MP3: Father John Misty – Nancy From Now On

You’d think a person would be crazy to leave a gig in Fleet Foxes especially after a milestone record like Helplessness Blues, but that’s exactly what J. Tillman did to focus on his solo career. He’s no stranger to the solo game with seven albums under his own name, but for his latest, Fear Fun, he’s adopted a new moniker, Father John Misty. The standout track is “Nancy From Now On”, a song that immediately hooks you with it’s vintage acoustic guitar, a smooth, What’s Going On-style rhythm section and Tillman’s swooning falsetto. While I’ll miss his contributions to Fleet Foxes, I’m thrilled that he’s making songs as captivating as this one.

MP3 Father John Misty – Nancy From Now On

Fear Fun is out now on Sub Pop Records.

musicforants.com's Best Albums of 2011


(photo by cubagallery)

Well, here we go again. Like last year, we voted for our favorite albums of the year and put it all together to make one definitive (not really), collaborative Best Albums list. We even all pitched in on writing some blurbs too. As can be expected, there are many albums we loved that couldn’t quite fit on the list, so you we each have Honorable Mention sections where listed a few of our other favorites.

Thanks for continuing to support this blog and reading what we have to say (even when you have streaming services like Spotify and Rdio that make music blogs seem passé). As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. Have a wonderful new year!

25. Smith Westerns – Dye It Blonde

Dye It Blonde is an album that aims high, and won’t settle for anything less than transcendence. Smith Westerns’ songs are massive, packed with two, three, sometimes four hooks until you just can’t take any more and have to give in. It’s steeped in classic power-pop, but never feels rote. Instead, where many bands fall into imitation and repetition, Smith Westerns have crafted a record that could stand alongside many of the albums that inspired it. Dye It Blonde is a fresh and exciting spin on a well-worn tradition, and one sure to become a future touchstone.–Matt

MP3 All Die Young
MP3 Imagine, Pt. 3

24. Cults – Cults

Although Madeline and Brian of Cults have done a remarkable job of sustaining this portrayal of a “it just happened” band-slash-couple, the puppy-eyed duo seems to have rebutted their mysterious existence with catchy, straightforward music. The long-awaited debut of their self-titled record is a token of hard-edged, nostalgic pop and stands as a wonderful tribute to the idea that we don’t always need to know more. –Cheryse

MP3 Abducted
MP3 You Know What I Mean

23. Junior Boys – It’s All True

I always appreciate a band that finds their niche and perfects it from album to album and that’s exactly what Canadian electronica duo Junior Boys have done. The band has never sounded better then on It’s All True, which features some of the their most dynamic and infectious dance-pop tunes all culminating in the masterfully-structured 9-minute closer, “Banana Ripple”, a tour de force of bursting synths, pulsating rhythms and layered falsettos. –Taylor

MP3 Banana Ripple

22. Colin Stetson – New History Warfare Vol. 2: Judges

On first listen, New History Warfare Vol 2.: Judges can be disorienting, disconcerting and downright intimidating. But once you are acclimated to Colin Stetson’s world, you notice folds and wrinkles in his music that went heretofore unperceived, like your eyes adjusting to a new light source. What once seemed oppressive becomes rapturous when placed in the context of the whole. Judges is by no means an easy listen, but it reveals its rewards to those willing to let Stetson take them on this journey.– Matt

MP3 The Stars in His Head (Dark Lights Remix)

21. The Head and the Heart – The Head and the Heart

Bursting at the seams with soul and sincerity, The Head and the Heart’s self-titled debut album captures the essence of folk music while simultaneously showcasing their unique aesthetics through their immense vitality and heart-stopping crescendos. Violinist Charity Thielen showers songs such as “Rivers and Roads” and “Down In The Valley” with her magnificently raspy and raw vocals, bringing the already fervor-filled music to even more life. –Xakota

MP3 Down in the Valley
MP3 Rivers and Roads

20. James Blake – James Blake

James Blake’s full-length debut is a deceptively simple affair. The songs are sparse, built with only a few blocks, and Blake repeats vocal lines until they become mantras. The overall effect is incredibly hypnotic; Blake’s restraint provides the songs the necessary room they need to fully unfurl. The record envelops you and provides a sense of comfort and security. It’s as if these songs have always been with you, and Blake is just reminding you how they go. — Matt

MP3 The Wilhelm Scream
MP3 Limit To Your Love

19. Mates of State – Mountaintops

Mates of State have been one of my favorites from the beginning of this blog and their latest Mountaintops is an excellent addition to their catalogue. While 2009’s Re-Arrange Us, which was pegged as the mature, coming-of-age album, was filled with stately, piano arrangements, the band returns to upbeat, synth-heavy sound on this album, most evident on the exhilarating, cheerful opener “Palomino” and quirky, keyboard jam “Maracas”. All the while, the band don’t shy from embracing their emotional side on tracks like the gorgeous ballad “Mistakes”, a refreshingly honest reflection on the ups-and-downs of married life. –Taylor

MP3 Palomino
MP3 Sway

18. Girls – Father, Son, Holy Ghost

With Father, Son, Holy Ghost!, Girls turned up the talent while turning down the gimmicks, resulting in an album that exponentially exceeds their previous work. The album adopts a consistently vintage feel, with influences spanning over multiple past decades, but primarily channeling the 70s with centerpiece “Vomit”. The band continues to be charmingly simplistic, with infectious melodies and mellifluous harmonies heard in not only the opening, but star track of the album “Honey Bunny.” — Xakota

