Favorite Live Shows of 2011

We’re still working on the Best Albums of 2011 list, but in the meantime here’s my annual recap of my favorite live shows + concert photos of the year. Unfortunately, I wasn’t able to catch as many shows in 2011 (getting old I guess?), but I still managed to see quite a bunch of bands I love play on some very memorable sets. Below are my 15 favorite. Make sure to visit the musicforants.com flickr page to view all my concert pictures from the year.

15. Youth Lagoon @ Canopy Club (Urbana)

MP3 Youth Lagoon – July

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14. Neko Case @ Pitchfork Festival (Chicago)

(Side note: I met Danny Pudi from Community at this show. Photo proof!)

MP3 Neko Case – People Got A Lotta Nerve

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13. Girl Talk / Max Tundra @ Aragon Ballroom (Chicago)

MP3 Girl Talk – Jump On Stage

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12. Unknown Mortal Orchestra @ Canopy Club (Urbana)

MP3 Unknown Mortal Orchestra – How Can U Luv Me

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11. Bright Eyes / The Mynabirds @ Foellinger Auditorium (Urbana)

MP3 Bright Eyes – Shell Games

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10. The Dodos @ Channing-Murray Foundation (Urbana)

MP3 The Dodos – Don’t Stop

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9. Mates of State / Suckers @ The Metro (Chicago)

MP3 Mates of State – Sway

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8. Robyn / Diamond Rings @ Canopy Club (Urbana)

MP3 Robyn – Call Your Girlfriend

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7. Destroyer @ Pitchfork Festival (Pitchfork Festival)

MP3 Destroyer – Suicide Demo For Kara Walker

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6. TV on the Radio @ Pitchfork Festival (Chicago)

MP3 TV on the Radio – Wolf Like Me

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5. Explosions in the Sky / Viva Voce @ Pygmalion Festival (Urbana)

MP3 Explosions in the Sky – Your Hand In Mine

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4. Cut Copy @ Pitchfork (Chicago)

MP3 Cut Copy – Need You Now

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3. Wilco @ Riviera Theatre (Chicago)

MP3 Wilco – Dawned On Me

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2. Fleet Foxes @ Pitchfork Festival Chicago)

MP3 Fleet Foxes – Helplessness Blues

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1. Arcade Fire w/ The National @ UIC Pavillion (Chicago)

MP3 Arcade Fire – We Used To Wait
MP3 The National – Bloodbuzz Ohio

Girl Talk / Max Tundra – Live @ Congress Theater

It’s been 5 years since Girl Talk exploded onto the dance scene with his 2006 album, Night Ripper, and ever since he’s been known for both his meticulously crafted sample-based albums that puts every type of popular music in a blender, and his insane live shows. Greg Gillis lives to entertain and he does so in the most outrageous, abundant manner possible, which is why legions of college-age guys and girls with eclectic tastes in music flock to his shows. If you’ve ever experienced a Girl Talk show, you know what to expect, a riotous dance party, a dizzying number of pop samples and never a dull moment, and that’s exactly what he delivered at Congress Theater on Friday night.

I didn’t catch the first opener (or it was so unmemorable that I’ve forgotten them already) but second opener, electronica wiz Max Tundra did his part in energizing the crowd with his catchy songs, wacky instruments, and looped beats. I’ve seen him once before opening for Junior Boys with just a handful of people in the crowd, so it was interesting to see how he played in front of thousands. Pretty well, I must say, dude puts on a good show. Like last time he ended with his invigorating cover of “So Long, Farewell” from the Sound of Music soundtrack and he actually got quite a few people to sing a long.

Girl Talk’s set started like all of the shows I’ve seen, with Greg Gillis coming out with his standard sweatsuit / headband get-up and then members of the crowd rushing the stage (in this case, it was to his Black Sabbath / Ludacris mash-up). One of the greatest parts of seeing Girl Talk live is seeing all the new samples that he’s cooked up since his latest album was released. We were treated to one of those early on with Biggie’s “Juicy” verse (the “It was all a dream” one) paired up with Kanye’s “Runaway” beat. A bit risky you might you say to change up his most famous mash-up, the “Juicy” / “Tiny Dancer” combo from Night Ripper, but it worked out in his favor and was a pleasant surprise.

Some more new stuff entered the playlist like MJ’s “Thriller”, The Beatles “Birthday” and Peter Bjorn and John “Young Folks” but most of the time he was happy to showcase some of the best jams from his ubiquitous party albums, including most of the best All Day cuts like Big Boi / Portishead, Beastie Boys / “Lust For Life”, and “Black and Yellow” / “Paint It Black” . The crowd of course, ate it up, people came to dance like crazy and wave their hands in the air like they just don’t care, and thats what they did. While most of the time it was a chaotic, sweaty mess in the huge dance pit (being on the floor at Girl Talk is about half dancing and half just surviving), a few anthems like “Since U Been Gone”, “Intl Players Anthem”, and “Digital Love” got the whole crowd singing and jumping up and down in unison.

