly amazing how incredibly talented of a songwriter he is and Dragonslayer is probably the man’s finest work yet. The album features a more fully realized Sunset Rubdown, completing the transition from a one-man show to a highly skilled band, capable of translating his mystical rock epics with thundering drums and masterful guitar solos. In typical Krug-ian fashion, this album straddles the line between beauty and chaos, always threatening to fall off the edge before reining in the mayhem to become something magnificent. He matches this dynamic musical prowess with some of his most wildly inventive lyrics and puts it all together to make electrifying songs like “Idiot Heart” and “You Go On Ahead” that plead to be listened again and again. –Taylor

MP3 Idiot Heart
MP3 You Go On Ahead

4. The Antlers Hospice

A conceptually emotional album perfected by merciless introspection and one’s flat-out honesty. It’s not hard to recognize the agony of Peter Silberman’s lyricism over the somber and textured instrumentation of Hospice. Each track slowly fades into a mess of several different elements, creating a conflicted atmosphere that eventually explodes into every conceivable idea pain. The build-ups are heart-wrenching and truly glorious, enhancing Peter’s gnawing words of acceptance and creating moments that don’t pass without provoking a deep sense of sympathy. The Antlers have singlehandedly produced an album that can not only be heard, but truly felt… more than I can rightfully put into words–or would at least dare to. The only greater thing than producing such an amazing record is to produce one that tells an unforgettable story. Peter’s disclosure is one of substance, so personal and tragic it becomes… a work of heart. –Cheryse
MP3 Two
MP3 Bear

3. Animal Collective – Merriweather Post Pavillion

One of the things that is so exciting about a new Animal Collective record is that you never know what to expect. But I don’t think anyone was ready when “My Girls” hit a few months before Merriweather Post Pavilion came out. The band embraced their pop side on Sung Tongs and Feels found them getting back to weird a bit, but “My Girls” and the rest of the album found Animal Collective striking a flawless balance between difficulty and accessibility. The album is a perfection summation of Animal Collective until now. The melodies are gorgeous, but the album still has its abrasive parts. It’s psychedelic, noisy, blissful, wild, beatific and everything in-between. Remember we’re talking about Animal Collective, so this is still some challenging music, but Merriweather Post Pavilion continues to reward listeners almost a year after its release. It’s hard to imagine where the band will go from here, but I think people have said that after every album and the band always finds a way to surprise us with something wonderful. — Matt

MP3 My Girls
MP3 Brother Sport

2. Grizzly Bear Veckatimest

The time and care Grizzly Bear put in to their work is unrivaled, and they perfected their craft on Veckatimest. The compositions are complex and elegant, filled with flourishes that sound like they might be unnecessary at first, but you quickly realize that everything is exactly where it should be. Sure, they didn’t need a youth choir on some of the songs, but it’s impossible to imagine “Cheerleader” without it. Same goes for those little orchestral stabs on “Ready, Able” and the percussion at the end of “Two Weeks”. Everything has a purpose and the band knows exactly how everything should fit, even if it isn’t obvious to us right away. But for all the detail Grizzly Bear put into their music, they never lose focus; every song here is a gorgeous blast of brilliance. It really shouldn’t surprise anyone that Veckatimest debuted at number eight on the Billboard Top 200 album chart, and we all know that even Jay-Z has jumped on board. In an age were the boundaries between genres are razor thin, if they even exist at all, Grizzly Bear are out there breaking down walls and changing the idea of what “indie” music really means. — Matt

MP3 Two Weeks
MP3 While You Wait For The Others

1. Phoenix – Wolfgang Amadeus Phoenix

It may seem a bit presumptuous for Phoenix to insert their name into that of history’s most famous classical composer and child prodigy, but on Wolfgang Amadeus Phoenix the band proves they can live up to even the highest of expectations. Although there were other bands that put out some fantastic music this year, no single band completely owned 2009 in every way like Phoenix did. Sold out concerts worldwide, songs on movie trailers and commercials galore, performances on every single late night TV show (including the ever-prestigous SNL spot), over 200K albums sold, and a Grammy nod just for kicks. Even without the accololades though that come with a huge breakthrough album, the fact still stands that with this release, these French pop revivalists have made the most euphoric and universal album of the year.