MP3 Honey Bunny
MP3 Vomit

17. Gang Gang Dance – Eye Contact

Eye Contact might be the most fundamentally strange record of the year. Gang Gang Dance transport the listener to an alternate reality where lines between genres are meaningless, there is only sound. Pure, joyous sound. The album can be bewildering, sometimes downright baffling, but it’s always exciting. You never know what twists Gang Gang Dance will throw at you, but following them down their various rabbit holes, portals, and stargates is what makes Eye Contact so enjoyable. –Matt

MP3 Mindkilla

16. Youth Lagoon – The Year of Hibernation

Trevor’s cunning ability to seamlessly merge what-ifs and has-beens into moments of clarity has in more ways than one, left my heart racing. He has singlehandedly transported his listeners from the quiet quarters of his bedroom studio to an endless landscape of possibilities. There really isn’t an album on this list that is more aptly named. With its ferns of fuzzy riffs and sun-drenched synths, The Year of Hibernation harks from start to finish with a sound that comes awful close to one I’ve spent all of 2011 searching for. –Cheryse

MP3 Cannons
MP3 July

15. The Mountain Goats – All Eternal’s Deck

On his 18th studio album, John Darnielle has made another spectacular collection of songs that ranks among his best work. All Eternal’s Deck doesn’t have an over-arching theme like many of his previous works, which gives the illustrious singer-songwriter opportunity to make a looser, more diverse collection of songs with jagged folk-punk, stripped-down acoustic, jubilant folk-pop and even a song that features a haunting a capella backing choir. Darnielle’s knack for clever word play is still as riveting as ever and the impeccable production and dramatic arrangements add a palpable weight to those lyrics. –Taylor

MP3 Birth of Serpents
MP3 High Hawk Season

14. Young Galaxy – Shapeshifting

As they say, third time’s a charm… and Dan Lissvik, well, he’s just a modern-day Picasso. That isn’t to say Montreal’s indie-rock band, Young Galaxy, had ever been subpar, but unbound by the complexities of imagination, you could say they needed a little direction—or maybe just someone to guide their musical hands. The result is groundbreaking, with Shapeshifting becoming an album that continuously plays and never the same way, easily the most entrancing record on this year’s list. –Cheryse

MP3 We Have Everything
MP3 Cover Your Tracks

13. The Decemberists – The King Is Dead

It’s tempting to peg The King Is Dead as a comeback album, but almost the opposite is true. Sure, it is easier to digest than The Decemberists’ previous record, The Hazards of Love, but it’s far more of an outlier in the band’s canon than it seems. The Hazards of Love represented the logical conclusion of The Decemberists’ aesthetic up to that point, The King Is Dead finds the band stripping away their songs, laying them bare and offering them to the listener as simple truths. Gone are the crutches of grandiose stories and flamboyant characters, and in their place is a sense of humility heretofore unhinted at by the band. The King Is Dead proves that The Decemberists are still capable of making fantastic music, even if they sound less like themselves than ever before. — Matt

MP3 Calamity Song
MP3 June Hymn

12. TV on the Radio – Nine Types of Light

Four albums deep, TV on the Radio still manages to keep us on our toes, just not in the way one would expect. The group seems to have tapered off from their experimental instrumentation and have settled down to a more accessible and lighter sound than previously heard. Frontman Tunde Adebimpe still carries the album with his larger-than-life and unique vocals, however Nine Types of Light surprisingly seems to have found its strength in the mellower tracks such as opener “Second Song”, rather than their typically popular upbeat and obscure melodies. –Xakota

MP3 Second Song
MP3 Will Do

11. Radiohead – The King of Limbs

While there’s some truth to the cries of King of Limbs being Radiohead’s most elusive and obscure album, with it’s sublimity comes a deep-seated beauty that’s most clearly seen on the magnificent second half (although the densely-packed first half has it’s share of treasures as well). Like all the band’s work, it takes more then a few spins to absorb it all and that’s increasingly true with this album. Whether it’s the shuffling hand claps on “Lotus Flower”, the slowly evolving guitar riff on “Separator”, the rapid-fire drumming in “Feral” or the mesmerizing trumpet line in “Codex”, I’ve continued to notice precious new details emerging throughout the album on every listen. –Taylor

MP3 Lotus Flower

10. St. Vincent – Strange Mercy

Annie Clark always seems content to do what she feels, whether it aligns with listener expectations or not. But Strange Mercy finds Clark crafting her best songs yet, while staying true to the foundation her music is built on. All the parts are here, the spindly guitar lines, the blasts of noise, Clark’s angelic voice, but everything just seems to fit better than before. Strange Mercy is a more visceral, tender, and altogether enchanting experience, unlike any other this year.–Matt

MP3 Cruel
MP3 Strange Mercy

9. The Antlers – Burst Apart

In a melting pot of poignant lyrics, velvety synthesizers, and Peter Silberman’s striking falsetto, the result nothing short of superb—and Burst Apart is just that. The Antlers’ sophomore album is by no means a half-hearted attempt at recreating the melancholy of Hospice, as it is carefully crafted to perfection with its fine mastery of somber lyrics and dreamlike coos juxtaposed with ethereal guitar swoops and mist-covered drum loops, creating an overall emotion-filled and cathartic listening experience. — Xakota

MP3 I Don’t Want Love
MP3 Putting The Dog To Sleep

8. Cut Copy – Zonoscope

When Cut Copy emerged a few years ago, they seemed destined to be written off as dancepunk also-rans. No one could have guessed that they would one day give us something as fully-formed and downright enjoyable as Zonoscope. Indebted to the music of their past, Cut Copy have created a rare treat: an album full of terrific songs that add up to more than their sum when taken together. Front to back, Zonoscope is an engaging listen, capable of stimulating the brain and feet simultaneously. Now that James Murphy has hung it up, it seems entirely plausible that Cut Copy could take up the mantle for forward-thinking dance music purveyors.– Matt