The biggest difference from the early Girl Talk shows has to be the visuals, as the artist has gotten more popular he’s put more of his well-earned cash into creating a spectacle to go along with the dance-fest. That included a huge LED screen with flashing images, song lyrics, past concert footage, and colorful strobes. On top of that there was an bombardment of confetti, balloons, water, and toilet paper being dropped, shot through a cannon, or blown from leaf blowers at the audience throughout the night. After closing the set with a UGK sample set to John Lennon’s “Imagine”, Girl Talk went on to a play a free-style encore which was way more sloppy and slapdash then his mostly pre-planned set, but it was cool to see he could still create stuff out of the fly. When it comes to crazed dance parties, nothing out there beats a Girl Talk show, which was proved yet again Friday night in Chicago.

MP3 Girl Talk – Triple Double
MP3 Girl Talk – Jump On Stage
MP3 Max Tundra – Which Song

View more Girl Talk / Max Tundra pictures after the jump. Click here for the entire set.

Continue reading “Girl Talk / Max Tundra – Live @ Congress Theater”

My Favorite Albums of 2008

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Photo Illustration by Nick Duncan. Click for hi-res version.

2008 is taking it’s final bow and a what a year it has been. While ’07 was dominated by a slew of  indie rock heavy hitters releasing awesome albums (Spoon, Of Montreal, Arcade Fire, Wilco,  Radiohead) this is a year where new talent seems to be garnering the most attention.  For me at least, this has been a very good thing with 1/5th of my favorite albums this year being debuts and just as many being sophomore releases.  This isn’t to say that old favorites didn’t deliver this year as well, as a number of albums on this list are from bands that I’ve listened to and loved  for years.

Overall, 2008 has a brought an excellent variety of  memorable albums and after rummaging through countless hours of music this year,  it’s now time to wrap it up here with my final year-end list. These are my favorite 25 albums of 2008. Make sure to leave a comment if you like what you see or have your own favorite albums to add. Big thanks to Nick for creating the awesome post header with the graffiti/album poster theme. To the readers, thank you for all your support and for listening to what I have to say. I hope you all have a wonderful new year!

25. The Rosebuds Life Like

This is the fourth Rosebuds album and the band has really made a niche with their smart and stylish pop.  This album recalls the high points of all previous albums with wonderful mood pieces like “Border Guards” and “Nice Fox” and lively rave-ups like “Bow to the Middle” and Cape Fear”.

MP3 Border Guards
MP3 Bow to the Middle

24. HeadlightsSome Racing, Some Stopping

Headlights have grown from a three-piece shoegaze pop band to a lushly orchestrated folk collective full of gorgeous textures, memorable boy/girl harmonies, and warm retro goodness.  “Cherry Tulips” is one of the best pure pop songs of the year and there’s a lot more on this album where that came from.

MP3 Cherry Tulips
MP3 Get Your Head Around It

23. EvangelicalsThe Evening Descends

This album dominated much of my listening time early this year. From the horror B-movie sound effects to the spacey, nightmarish psych-rock the band have crafted a thrilling sophomore album that has been criminally under-recognized.

MP3 Skeleton Man
MP3 Midnight Vignette

22. Jamie LidellJim

Jim quite simply puts a smile on my face every time I listen to it. With the snazzy retro production and old soul spirit, this album proves how staggeringly talented this guy is. If Jamie keeps spitting out gems like the rollicking call-and-response “Hurricane” or the exuberant, gospel-like “Another Day”, he’ll be wearing gold-plated diapers in no time.

MP3 Another Day
MP3 Hurricane

21. Department of EaglesIn Ear Park

Three months ago I wouldn’t have had the slightest clue who Department of Eagles were, but in a short span of time that I’ve had this album, it’s become one of my most beloved albums of the year. With it’s luscious, organic folk sound that create a beautiful, haunting aesthic and Beach Boys-influenced melodies which provides an accessibility I never quite found with Grizzly Bear, In Ear Park is superbly crafted album in every way.

MP3 No One Does It Like You
MP3 Teenagers

20. Cloud CultFeel Good Ghosts (Tea Partying Through Tornadoes)

While Feel Good Ghosts doesn’t quite reach the same heights as last year’s absolutely brilliant The Meaning of 8, this album still shows that Cloud Cult continue to make gorgeous, uplifting, and passionate music. “When Water Comes To Life” and “Journey of the Featherless” stand among the most beautiful, transcendent songs I’ve heard this year.

MP3 When Water Comes To Life
MP3 Everybody Here Is A Cloud

19. Mates of State Re-Arrange Us

Out of all the bands represented on this list, Mates of State might be the one that I’ve listened to the longest, and it’s been amazing seeing how the band has grown from the quirky, lo-fi pop of My Solo Project to carefully designed, beautifuly orchestrated songs like “The Re-Arranger” and “Get Better”.   The band still are masters of clever pop arrangements and boy/girl harmonies, but this album is more fully developed and dare I say, mature, than anything else in the band’s catalogue and I have a feeling these songs will stay with me for a long time.