Wolfgang Amadeus Pheonix is what all pop albums should aspire to, a collection of brilliantly engaging songs with gloriously crisp production and never any shortage of hooks. These songs beg to be poured over, squeezing out all the rich pop goodness. This is undoubtedly the best sounding album of the year, the vibrant, full-bodied compositions and ultra-tight performances are invigorating. The songs skip around genres making the album suitable for anywhere from dance clubs to rock arenas, the constant being an uncanny sense of melody and pop aesthetic. There’s literally not one dull moment in the under 40 minute running time. With their endless playability, tracks like “Lisztomania”, “1901″, and “Girlfriend” sound both nostalgic and timeless. One hopes that this masterful album, like it’s namesake, will be remembered for years as one of the most quintessential pop albums ever created. –Taylor

MP3 Lisztomania
MP3 1901

Taylor’s Honorable Mention:
Neko Case – Middle Cyclone
The Very Best – Warm Heart of Africa
God Help The Girl – God Help The Girl
The Thermals – Now We Can See
fun. – Aim & Ignite
M. Ward – Hold Time
Patrick Wolf – The Bachelor
Slow Club – Yeah So

Matt’s Honorable Mention
Raekwon – Built for Cuban Lynx II
Wild Beasts – Two Dancers
The Pains of Being Pure at Heart – s/t
The Flaming Lips – Embryonic
Noah and the Whale – The First Days of Spring
A Place to Bury Strangers – Exploding Head

Cheryse’s Honorable Mention:
The Dodos – Time To Die
Florence and the Machine – Lungs
Peter Bjorn and John – Living Thing
MSTRKRFT – Fist of God
Lushlife – Cassette City
Mayer Hawthorne – A Strange Arrangement
Drake – So Far Gone
Bibio – Ambivalence Avenue

Thanks again to everyone for reading! I will be back in 2010…

After All That We've Been Through

Dirty Projectors

I had, like, three ideas for my next post. I had even started writing one of them. But then Dirty ProjectorsBitte Orca came in the mail and kind of took over. I don’t think there has been a more divisive album this year, and it’s easy to see why. At its core, Bitte Orca is weird in the truest sense of the word. But it’s been one month since it came out (which, in this age of leaks, is more like six months), so I wanted to take some time and urge those of you who haven’t heard it yet to seek it out, and those of you who wrote it off to give it another chance.

Bitte Orca sits nicely alongside two other great albums from 2009: Animal Collective’s Merriweather Post Pavilion and Grizzly Bear’s Veckatimest. All three are each band’s most accessible record to date, but they are still a little out there. Veckatimest is the most normal of the bunch, but still has its head-scratching moments, like the jarring guitar on “Hold Still.” And even for the all the times Merriweather Post Pavilion gets out of hand, like the middle of “Brother Sport”, it’s basically an album full of love songs. Bitte Orca stands apart, though. Like I said, it’s Dirty Projectors’ most accessible album yet, but that doesn’t mean it’s as easy to crack as their contemporaries’ recent records. The funny thing is, I don’t get the feeling they’re trying to make difficult music. To me, it seems like Dirty Projectors are trying to make pop songs, but because the band themselves are just so genuinely weird, the songs come out all damaged. The album is schizophrenic; some of the songs have such seemingly random changes that it can be disorienting on the first listen. You’re distracted by how crazy each little bit is, rather than what it all sounds like as a whole.

I think there’s something to be said for the immediacy of a song, one that grabs you on the first listen and doesn’t let go. But Bitte Orca has maybe two of those (“Stillness Is the Move” and “Two Doves”), the rest require you to invest some time in them. In this age of iTunes and MP3s, people can go through albums piecemeal and quickly move on if something doesn’t strike them right away. I’m certainly guilty of this. But you can’t listen to Bitte Orca like that, you have to go through it once or twice before you can break the shell and get to the sweetness inside. The album reminds me of when I had the time to sit down and fully immerse myself in a piece of music, to put my headphones on and just listen and explore a record. The last time I can remember doing that was skipping class and listening to Arcade Fire’s Funeral twice in a row shortly after it came out. It’s almost an innocent feeling, to be able to spend that much time with an album and absorb everything it has to offer. Bitte Orca not only encourages this, it requires it. The question is whether you want to take the time to invest in the album. I sure hope you do, because I think you’ll find one of the most rewarding experiences of the year. You just have to work for it.

Of course, you could still end up not liking it. That’s fine too.

MP3 Dirty Projectors – Stillness Is the Move
MP3 Dirty Projectors – Temecula Sunrise