MP3 Need You Now
MP3 Take Me Over

7. Wilco – The Whole Love

The curse of making an album like Yankee Hotel Foxtrot is that the rest of your career, everything you will make will be compared to it. YHF is uniquely the most experimental album in Wilco’s catalogue but also the most accessible, and the incredible story behind the album (wonderfully illustrated in I Am Trying To Break Your Heart) cemented it’s instant classic status. Although it may be impossible to top, I believe The Whole Love comes the closest to recreating the album’s indescribable magic. From the opening krautrock mayhem of “Art of Almost”, giving guitarist Nels Cline invitation to unleash his insane guitar mastery, to the infectious, whistle-happy “Dawned On Me”, one of the finest pop moments in the band’s career, to the breathtaking and incredibly poignant acoustic closer “One Sunday Morning”, the album proves that Jeff Tweedy and co. are still in a class all of their own as songwriters. — Taylor

MP3 Dawned On Me
MP3 I Might

6. Lykke Li – Wounded Rhythms

Following Youth Novels, the bar was set high for Lykke Li. However the siren singer not only met, but surpassed our expectations as she balances her feminine romanticism with the eerily dark. Following her endearing debut, Lykke Li dims the lights with her melancholic “Love Out Of Lust” and “Unrequited Love” without venturing into depressing territory. Oozing with synths, Wounded Rhymes takes 60’s-influenced pop music and adds a sultrily ghostly—but shining—flair to it all. — Xakota

MP3 Get Some
MP3 Love Out Of Lust

5. Beirut – The Rip Tide

The Rip Tide is easily one of the most underrated albums of the year, perhaps due to its understated nature and slight departure from Zach Condon’s typical baroque instrumentation. With the tone-down, the album benefits from Condon’s restraint with its simplistic melodies, brought to perfection in the delicate “Santa Fe”. Yet while the maturation brings a breath of fresh air, a musk of nostalgia hangs over the album, with the bands upbeat, horn-loving, bohemian roots never entirely fading away with songs like “East Harlem” and “Santa Fe”. –Xakota

MP3 East Harlem
MP3 Santa Fe

4. M83 – Hurry Up, We’re Dreaming

With Hurry Up We’re Dreaming, Anthony Gonzalez of M83 has made his most vast, ambitious albums to date, one that seems to take all the good parts from previous work (the epic synth-rock majesty of Before The Dawn Heals Us, the glistening shoegaze of Dead Cities, Red Seas & Lost Ghosts, the 80’s synth-pop nostalgia of Saturdays=Youth) a well as offer up an entirely new experience. Gonzalez’ imagination seems to have no bounds like on “Raconte-Moi Une Histoire” which unites Kraftwerk-like keyboards, banjo / mandolin, and a full choir with a pre-schooler’s monologue about magic frogs. The album also offers up the two most immense, synth-pop anthems in his career with the exhilarating, saxophone-assisted “Midnight City” and the life-affirming propulsion of “Steve McQueen”.-Taylor

MP3 Midnight City
MP3 Steve McQueen

3. Fleet Foxes – Helplessness Blues

I’m not sure there was any album this year met with as high expectations as Fleet Foxes’ follow-up to their beloved debut album. The Seattle quintet were able to triumphantly exceed all of them with an album that builds upon the ideas of their debut and then completely surpasses them. The band stays true to the orchestral folk-rock of their debut while going for a much wider scope both musically, where psychedelia and prog-rock now inhabit the pastoral folk landscape and lyrically with Robin Pecknold’s emotional soul-searching making the achingly pretty songs like “Grown Ocean” and the title track even more meaningful. And of course, the band’s stunning vocal melodies and multi-part harmonies are still in a league all of their own. — Taylor

MP3 Helplessness Blues
MP3 Grown Ocean

2. Destroyer – Kaputt

The last couple years has seen many indie artists reclaiming the vintage 80′s soft-rock sound, but no artist has done so with such awe-inspiring results as Destroyer’s Dan Bejar. Kaputt strikes a balance of being faithful to the sound, with it’s palette of smooth jazz sax solos, airy synths and soulful back-up singers, and creating something entirely new that makes tracks like “Suicide Demo For Kara Walker”, “Downtown” and “Kaputt” both whimsical and stunning. This album further elevates the eccentric songwriter as one being of the most unique and talented voices of our generation. — Taylor

MP3 Suicide Demo For Kara Walker
MP3 Downtown

1. Bon Iver – Bon Iver, Bon Iver

In many ways, Bon Iver is Justin Vernon’s first album. For Emma, Forever Ago was an album built out of necessity, sounding exactly like you would think a folk record recorded in a Wisconsin cabin in the dead of winter would sound. But thanks to that album’s success, Vernon was afforded the means to create an album precisely as imagined, free of any restrictions, either monetary or temporal. The result is an expertly crafted record, able to simultaneously engage the listener at the micro and macro levels. There are moments so intimate they border on uncomfortable, Vernon’s lyrics mixing naked truths and obscure allegory. Then there are those moments of pure, transcendental bliss, moments where the sound breaks free and completely overtakes all of your senses. It’s overwhelming, honest, difficult, exciting, indulgent, and enchanting. But most of all it’s Bon Iver, fully-realized at last.–Matt

MP3 Calgary
MP3 Holocene

Taylor’s Honorable Mention:

I Break Horses – Hearts
The Rural Alberta Advantage – Departing
STRFKR – Reptilians
Iron & Wine – Kiss Each Other Clean
Patrick Wolf – Lupercalia
Summer Camp – Welcome To Condale
The Dodos – No Color
Bodies of Water – Twist Again
The Pains of Being Pure At Heart – Belong