MP3 Get Better
MP3 The Re-Arranger

18. British Sea Power Do You Like Rock Music?

This really seems like a love or hate it kind of album, and I’m placing myself firmly in the love it category. It’s a grand, sprawling, larger-than-life type of album which I guess reminds some people of U2 or Coldplay.  But looking past the anthemic, stadium-sized nature of these songs, you can see this album as a labor of love from guys who really, really like rock music and would just like to share their enthusiasm with the world in the only way they know how, with huge, bombastic epics of rock theatricality. The results are breathtaking.

MP3 Waving Flags
MP3 No Lucifer

17. Los Campesinos! Hold On Now Youngster / We Are Beautiful, We Are Doomed

When Hold On Now Youngster… came out I was overjoyed that the band had been able to translate their manic, blazingly enjoyable, noisy dance-punk-twee-pop into a full length album that was just as fun as their demos, singles, and EPs.  So it came as absolute surprise and bewilderment that after only 33 weeks the band released a second album that was just as good (and maybe even better) as their debut.  These albums are admittedly at times a bit messy and unpolished, but the sheer magnitude of excruciatingly catchy hooks, wild strings-and-glockenspiel instrumentation, and exceptionally witty, youthful lyrics that they fill into their music is outstanding.  Coming from a band where the seven members are just past American drinking age, the accomplishments Los Campesinos! have made this year are groundbreaking. I can’t wait to see what they do next.

MP3 Ways To Make It Through The Wall
MP3 Sweet Dreams, Sweet Cheeks

16. The Rural Alberta Advantage Hometowns

This Toronto three-piece who shockingly are still unsigned despite finally getting a continuous amount of buzz on the web, have made a truly exceptional debut album. Hometowns is an exhilarating listening experience, filled with depth and sincerity, that gets better on each listen.  Drawing largely on influences like Neutral Milk Hotel to M. Ward, the songs are filled with explosive percussion, vocal intensity, and the sparse folk arrangements with geographic/historical lyrical themes that would make Sufjan Stevens proud.  Rural Alberta Advantage are easily of the most exciting new bands of 2008 and their fan base is constantly growing as more people listen to, and subsequently fall in love with this incredibly rewarding little-album-that-could.

MP3 Don’t Haunt This Place
MP3 Frank, AB

15. Cut CopyIn Ghost Colours

Every year there’s an album that jumps way up my list in the final days of the year, and I’ve been gorging on this album nearly all December even though, with it’s uplifting and celabratory pop jams, this album seems best suited for warm summer nights.  Nevertheless, I’ve fallen head over heels for In Ghost Colours. From the pulsating groove of the exquisite opening track, “Feel The Love” to the hazy psych-pop of “Unforgettable Season, the edgy dance-rock of “So Haunted” and the unstoppable electro-disco pop jam with a killer saxophone solo, “Hearts on Fire”, this album wows me again and again.

MP3 Feel The Love
MP3 Hearts On Fire

14. The Mountain Goats Heretic Pride

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Early this year The Mountain Goats quietly released one of their best albums, and although the album has all but been forgotten about on year-end lists, it remains a remarkable collection of songs from one of this decades best singer-songwriters. Unlike the concept albums, Darnielle has made in the past, Heretic Pride tells a variety of stories on the album of characters who join cults, give birth in cheap motels, and embrace swamp creatures.  The most notable thing about this album is how much of prominent the musical arrangements are, where previously they have taken a back seat to much more prominent lyrics. Darnielle’s lyrics are still highly compelling but it’s the gorgeous instrumentation that really makes these songs flourish.

MP3 Sax Rhomer #1
MP3 Autoclave

13. Girl TalkFeed The Animals

Feed the Animals is quite simply the funnest album of the year.  Gregg Gillis has taken the format from Night Ripper of mixing both guilty-pleasure pop, major hip-hop hits, songs from the indie rock canon, and classic rock favorites that you’ll hear at every wedding reception. In the first few minutes alone you have “Gimmie Some Lovin”, “International Player’s Anthem”,  “Nothing Compares To U” and “I Was Born (A Unicorn)”. All the samples are blended seamlessly together and made into a fiercely entertaining (not to mention danceable as anyone who’s been to a Girl Talk show can attest) compositions that fully embrace all the joys of pop music.

MP3 Set It Off
MP3 Hands In The Air

12. Sun Kil Moon April

Whether it’s been under the monikers of Red House Painters or Sun Kil Moon, Mark Kozelek has always put gorgeous, bittersweet melodies to plaintive lyrics.  This latest album of his contains what I believe to be his finest work.  April is filled with intimate, wistful folk songs with sparse instrumentation composed of primarily acoustic and electric guitars. The honesty and tenderness of songs like “Lost Verses” and “Moorestown” is magnificent, the guitar tone is mesmerizing and sets the mood perfectly, while Mark’s gentle, aching vocals makes it genuinely moving.