Matt’s Honorable Mention:

F**ked Up – David Comes to Life
Ford & Lopatin – Channel Pressure
John Maus – We Must Become the Pitiless Censors of Ourselves
The Weeknd – House of Balloons
Angel Olsen – Strange Cacti
Matthewdavid – Outmind
Yuck – Yuck
Clams Casino – Instrumental Mixtape
Toro Y Moi – Underneath the Pine

Xakota’s Honorable Mention:

Real Estate – Days
Phantogram – Nightlife EP
The Strokes – Angles
Panda Bear – Tomboy
Nurses – Dracula
Kurt Vile – Smoke Ring For My Halo
Neon Indian – Era Extrana
Joy Formidable – The Big Roar
Class Actress – Rapproacher

Cheryse’s Honorable Mention:

Little Dragon – Ritual Union
Foster the People – Torches
Memory Tapes – Player Piano
The Black Keys – El Camino
Bombay Bicycle Club – A Different Kind of Fix
Fiest – Metals
Dale Earnhardt Jr. Jr. – It’s a Corporate World
Austra – Feel It Break
Generationals – Actor-Caster
tUnE-yArDs – w h o k i l l

Spotify Playlist: musicforants.com’s Best Albums of 2011

Thanks again to everyone for reading! We will be back in 2012…

Favorite Live Shows of 2011

We’re still working on the Best Albums of 2011 list, but in the meantime here’s my annual recap of my favorite live shows + concert photos of the year. Unfortunately, I wasn’t able to catch as many shows in 2011 (getting old I guess?), but I still managed to see quite a bunch of bands I love play on some very memorable sets. Below are my 15 favorite. Make sure to visit the musicforants.com flickr page to view all my concert pictures from the year.

15. Youth Lagoon @ Canopy Club (Urbana)

MP3 Youth Lagoon – July

***

14. Neko Case @ Pitchfork Festival (Chicago)

(Side note: I met Danny Pudi from Community at this show. Photo proof!)

MP3 Neko Case – People Got A Lotta Nerve

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13. Girl Talk / Max Tundra @ Aragon Ballroom (Chicago)

MP3 Girl Talk – Jump On Stage

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12. Unknown Mortal Orchestra @ Canopy Club (Urbana)

MP3 Unknown Mortal Orchestra – How Can U Luv Me

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11. Bright Eyes / The Mynabirds @ Foellinger Auditorium (Urbana)

MP3 Bright Eyes – Shell Games

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10. The Dodos @ Channing-Murray Foundation (Urbana)

MP3 The Dodos – Don’t Stop

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9. Mates of State / Suckers @ The Metro (Chicago)

MP3 Mates of State – Sway

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8. Robyn / Diamond Rings @ Canopy Club (Urbana)

MP3 Robyn – Call Your Girlfriend

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7. Destroyer @ Pitchfork Festival (Pitchfork Festival)

MP3 Destroyer – Suicide Demo For Kara Walker

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6. TV on the Radio @ Pitchfork Festival (Chicago)

MP3 TV on the Radio – Wolf Like Me

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5. Explosions in the Sky / Viva Voce @ Pygmalion Festival (Urbana)

MP3 Explosions in the Sky – Your Hand In Mine

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4. Cut Copy @ Pitchfork (Chicago)

MP3 Cut Copy – Need You Now

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3. Wilco @ Riviera Theatre (Chicago)

MP3 Wilco – Dawned On Me

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2. Fleet Foxes @ Pitchfork Festival Chicago)

MP3 Fleet Foxes – Helplessness Blues

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1. Arcade Fire w/ The National @ UIC Pavillion (Chicago)

MP3 Arcade Fire – We Used To Wait
MP3 The National – Bloodbuzz Ohio

musicforants.com's Best Songs of 2011


(photo by cubagallery)

These are 50 tracks that defined 2011 for us, presented in highly unscientific ordered list form, with Matt’s songs marked with a “-MG” and my choices with a “-TJ” next to them. To better spread the love, there’s only one song per artist. Click the links next to the track to download / listen to the song and go to our Spotify Playlist to hear them all. Enjoy y’all!

50. Austra – Beat and the Pulse MP3

The world Austra inhabits feels familiar. It’s a dark, mysterious place shrouded in shadow, but Austra makes it feel habitable. She welcomes you in where others try to keep their distance. She can be slightly more amiable than her peers, but that black edge is always there. -MG

49. Craft Spells – After The Moment MP3

I got hooked on the incredibly effervescent “After The Moment” after it made it onto Cheryse’s Spring mix. With it’s bouncy bass lines and twinkling synths, it sounds like a long-lost New Order track from the mid-80’s. -TJ

48. Washed Out – Amor Fati MP3

“Amor Fati” may be the most perfect realization of a Washed Out song yet. It has everything we have come to expect: shimmering synths, gauzy vocals, and an uplifting melody. But those familiar building blocks shape up into something that stands above anything else the band has done yet. -MG

47. Summer Camp – Better Off Without You MP3

Retromania was in full swing this year, and Summer Camp were one of the movement’s biggest enthusiasts. “Better Off Without You” is perhaps their most memorable tune yet with ebullient surf-pop instrumentation and a mesmerizing vocal performance from Elizabeth Sankey. -TJ

46. Ty Segall – Make The Sun Fury MP3

What an apt title. Segall’s music can sometimes seem like you’re seeing the world after staring into the sun; everything is overblown and out of focus. But there is an overriding sense of joy to “You Make the Sun Fry”, like it’s the kind of thing Segall can bang out in a lazy afternoon. It’s that kind of nonchalant finesse that makes the song so infectious. -MG

45. The Dodos – Don’t Stop MP3

I said: “Don’t Stop features the type of rapid-paced guitar plucking and spirited drumming that hooked me on [The Dodos] from the beginning, now interjected with twitchy electric guitar stabs and laced with their always-lovely vocal harmonies. An exceptional track from start to finish.” -TJ

44. TV on the Radio – You Y2B

If there were some kind of auditory dictionary, “You” would be the song that played for TV on the Radio’s entry. It has everything we have come to expect from a TVOTR song, but the band manages to make it sound fresh and exciting. The amazing video certainly doesn’t hurt it either. -MG

43. NewVillager – Lighthouse MP3

These art-pop kids from Brooklyn created one of the most exorbitantly catchy earworms of the year with “Lighthouse”. From the vivid orchestration to the jubilant vocals, the track is an absolute delight and did I mention how catchy it is, because HOLY FREAKING CRAP this song is catchy. -TJ

42. The Mountain Goats – High Hawk Season MP3

“High Hawk Season” can feel gimmicky at first. How many other songs in 2011 feature the North Mountain Singers as accompaniment? But using that spars arrangement, The Mountain Goats created one of the most original, affecting songs of the year. -MG

41. Moonface – Fast Peter MP3

Spencer Krug rarely releases anything short of spectacular and “Fast Peter” is no exception. The sprawling, eight-minute track is filled with dizzying organ arpeggios and addicting electronic loops and features a lush, otherworldy ending passage that gives me goosebumps every time I hear it. The track shows that Krug’s distinct, intense vocals and his vivid storytelling abilities are still in top form. -TJ

Follow the jump below to see the rest of the list!

Continue reading “musicforants.com's Best Songs of 2011”

50 Songs Of The Decade (2000 – 2009)


(photo by dcdead)

I released my 50 albums of the decade list two years ago with all intentions to follow it up with a matching songs list. Days turned into weeks and weeks into months. No such list ever materialized and I kindof gave up on the idea. That is until earlier this summer when I took a weekend trip to visit some friends in Chicago and decided to soundtrack the drive with a playlist of my favorite songs from 2000-2009. I thought the mix turned out pretty good so I chiseled it down to my absolute favorite 50 songs, gave them a mostly-arbitrary ranking and now I’m sharing it with you. Of course, belating this list for two years has given me the necessary perspective to narrow this list down to only the essentials. These are the tracks that I play over and over and never get tired of, the songs that always make me turn the volume up when they shuffle on my iPod, basically the songs that are “really, really ridiculously good looking” and not just “so hot right now”.

A few words of about this list, I’m not claiming to have made an end-all be-all “greatest songs of the naughts” list, just my personal favorites. A few folks took offense to the lack of  some genres (ahem, hip hop) on the albums list but hopefully this one will counterbalance that woeful underrepresentation somewhat. Furthermore, I didn’t do full reviews of each track, because seriously, who has that kind of time, but I’ve created a Spotify Playlist where you can listen to all of the tracks (there’s also vimeo/youtube videos linked to each one). In keeping with my yearly songs lists I’ve limited myself to one track per artist.  If you scroll all the way down you’ll see some songs that “just missed” and some per-year stats (‘05 reins supreme again in my book). So here it is, the long overdue top 50 songs of the decade according to me. Feel free to dispute or agree with my choices in the comments. Enjoy!

music for kids who can’t read good presents: 50 Songs Of The Decade (2000 – 2009)

Most easily found on: The Earth Is Not A Cold Dead Place

Most easily found on: The Execution Of All Things

Most easily found on: Bows + Arrows

Most easily found on: Veckatimest

Most easily found on: Sticking Fingers Into Sockets

Most easily found on: Black Sheep Boy

Most easily found on: White Blood Cells

Most easily found on: Let It Die

Most easily found on: Shut Up I Am Dreaming

Most easily found on: Give Up

Follow the jump to see the rest!

Continue reading “50 Songs Of The Decade (2000 – 2009)”

Fleet Foxes @ Pitchfork (7/16)

Fleet Foxes are the youngest band ever to headline a night at Pitchfork Festival, a spot that’s usually reserved for esteemed, decade-spanning bands like Pavement, Flaming Lips, Sonic Youth, LCD Soundsystem, Spoon and De La Soul. They also mark the first time Pitchfork has chosen an acoustic / folk band to headline the stage, a genre which oftentimes is not best heard in large, outdoor venues. Suffice it to say, the Seattle sextet had immense pressure as they stepped on stage, but if any band are up to the challenge, it’s Fleet Foxes. The band built their reputation on their live performances and they completely lived up the high bar they’ve set for themselves, putting on a triumphant, unforgettable performance.

Although I’ve been a Fleet Foxes fan ever since hearing their magnificent self-titled debut in 2008, this was the first time I’ve been able to see them live. After photographing the first two songs, the charming instrumental “Cascades” and the breathtaking Helplessness Blues-closer “Grown Ocean”, I worked my way through the dense crowd to find a place take in the rest of their set. Frontman Robin Pecknold had been struggling with a fever (according to his twitter) which I though might affect his vocals, but it turned out there was nothing to worry about, his vocals were as powerful and enchanting as ever.

What struck me most about Fleet Foxes’ live show is their mastery of loud / soft dynamics with the songs continuously shifting from intimate acoustic passages to vibrant multi-part crescendos. This was illustrated beautifully throughout the night on tracks like “Sim Sala Bim” which erupts in rapid-fire acoustic guitar thrashing and “Mykonos” which provided one of the most beautiful moments of the night as the four-part harmony took the spotlight during the lush acapella bridge.