MP3 Lost Verses
MP3 Moorestown

11. IslandsArm’s Way

After the success of 2006’s Return to the Sea it would have been easy for the band to make another light, fun indie pop potpourri, but with Arm’s Way, Nick Thornburn pushes the band in a different direction. One that includes sprawling, dramatic movements with sweeping violins. While the complexity and sheer ambition made the songs less immediately accessible and thus turned some people off, I for one have been completely taken by the surrealism, enthusiasm, and precise attention to detail of the album. Given the chance to sink in, “Creeper” “The Arm” and “I Feel Evil (Creeping In)” become magnificently composed opuses that whirl the listener through a dreamlike landscape of sounds.

MP3 Creeper
MP3 I Feel Evil (Creeping In)

10. Okkervil RiverThe Stand-Ins

This sequel to The Stage Names picks up right where the previous album left off and dives right back into the themes of the plight of a touring rock band, with another round of hyper-literate, boisterous folk rock.  Anything but a list of B-sides, every song on this album is completely solid from the jangly country-rock tune “Singer Songwriter”,  stirring, melodrama in “On Tour With Zykos”, gripping rockers like “Calling And Not Calling My Ex”, and the glorious lead single “Lost Coastlines”, which is perhaps the best tune Sheff has penned yet.  The lyrical narratives are as strong as ever whether it’s detailing pretentious rich kids, disillusioned groupies, and washed-up glam stars.

MP3 Lost Coastlines
MP3 Calling and Not Calling My Ex

9. Anathallo Canopy Glow

After 2006’s breakthrough album, Floating World, indie folk collective Anathallo experienced a number of changes. They relocated to Chicago, lost a band member, and changed record labels (they are now on Anticon), so it makes sense that with this album they would tweak their musical aestethic as well.   Canopy Glow is still full of incredibly inventive with a feast of instruments and beautifully layered vocals, but the band is much more concise, choosing to focus their energies on building their songs to euphoric climaxes as seen on “The River” and “Noni’s Field” and cutting out the meandering side-steps that admittedly brought down parts of Floating World.  The result is a dynamic, symphonic, and simply gorgeous album that solidifies Anathallo as one of my favorite bands making music today.

MP3 The River
MP3 All The First Pages

8. Vampire WeekendVampire Weekend

Much has been said about Vampire Weekend’s debut as well as the demo (named Blue-CDR) that came before it and I’m sure most people reading this already have formed opinions about the band whether it was based on their delightful, endlessly catchy guitar pop or there Ivy League, scarf wearing, Wes Anderson obsessed image. I say if you want to hate a band based on their socio-economic status or fashion sense then there’s a lot worse bands you should focus your efforts on. The one thing that stands out about the songs on this album, is how infinitely replayable they are.  Tracks like “Cape Cod Kwassa Kwassa”, “Oxford Comma” and “M79” I’ve heard dozens of times and I’ve yet to tire of them, and isn’t that what great pop music should be?

MP3 Oxford Comma
MP3 M79

7. Sigur Rosmeð suð í eyrum við spilum endalaust

Like all of Sigur Ros’ work, this album is a bit hard to put into words.  It’s obviously an extraordinary beautiful collection of songs but it’s also a major progression for the band.  For those worried that Sigur Ros had become a bit one-trick, songs like the Animal Collective-meets-Radiohead opening track, “Gobbledigook” are a welcome departure and the sheer jubliance of the tracks that follow (including my pick for best song of the year, Inní Mér Syngur Vitleysingur) make this perhaps the most cathartic and uplifting of the band’s albums. Although most of the album is spent with shorter, melody-oriented tracks, the two longer tracks, “Festival” and “Ára bátur” are just as awe-inspring as anything the band’s ever done, both featuring emotional swells that elevate the soul to incredible heights.

MP3 Gobbledigook
MP3 Inní mér syngur vitleysingur

6. Wolf ParadeAt Mt. Zoomer

There was very high expectations for Wolf Parade’s sophomore release, and for me the album lives up to, and even exceeds all the hype preceding it. The album works amazingly as a cerebral keyboard-obsessed prog-rock opera, but there’s also an underlying layer of unnervingness and vulnerability that come out in both Krug and Boeckner’s vocals. They showcase their songwriting skills brilliantly throughout their album as well as their uncanny ability to manipulate the instrumentation (again the keyboards stand out) to create emotions, but it’s the fragility and urgency of their vocals that makes it sound like every line could be their dying breath that makes this album so compelling and frightening.  Krug and Boeckner are astonishingly great at what they do, and will undoubtedly go down as two of the greatest songwriters of their generation.