As expected the band’s impeccable harmonies were the centerpiece of their performance, echoing through all corners of the ravishing music. The climax of the set had to be the one-two punch of “White Winter Hymnal” and “Ragged Wood”. The circular harmonies of the former inciting a glorious sing-a-long as the track flowed immediately into the upbeat ebullience of “Ragged Wood” (which caused a wave of excitement that was the perhaps the closest the extremely well-mannered crowd ever got to starting a mosh pit).

The rest of the set was filled with too many wonderful moments to recap. Fan favorites like “Blue Ridge Moments” and “Your Protector” were elegant and stunningly pretty and the new tracks with their expansive orchestral elements, were spellbinding. “The Shrine / Argument” made a spectacular impression with Skyler Skjelset (aka the only member without a Grizzly Adams-like beard) showcasing his instrumental mastery, switching between guitar, cello and saxophone with ease while Robin gave his most demanding lead vocal performance.

The band fittingly closed with “Helplessness Blues”, perhaps the most emotional and life-affirming track that Fleet Foxes have created. From the riveting passion of the opening, to the soaring “If I had an orchard…” finale, the performance was nothing short of awe-inspiring, providing the perfect conclusion for a phenomenal evening.

MP3 Helplessness Blues
MP3 Ragged Wood

Follow the jump for tons more Fleet Foxes pictures. Click here to see the full set.

Continue reading “Fleet Foxes @ Pitchfork (7/16)”

Best Albums of 2011 (so far)


photo via cubagallery

We’re halfway through 2011 which means it’s time for the annual mid-year recap of the best albums of the year so far. If there’s a theme for 2011 so far it’s been defying the sophomore slump with Fleet Foxes, Bon Iver, The Antlers, Lykke Li, STRFKR and The Rural Alberta Advantage all providing some of the best music of the year. There’s also been plenty of reliable favorites like The Mountain Goats, Junior Boys, The Decemberists and Iron & Wine and a good number of debuts bidding for time from my eardrums this year. As before, I’m listing my favorite 15 albums in chronological order with a few that didn’t quite make it below. So without further ado, these are the best albums released in 2011 so far.

The Decemberists – The King Is Dead (January 18, Capitol)
After the unfortunate side-step that was Hazards of Love, The Decemberists, one of the most consistently excellent indie bands, have made a triumphant return with The King Is Dead. Gone are the lengthy prog-opera jams and in it’s place are a collection of brisk, stripped-down folk rock songs that recall 80’s-era R.E.M. (and at times, even feature Peter Buck). Colin Meloy’s expert songwriting and poetic lyrics are in top form on exquisite tracks like “Calamity Song” and “June Hymn”.

MP3 Down By The Water
MP3 June Hymn

Destroyer – Kaputt (January 25, Merge)
The last couple years has seen many indie artists reclaiming the vintage 80’s soft-rock sound, but no artist has done so with such awe-inspiring results as Destroyer’s Dan Bejar. Kaputt strikes a balance of being faithful to the sound, with it’s palette of smooth jazz sax solos, airy synths and soulful back-up singers, and creating something entirely new that’s both whimsical and stunning. This album further elevates the eccentric songwriter as one being of the most unique and talented voices of our generation.

MP3 Chinatown
MP3 Suicide Demo For Kara Walker

Iron & Wine – Kiss Each Other Clean (January 25, Warner Bros)
Iron & Wine has grown a lot as an artist since his lo-fi whisper folk beginnings and with Kiss Each Other Clean, he continues to evolve. Opening with a breathtaking electronica-tinged gospel tune, “Walking Far From Home” the album is full of gorgeous, densely orchestrated tunes that sees see Mr. Beam expanding his horizons even further with offbeat percussion, woodwinds, and doo-wop back-up singers all working together to support his striking melodies.

MP3 Walking Far From Home

Cut Copy – Zonoscope (Februrary 8, Modular)
With it’s wall-to-wall synths and a string of dancefloor-murdering climaxes, Zonoscope is Cut Copy’s most exhilarating album yet and also their most bombastic (take “Sun God”, the 15 minute dance-pop behemoth that closes the album). The album is chock full of blissed-out jams like the irresistibly catchy synth-pop banger “Need You Now” and the lush dream-pop of “This Is All We’ve Got”. This is the album I want blasting out of my car with the windows open on a sunny day.

MP3 Need You Now
MP3 Take Me Over

Radiohead – King of Limbs (February 16, Self-Released)
While there’s some truth to the cries of King of Limbs being Radiohead’s most elusive and obscure album, with it’s sublimity comes a deep-seated beauty that’s most clearly seen in the magnificent second half (although the densely-packed first half has it’s share of treasures as well). Like all the band’s work, it takes more then a few spins to absorb it all and I’ve continued to notice precious new details emerging throughout the album on every listen.

MP3 Lotus Flower

The Rural Alberta Advantage – Departing (March 1, Saddle Creek)
Although the temptation for any previously-unknown indie band would be to say “their old stuff was better”, with Departing The Rural Alberta Advantage have crafted another album full of intense, passionate folk-rock songs. The band’s stripped-down arrangements, gripping vocals, and explosive drumming are as visceral as ever, most clearly seen in incendiary and engaging songs like “Stamp” and “Barnes’ Yard”.

MP3 Stamp
MP3 Barnes’ Yard

Lykke Li – Wounded Rhymes (March 1, Atlantic)
Three years after Swedish pop singer Lykke Li released her charming debut album, she takes on new territory with her sophomore release, a beautifully-constructed, melodramatic breakup album that owes as much to 60’s girl-groups then to her Swede peers. The album moves from desolate, dark ballads like “Sadness is a Blessing” and “Love out of Lust” to the fiery upbeat swagger of “Get Some” with ease, Li playing both parts with magnetic tenacity.

MP3 Get Some

Starfucker – Reptilians (March 8, Polyvinyl)
Early this year Starfucker became one of my new favorites with the release of Reptilians, the groups second full-length album. The album takes you on an exciting, space-like journey through the world of superb synthesizers and stellar melodies. The Portland-based band has mastered the combination of cool vibes ( “Mona Vegas”), reverberating vocals (“Born”) and upbeat dance hooks (“Julius”), with each song providing the listener a different experience than the last. – XE

MP3 Bury Us Alive
MP3 Death As A Fetish

The Mountain Goats – All Eternal’s Deck (March 29, Merge)
On his 18th studio album, John Darnielle has made another spectacular collection of songs that ranks among his best work. All Eternal’s Deck doesn’t have an over-arching theme which gives the illustrious singer-songwriter opportunity to make a looser, more diverse album with jagged folk-punk, stripped-down acoustic, jubilant folk-pop and even a song that features a haunting a capella backing choir. Darnielle’s knack for clever word play is still as riveting as ever and the impeccable production and dramatic arrangements add a palpable weight to those lyrics.

MP3 Damn These Vampires
MP3 Never Quite Free

TV on the Radio – Nine Types of Light (April 12, Interscope)
I’ll admit I wasn’t too keen on this album at first, but I’ve come to appreciate the more sophisticated, refined direction the band is headed on Nine Types of Light. It doesn’t quite kick out the jams as often as Dear Science, but I’ve now found the soulful, intimate love songs like “Second Song” and “You” to be just as satisfying, and when the band does kick it up a notch on spastic stompers like “New Cannonball Blues” and “No Future Shock” they show they can rock the dancefloor just as effortlessly as the bedroom.

MP3 Caffeinated Consciousness
MP3 Will Do

Fleet Foxes – Helplessness Blues (May 3, Sub Pop)
I’m not sure there was any album this year met with as high expectations as Fleet Foxes’ follow-up to their beloved debut album. The Seattle quintet were able to triumphantly exceed all of them with an album that builds upon the ideas of their debut and then completely surpasses them. The band goes for a much wider scope both musically, where psychedelia and prog-rock now inhabit the pastoral folk landscape and lyrically with Robin Pecknold’s emotional soul-searching making the achingly pretty music even more meaningful. And of course, the band’s stunning vocal melodies and multi-part harmonies are still in a league all of their own.

MP3 Helplessness Blues
MP3 Grown Ocean

The Antlers – Burst Apart (May 10, Frenchkiss)
Listening to The Antlers second album, Burst Apart was both an emotional and intensely gratifying experience. The somber lyrics heard on almost every song convey the albums poignant theme perfectly, especially when combined with velvety synthesizers and frontman Peter Silberman’s truly stellar vocals. Silberman’s delicate falsetto and cooing creates a dramatic yet ethereal mood, heard most prominently in “No Windows” and “I Don’t Want Love”. Burst Apart manages to surpass the bands already fantastic first album, Hospice, making this album one of the best of the year. – XE

MP3 I Don’t Want Love
MP3 Every Night My Teeth Are Falling Out

Cults – Cults (June 7, ITNO/Columbia)
Cults seemed to have come out of nowhere, but the bands self-titled debut album quickly gained its well-deserved popularity. Contrary to what one might think, Cults isn’t just your typical female-driven, 60’s themed, poppy Brooklyn-duo, as a distinct element of mystery and darkness hovers over the entire album. Madeline Follin’s powerful vocals go as far as giving me goosebumps every time I hear the intense and climactic “You Know What I Mean,” a song that truly exceeded my expectations. With its unpredictable turns and overall display of true talent, Cults was a refreshing surprise. – XE

MP3 Abducted
MP3 You Know What I Mean

Junior Boys – It’s All True (June 14, Domino)
I appreciate a band that finds their niche and perfects it from album to album and that’s exactly what Canadian electronica duo Junior Boys have done. The band has never sounded better then on It’s All True, which features some of the their most dynamic and infectious dance-pop tunes all culminating in the masterfully-structured 9-minute closer, “Banana Ripple”, a tour de force of bursting synths, pulsating rhythms and layered falsettos.

MP3 Banana Ripple
MP3 ep

Bon Iver – Bon Iver, Bon Iver (June 21, Jagjaguwar)
Bon Iver’s debut was a deeply emotional work that touched many people on a personal level. For all the understated beauty that was contained in those songs though, I far prefer this album with it’s richer tones and increased sonic landscape. Bon Iver, Bon Iver takes the strummed acoustic guitar and Vernon’s phenomenal vocals that we all know and love and adds some of the most colorful and enchanting instrumental arrangements that I’ve had the pleasure of hearing. And while “Beth / Rest” has become a divisive issue for some, I personally love it.

MP3 Perth
MP3 Calgary

Just Missed:
Smith Westerns
James Blake
The Dodos

Honorable Mentions:

Bright Eyes
Wye Oak
Battles
Panda Bear
Braids
Bodies of Water
The Pains of Being Pure At Heart

Leave your favorite albums so far this year in the comments. Thanks for reading!

We Are Trees

The days of spending hours in record shops seem to be up on the shelves. Oh, how we’d drift like modern day explorers, wandering through aisles of alphabetized chaos. There was and still is something exciting about never knowing whether or not something is worth purchasing–or should I say being extremely hopeful where it really doesn’t seem to matter… and now, we sit, greedily, in the comforts of coffee shops, arrested by the arms of our chairs as we tirelessly indulge on a wireless connection. I can’t count the hours I’ve spent clicking away on every Twitter, Tumblr, and Social Network alike. The rate at which information is received could easily be considered instantaneous, yet it still functions on the basis of being passed on from one person to another… and has narrowed itself so far down that I am now blessed with the luxury of being contacted by artists themselves, asking to be featured, asking to be heard.