MP3 Language City
MP3 Call It A Ritual

5. ShearwaterRook

Using a combination of delicate piano, a yearning string section, loud, crashing percussion, dissonant feedback, and perhaps the best instrument at the band’s disposal, Jonathon Meisburg’s exquisite falsetto, Shearwater have crafted one of the most stunningly gorgeous albums in recent years. Meisburg’s obsession with nature (he’s also an ornithologist) permeates the album whether it’s on the striking album art to lyrics about legendary mythical beasts to the wintry atmospherics that inhabit the album.  Songs like the enchanting “Leviathan Bound” which utilizes harps and dulcimers instead of typical percussion and “The Snow Leopard” which features one of the most moving emotional swells of the year, beg to be listened to. Rook is a truly inspiring piece of art.

MP3 Rooks
MP3 Leviathan Bound

4. Of Montreal Skeletal Lamping

Last year, Of Montreal made what will probably go down as the best album of their career in which Kevin Barnes channeled his feelings of isolation and depression from his failing marriage into an indie pop masterpiece, Hissing Fauna, Are You The Destroyer? I doubt anyone expected such a bizarre, abstract, kaleidoscopic follow-up album. Although structure on Skeletal Lamping is basically non-existent, Barnes crams more pop hooks into these 15 “songs” then should be humanly possible.  The diversity of noises is outstanding going from funk and disco and glam and noise rock, sometimes in just one song. Interwoven are lyrics that are unabashedly, and absurdly sexual and it’s all tied together with Kevin’s harmonious falsetto. It’s an extremely difficult album but after you give some of the melodies found in tracks like “An Eulardian Instance” and “Beware Our Nubile Miscreants” a chance to seep into your subconcious, it can be monumentally rewarding.

MP3 An Eluardian Instance
MP3 Id Engager

3. TV on the RadioDear Science,

In Slant Magazine’s review they said “TV on the Radio have finally made an album that someone other than hyper-analytical music critics might actually enjoy” and what’s further is they noted this new-found accessibility in no way compromises their unrivaled, fiercely original approach to rock music that has made them one of the decade’s most revered bands. This rings especially true for me, as I was left a bit cold by the band’s first two albums which were undoubtedly excellent technical achievements but never really grabbed me.  From the very first “ba ba ba” vocal line in “Halfway Home”, Dear Science had me hooked.  The arrangements on the album are mind-bendingly great whether it’s on the gorgeous art rock ballad “Family Tree”, buzzy, electro-funk rockers like “Dancing Choose”, or the emotionally-charged epic “Lover’s Day”.  The band has an instinctive sense of what sounds good and they inject their sonic expertise into every song, providing the most consistently brilliant release of the year.  TV on the Radio, I am sorry for ever doubting you and I unconditionally succumb to your greatness.

MP3 Dancing Choose
MP3 Lover’s Day

2. Fleet Foxes Fleet Foxes / Sun Giant EP

In 2008, Fleet Foxes went from being an unsigned Seattle band with a demo at the beginning of the year, to being signed by Sub Pop Records and having the most critically acclaimed album of the year earning the top placements on year-end lists ranging from Pitchfork to Mojo to Amazon.com. I couldn’t think of a more deserving band for this to happen to.

Beginning with the absolutely captivating “White Winter Hymnal” (my #2 song this year), the band continues to impress throughout their self-titled debut album whether it be in the classic rock invoking “Ragged Wood” or in the subtle charms of “Blue Ridge Mountain”. There’s even a few moments (such as the bridge of “Quiet Houses”) that evoke the Beach Boys classic, Pet Sounds.The melodies float along beautifully, supported by simple but perfectly-toned instrumentation of acoustic guitar and organ.  The vocal harmonies are the obvious star though, producing some of the most chilling, overwhelming moments of music this year.  Fleet Foxes have created easily my favorite debut of the year and is perhaps the best introduction to a new band since Arcade Fire was thrust into the limelight with 2004’s Funeral.

MP3 White Winter Hymnal
MP3 Your Protector

1. The Hold SteadyStay Positive

In an interview with Uncut Magazine, Craig Finn discussed the power of rock and roll music saying, “Do I believe in the redemptive power of rock’n’roll? Absolutely. At its peak, played with the best intentions, it can be transcendent.”  With Stay Positive, continuously demonstrates this idea with some of the most mind-boggling, phenomenal rock and roll music I’ve had the pleasure of listening to. The albums begins with one of the best 1-2 punches ever with “Constructive Summer” and “Sequestered in Memphis”.  The first is a celebratory and nostalgic look at summers, friends, partying, and rock and roll while the second, a boisterous romp with one of the greatest sing-a-long choruses of the band’s career, sets up the main narrative of the album. It’s an account of double-homicide that’s provided cryptically in fragments along the albums progression.  The album continues with epic guitar ballads (“Lord, I’m Discouraged”) and self-referential rockers (“Stay Positive”) with every song having a slew of startling great lyrics that I won’t bother writing out here (although their analysis could make up a dozen more posts).

This all culminates into the staggering final track “Slapped Actress” which shows the lines between Finn’s narratives and reality being blurred.  The song is based on a John Cassavettes movie called Opening Night where an actress during a fake fight is slapped to make the performance more real. Finn’s line of “sometimes actresses get slapped” and “some nights it’s just entertainment and other nights it’s work” makes a strong statement about the perceived honesty of songwriting and the conflicting nature of performing as a rock band. Finn makes the statement universal by ending with the line, “man, we make our own movies”, about as profound of a statement as rock and roll can produce. Further proof that like Finn said, when rock and roll is done right, with the best intentions, it transcends simple words and melodies and becomes a huge, life-altering force, making you think that anything is possible.

MP3 Constructive Summer
MP3 Stay Positive

Additional Lists:
Albums that just missed my Top 25:
M83 – Saturdays = Youth
Why? – Alopecia
No Age – Nouns
Quinn Walker – Laughter’s An Asshole / Lion Land
Destroyer – Trouble in Dreams
The Raveonettes – Lust Lust Lust
Kanye West – 808s and Heartbreaks
Portishead – Third
Bodies of Water – A Certain Feeling
The Dodos – Visiter

Albums That I Need More Time With:
Frightened Rabbit – The Midnight Organ Fight
The Walkmen – You & Me
Beach House – Devotion
The Mae Shi – HLLLYH
Deerhunter – Microcastle
Nick Cave & the Bad Seeds – Dig!!! Lazarus Dig!!!
Blitzen Trapper – Furr
Vivian Girls – Vivian Girls
Born Ruffians – Red, Yellow & Blue
Women – Women

Albums That Just Aren’t My Thing:
MGMT – Oracular Spectacular
She & Him – Volume One

Thanks again to everyone for reading! I will be back in 2009…

Favorite Live Shows of 2008

With everything that’s been going on in my life this year, graduating college, getting married, starting a new job, I didn’t make it out to as many concerts as I have in the past.  The shows I did see this year though, stand among the music experiences I’ve ever had. These are the 15 performances I loved the most in 2008. Make to sure to follow the read more… link to see the whole list, and visit Pictures For Kids Who Can’t Read Good to check out all my concert pictures from this year. Have a very festive Christmas season!

15. Caribou Courtyard Café (Urbana)

Caribou completely jammed the Courtyard Cafe with their bright, psychedelic sound and trippy lights.  Sinkane, who now plays for Of Montreal, made a special guest appearance on the drums at this show.

MP3 Caribou – Melody Day

14. British Sea Power / 1900’s Canopy Club: Void Room (Urbana)

British Sea Power tore up the stage at the Canopy Club Void Room with some wonderful opening support from folk-collective 1990s.

MP3 British Sea Power – Waving Flags

13. Kanye West Lollapalooza (Chicago)

Kanye West’s homecoming performance at Lollapalooza was an extremely enjoyable and memorable show. He performed all his greatest hits and had a spectacular stage presence.  We even got a speech that compared his music to making an iPhones.

12. The Roots Summer Camp (Chillicothe)

The Roots are talented performers and fantastic musicians.  ?uestlove’s drum solo during their 10 minute version of “Masters of War” was unforgettable.

MP3 The Roots – The Seed

11. Yo La Tengo Krannert Center (Urbana)

Yo La Tengo headlined Pygmalion Festival with a performance at the Krannert Museum Theatre. From classics like “Autumn Sweater” and “Tom Courtenay” to the extended jamming sessions of their latest album, they put on an awesome show.

MP3 Yo La Tengo – Autumn Sweater

Click the below link to see my top ten!

Continue reading “Favorite Live Shows of 2008”

Commercial Watch: Broken Social Scene, Girl Talk, Junior Boys

It’s time for another edition of “Commercial Watch” and I’ve been noticing quite a few of my favorite artists grabbing some ad time lately.  Occasionally, it’ll be for brands that aren’t exactly my favorite (cough cough, Microsoft), but I cut them some slack because I know there’s mortgages to pay and all that. Here’s a few of the songs I’ve noticed recently with MP3s and link to video.

Cadbury Favorite: Broken Social Scene – Stars and Sons

This is actually a pretty cool commercial.  Guy on a park bench pops open some Cadbury Favorites chocolates and friends start magically appearing from inside picnic baskets, umbrellas, and fold-out chairs. The tag line: “Made For Many”.  It may sound a bit odd, but it’s well-executed due to some cool special effects and a top-notch song selection.

Watch Commercial

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I’m A PC: Girl Talk – Hold Up

I’ve seen Girl Talk twice this year alone, so I’m familiar with his preference of PCs in his shows over Macs.  My theory is that he uses those cheap PC laptops because he trashes them so much on tour and they’re very easily replaceable.  Also, there isn’t a Mac version of Audiomulch, the program he uses.  The music here doesn’t really represent at all what Girl Talk sounds like, it’s a short instrumental section of “Hold Up” with all the samples missing.

Watch Commercial

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Courtyard by Marriot: Junior Boys – In The Morning

Marriott continues to show good taste in their music selection with the new Courtyard ads (I still see the Residence Inn commercials with Andrew Bird all the time).  “In The Morning” is my favorite Junior Boys song, and works great in with the electronic-themed commercial. Full disclosure: I work part-time for Courtyard by Marriott.