This one-degree of separation indirectly begged the question of what really separated us and the more I looked into it, the less I found… which is the real essence of what James Nee has done here with We Are Trees (whom I can’t thank enough for reaching out). He has produced a sound so honest you can’t help but want to be closer and in that very moment you’ll realize just how close you are. This four-piece band from Virginia Beach sits tangled with triumph and defeat, yet are so in tune with their emotions it is almost weightless. James pushes through the wood work with the vocal charm of Daniel Rossen (Grizzly Bear), calmly taming a tempered echo of drums while simultaneously reverberating the heavy-eyed strings of a violin. The harmonies found throughout his debut EP Boyfriend are akin to that of the Fleet Foxes, with the lyrical content being a little more youthful and perhaps embodying a more comparative case of human emotions… something I know we are all too eager to relate with.

Pre-order a 12″ Vinyl off Collective Crowd Records.

MP3 We Are Trees – Sunrise Sunset
MP3 We Are Trees – Daniel Chan Marshall

First Aid Kit and Samantha Crain – Live @ The Vera Project

I’m going to start tallying up the amount of times I’ve planned on writing something specific and wound up doing otherwise. Or the amount of times I’ve planned on going to the gym and wound up going out… to, let’s say… a concert. I had a couple of different Artist Spotlights lined up for today, but after Saturday night’s show at Seattle’s all-ages venue, The Vera Project, I felt the need to revise and attempt a different format. There really is something to be said about a performance that leaves you reevaluating your life.

Let me start this off by saying that I’m really bad with song titles and well, we arrived a little less than 40 minutes before the show came to an end (hence no pictures). I know, pathetic, but I had to work a closing shift that night and it completely slipped my mind. Despite it all, my girl friend and I felt like we got there just in time (or so we keep telling ourselves), running down to the stage area a few seconds into “Tiger Mountain Peasant Song,” the breathtaking Fleet Foxes cover embraced by fans worldwide… now if that wasn’t already enough to blow me away, Klara and Johanna of First Aid Kit both stepped out from behind their mics to perform a stripped down version of “Ghost Town,” my absolute favorite song off of their debut full-length The Big Black & The Blue. Talk about a heart attack. I can’t pin point what songs came on next or in what order, but they did throw in a few treats from their Drunken Trees EP (“Our Own Pretty Ways” and “You’re Not Coming Home Tonight”) as well as an unreleased song titled “Lions Roar,” a definite must-hear that has only reaffirmed my belief in this band and their growing potential. They may still be in their teens, but they’re wise beyond their years and years from now they’ll be the ones saying, “I told you so.”

The Swedish sweethearts eventually segued into their encore, closing the night with a cover of “Still Feeling Blue” by Gram Parsons and an utterly, (expletive deleted) amazing duet with their opener Samantha Crain. The 23 year-old Oklahoma native nearly brought the audience to tears with her debut album’s exit track titled, “The Dam Song.” Together, the three of them broke into verses, line-by-line, pulling away at our heart strings. You could feel the mood changing, standing before them was an audience suddenly filled with deep empathy, dying to relate or perhaps relating all too well to a kind of hurt that you cannot say you’ve lived without somehow experiencing… and that right there is the true beauty of a live performance. That one moment where the songwriter’s story becomes yours. I can’t recall the last time I walked away from a show feeling so many different emotions and I mean that in the best way possible. Take my word for it, if you ever get the opportunity to see these girls live, do it. It’ll change your life.

MP3 First Aid Kit – Ghost Town
MP3 First Aid Kit – Heavy Storm

MP3 Samantha Crain & The Midnight Shivers – The Dam Song

MP3 Samantha Crain & The Midnight Shivers – Scissor Tales

You can stream 3 songs off Samantha’s sophomore album You (Understood) at www.samanthacrain.com. The album is set to be released tomorrow off Ramseur Records, be sure to check it out!

Local Natives

The very first time I heard of Local Natives was back in March of last year. Their name had popped up on a ton of blogs covering must-see artists of SXSW. The digital-press stretched from Daytrotter to Nylon, then onward and upward to numerous radio stations in the UK. Seriously. I was so sure they were going to be the next big thing… yet despite all of the buzz they received within those 3-4 weeks (which is pretty much “forever” in blog-years), they managed to stay clear of the hype and focus on touring. I mean, it made sense. They were on their way to dropping an insanely good album.

Their debut Gorilla Manor was released in the UK last November via Infectious Records. That same month the band signed with Frenchkiss, an independent label based in New York (dugout for artists like The Dodos, Passion Pit, and Cut Off Your Hands). Here, it seems, the California natives were able to bring their new record home–especially for me, having spotlighted one UK artist after another… although I may just be getting too wrapped-up in the Olympics. The echoing harmonies found throughout are making eyes at the Summer ahead and many road-trips to be had… so yes, I kind of agree with the comparisons to Fleet Foxes, but the spontaneity within really sets them apart and I wouldn’t be going too far with this to say that they probably put on a great show. Not only have they succeeded in ditching the front-man format, but they’ve produced a sound that is multidimensional and free of any excess. I never would’ve guessed they spend more time arranging vocals considering how well all of their instruments come together. The feverish drums, clattering sticks, guitar riffs as windy as the roads they’ve traveled… you have to admit, their music is fearlessly engaging in the same way someone naturally gets ahead for being outspoken. The best part about it, though… is that it’s just who they are.

Did I mention that they’re going to be performing at Sasquatch?

Yes, I will be there.

MP3 Local Natives – Wide Eyes
MP3 Local Natives – Warning Sign (Talking Heads cover)