Watch Commercial

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Toshiba Range: Crystal Castles – Air War

Another commercial with both great special effects and a killer soundtrack.  The ad employs some crazy time-bending and that “bullet time” effect made famous by The Matrix and Gap Commercials.  At the end it scales back to show a Toshiba TV that is redefining how we watch television. They may be overstating things a little, but it’s still a good commercial.

Watch Commercial

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Windows Vista: The Ruby Suns – Oh, Mojave!

In this ad, Microsoft trick people that aren’t that familiar with their new operating system to think they are using some new OS called Mojave. They then choose the samples that have good things to say about Mojave (actually Vista) to put into their back-patting commercial.  Well, at least the song is good, even if it was only chosen because of the title.

Watch Commercial (looks like it’s already been taken down)

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Victoria Secret: Lykke Li – Little Bit

Heidi Klum has been all over the TV lately with the Guitar Hero World Tour “Risky Business” ad, her regular Victoria’s Secret ads, and Project Runway.  All this really helps me forget about that awful Emmy’s hosting thing.  The ad is for something called IPEX that “only conceals and never reveals”. Huh? It features Swedish sensation Lykke Li’s song “Little Bit”, from the awesome Youth Novels.

Watch Commercial

Let me know if there are any other commercials that I should add.

Feed The Animals

The new Girl Talk, Feed The Animals, is available for download. I just heard to the entire album and it’s the funnest time I’ve had listening to anything all year. The first song alone has “Gimmie Some Lovin”, UGK – “International Player’s Anthem”, “We’re Not Gonna Take It”, Lil Wayne – “Pop Bottles”, TI – “What You Know”, and “Nothing Compares To U”. It’s Night Ripper Part 2 essentially but I agree with Gregg Gillis when he said that this one takes it to the next level. The amount of huge hits on here is insane.

The song selection includes stuff as recent as Hot Chip’s “Ready For The Floor” and as old as ? and the Mysterious “96 Tears”. There’s some seriously crazy mash-ups here also. Public Enemy and Len’s “Steal My Sunshine”. “Paranoid Android” and Jay-Z “Roc Boys”. Yo La Tengo’s “Autumn Sweater” and “Ghetto Superstar”. Eminem and Yael Naim “New Soul”. “Get Low” and “Sunday Morning”. Styx “Renegade” and Dr. Dre “Biches Ain’t S**t”. Lil Wayne and “Under The Bridge”. Also, where else can you hear The Carpenter’s “Superstar” and Metallica “One” played side-by-side with Lil’ Mama rapping over it?

You can download the album for free here, or pay 5 dollars you can get the album in FLAC and get a seamless download. Here’s a couple of the best tracks for you to sample (no pun intended):

MP3 Girl Talk – Play Your Part (Pt. 1)
MP3 Girl Talk – Set It Off

Girl Talk – Live @ Summer Camp

Summer Camp seems like a really weird festival for Girl Talk to be playing (the hippie to hipster ratio is about 100 to 1 here), but Gregg Gillis completely worked the crowd, putting on the most memorable show I’ve seen from him yet (and I’ve seen a few). This was the first Girl Talk show where I got to dance on stage, which is a totally awesome experience. Gregg debuted a bunch of new stuff this show that was completely incredible, while playing some classics like “Hold Up”, “Bounce That” and “Smash Your Head”.

Out of the new stuff, Jay-Z’s “Roc Boys”, Blur’s “Crazy Beat”, M.I.A.’s “Boyz”, Dexy’s Midnight Runners “Come On Eileen” all killed and live staples “Whoomp There It Is”, “Since U Been Gone”, “Jessie’s Girl”, and “Faithfully” were out in full force. By the end of the set, Girl Talk had a sizable crowd and everyone was waving their hands in the air like they just didn’t care. Wayne Coyne even came out during part of the set to dance (and was nice enough to let me take a picture with him). Gregg ended with an enthused performance of Nirvana’s “Scentless Apprentice” that included jumping into the crowd and doing handstands on the front barrier. I was unsure how Girl Talk would come off at this fest, but he murdered Summer Camp and made a ton of new converts along the way.

MP3 Bounce That
MP3 Hold Up

Girl Talk / Dan Deacon – Live @ The Metro

I could write a lengthy review of the crazy, sweaty electronic dance-fest that was Saturday Night, but I’ll let the pictures do most of the talking. I was extremely happy to see a full set by Dan Deacon who was cut short at Pitchfork Fest last year, and Saturday brought even more of his eccentric behavior (including stretching to “What Is Love”, shouting out our top 10 favorite scenes from Jim Carey’s The Mask, and doing a gauntlet around the room). “Wham City” was played in it’s full glory and it was amazing.

MP3 Dan Deacon – Wham City

The Girl Talk show started with a massive stage-rush as fans crowded around Greg Gillis to begin the dance. I didn’t quite make it up but I was close enough to get some amazing shots and have a lot of fun dancing to samples from the likes of Clipse, Ace of Base, Biggie, M.I.A., Tag Team, Smashing Pumpkins, and Kelly Clarkson. The best sample of the night had to be Journey’s “Faithfully” during the encore. Such an epic ending to a extremely bizzare and wonderful night.

MP3 Girl Talk – Bounce That
MP3 Girl Talk – Smash Your Head

View the complete photoset at Pictures For Kids Who Can’t Read Good.

The "Best Songs To Play On Phase" Mix

For the last week or so I’ve been addicted to the new iPod game by Harmonix, Phase. If you’re not familiar with any of the Harmonix games, they created both Amplitude and Frequency for PS2 as well as the first two Guitar Heros and the upcoming Rock Band. So basically, if it’s a music video game and it’s awesome: it was made by Harmonix. The newest game is the first where you can actually choose your own soundtrack for the game, which is an excellent idea. The way it analyzes beat algorithms to produce the gameplay is pretty spectacular.

Obviously some songs work better than others on the game (like you’d expect, the gaming engine likes songs with dancey beat more than ambient post-rock). Keeping that in mind, I’ve picked out a few of my favorite songs to play on Phase. If you have iPod with video capabilities, 5 dollars, and some free time (like I said, this game is addicting) I highly suggest you get Phase and try out these songs on it.

MP3 Modest Mouse – Dashboard (from We Were Dead Before The Ship Sank)

MP3 Battles – Atlas (from Mirrored)
This is one of the tracks I was most excited to try and it works splendidly thanks to the complex percussive arrangement that makes you to hit all the offbeats.

MP3 De La Soul – A Roller Skating Jam Named “Saturdays” (from De La Soul is Dead)

MP3 Andrew Bird – Fake Palindromes (from Andrew Bird & the Mysterious Production of Eggs)
The rush of strings in this song is one of my favorite sequences to play in the game.

MP3 The Futureheads – Decent Days and Nights (from The Futureheads)

MP3 CSS – Let’s Make Love and Listen to Death from Above (from Cansei De Ser Sexy)
One of the best examples of the game perfectly matching the music.

MP3 Mates of State – For The Actor (From Bring It Back)

MP3 Spoon – Finer Feelings (From Ga Ga Ga Ga Ga)
I don’t think I’ve played one Spoon song on Phase that doesn’t work. This one’s my favorite though.

MP3 Girl Talk – Bounce That (From Night Ripper)
Easily the best song I’ve played on Phase. The song changes exactly at every checkpoint and somehow the game keeps up with all of Girl Talk’s beats. Night Ripper should be packaged with Phase.

Keep in mind that all these songs work best when played on “Hard”. If you enjoy the music support the artists and buy their albums.

Dan Deacon / Girl Talk – Live @ Pitchfork

After what had been so far a pretty laid back Saturday, I was ready to do some dancing so I headed over to the Balance Stage. I caught the end of Oxford Collapse, who were plagued with some of the worst sound problems of the day (their bass was extremely loud while the vocals and saxophone were non-existent). Afterwards, I moved up as far as I could for Dan Deacon, who just as I expected, set up his laptop right at the front of the crowd. The man’s sound check was just as entertaining as some full concerts I’ve been to. Before his set started he, very rebelliously, stood up motioned for us to come closer as the host was telling us we needed to move back. In the middle of it all he had us point to the Seer’s Tower and yell Yea 20 times and then “Seers Tower and Future Pyramid” all in one syllable.

After that it got a bit too chaotic to think straight, all I know is that the man played “Okie Dokie” and “Snake Mistakes” and that were crowd surfing over my head every couple minutes. There was also a dance contest where Deacon’s instructions were to “keep it sassy”, a sing-a-long during “Silence like the Wind”, and a lot of hilarious Deacon banter before the fire department shut him down (you’ve probably all heard that story right now). Overall, it was uproariously fun, I brought a friend there and I think I converted him into a Dan Deacon fan for life. Afterwards, I went to check out what Cat Power was up to, but didn’t see much more than a cover of “Satisfaction”. By the time I got back to the Balance Stage, things had gotten completely out-of-hand.

MP3 Okie Dokie

The Girl Talk debacle was probably the biggest disappointment of the festival, when I arrived through the gates you could hardly hear and everyone in the back was complaining and trying to move closer so they could. I also was trying to move closer but it took me half of his set to get to a point where I had an ok spot (I was right under a tree where five people had climbed up). After all that, I still wasn’t where all the action was happening and it felt a bit like me watching a bunch of people in the middle having a lot of fun.

There was still some enjoyable things like hearing the live Grizzly Bear mash-up (couldn’t see it at that point), and some of his new samples like Avril’s “Girlfriend” and “Whoomp There It Is”. The Elton/Biggie part of “Smash Your Head” was played near the end and that was pretty cool also. The fact that anyone that knew anything was there watching Girl Talk instead of having to endure Yoko made the place overwhelmingly packed, and while it was great for a few people, most of them missed out.

MP3 Smash Your Head