musicforants.com's Best Albums of 2010


(photo by cubagallery)

In a few days 2010 will come to a close and as I look back, I really must say this has been one of my favorite years to cover since I started writing about music. I don’t know how the rest of the decade will keep up the pace, because this year has set the standards extremely high. I’ve commented before that it seems almost all of my favorite artists (Arcade Fire, Sufjan Stevens, Belle & Sebastian, The National, of Montreal, etc) released albums in 2010, and fortunately most of them were magnificent. There was also terrific debut albums (Janelle, Monae, Local Natives, Twin Shadow), sophomore successes (Tallest Man on Earth, Titus Andronicus, Morning Benders) and established artists gone solo (Jonsi, Owen Pallett) that filled our ears with lovely music this year.

This year myself and the other two other brilliant writers on this blog, Matt and Cheryse, voted (very democratically, I may add) on our favorite albums of the year to make one definitive, collaborative list. Below is our Best Albums of 2010 and since there so many albums we loved that couldn’t quite fit on the list, we each have Honorable Mention sections where listed a few of our other favorites. As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. To the readers, thank you for continuing to support this blog year after year and reading what we have to say. Have a wonderful new year!

25. Caribou – Swim

Dan Snaith’s release as Caribous is perhaps the most cleverly named album of the year. From start to finish Swim plays with absolute fluidity like some sort of dance music album marked by the mischievery of skinny-dipping. Each track picturizes the algorithm of oceanic behavior with wavelike breakbeats sequious to life and never really assuming an end. If it not watery and textured, it is a swimmingy rhythmic album that leaves all of the others drowning in sound. –Cheryse

MP3 Odessa
MP3 Kaili

24. Owen Pallett – Heartland

Owen Pallett has already created an impressive body of work at his young age whether it’s the wonderful albums he created under his previous moniker, Final Fantasy or the lovely string arrangements he composes for Arcade Fire. Heartland is his magnum opus though, mixing grandiose, classically-inspired instrumentation and addictive melodies to create thrilling pop gems like “Midnight Directives”, “E Is For Estranged” and “Lewis Takes Off His Shirt”. –Taylor

MP3 Midnight Directives
MP3 Lewis Takes Off His Shirt

23. The Black Keys – Brothers

The Black Keys have gone back to the basics with their six-full length release to date. Dan Aurbech and Patrick Carney have taken the dove-colored intentions of Attack & Release and stolen the spotlight of bluesy rock with riffs of contemptuous optimism. Brothers is an album of pure heart, one I’d like to consider the unofficial confession of a good man weighted with ugly truths yet empowered by his loyalty to the matter at hand. –Cheryse

MP3 Tighten Up

22. Twin Shadow – Forget

Twin Shadow simply appeared earlier this year, fully formed and with a debut album that sounded completely sure of its intentions. With Forget, George Lewis Jr. has made a record that hearkens back to archaic techniques while simultaneously sounding fresh and original. It’s as if these songs have been in the back of your mind for years and you’re just now remembering them. Call it immediate nostalgia. — Matt

MP3 I Can’t Wait
MP3 Castles in the Snow

21. Wolf Parade – Expo 86

You can usually tell a lot about a record in the opening seconds. Wolf Parade’s third the record begins with a relentless guitar riff, piercing synths, and Spencer Krug yelping about hammocks, dream-catchers, and minivans, and the album doesn’t ever let up after that. Both Krug and Dan Boeckner have grown monumentally as artists and the tunes found on this album like “Little Golden Age”, “What Would Your Lover Say”, and “Yulia” stand among the most electrifying and passionate rock anthems these intensely creative songwriters have crafted. –Taylor

MP3 What Did My Lover Say
MP3 Yulia

20. Gorillaz Plastic Beach

For all his world travel and style-dipping, Damon Albarn has ultimately decided he just wants to make great pop music. Eschewing the rigid concepts of the first two records and adopting a loose theme, Plastic Beach is free to sample and explore at will. Albarn recruited his best cast of guests yet, each adding their unique touch in wonderful, and sometimes surprising, ways. Who knew Lou Reed could sound so at home on an electro beat? — Matt

MP3 Superfast Jellyfish (ft. Gruff Rhys and De La Soul)

19. of Montreal False Priest

After the bizarre, kaleidoscopic Skeletal Lamping, it’s great to see Kevin Barnes embracing some more straightforward pop songwriting without losing his proclivity for stylistic experimentation. From the explosive electro-funk opening of “I Feel Ya Strutter” to the magnificent psych-pop of Janelle Monae-featuring “Enemy Gene” and playful, humorous synth-pop of “Famine Affair” and “Our Riotous Defects”, False Priest is a phenomenal addition to an already outstanding catalogue. — Taylor

MP3 Coquet Coquette
MP3 Enemy Gene (ft. Janelle Monae)

18. The Morning Benders Big Echo

The Morning Benders have come a long way since their 2008 release Talking Through Tin Cans. Although they have always been lyrically sound and collectively cool, Big Echo hit the shelves with alarming growth, mostly instrumental which has directly brought Chris Chu’s vocal ability to life. This record is full of beautiful arrangements and harmonies so romantic you might actually just misinterpret the meaning of the song. I’m still trying to figure out how they’ve taken such an innovative direction with their sound and yet have produced something that is unexpectedly nostalgic. –Cheryse

MP3 Excuses
MP3 Promises

17. Belle & Sebastian Write About Love

As has been well-documented on this blog, Belle & Sebastian are one of my favorite bands in the universe and through eight albums, the Scottish collective has become one of the most prolific and consistently wonderful pop bands in recent history. Though their latest album Write About Love doesn’t quite reach the heights of past masterpieces it’s such an immensely enjoyable album that it hardly matters. Energetic, sunny pop numbers that have defined the band for the last decade are mixed in with wispy, twee-pop reminiscent of early B&S, all making for a captivating and highly satisfying listen. –Taylor

MP3 I Want The World To Stop
MP3 Write About Love

16. Deerhunter Halycon Digest

It is as though a year cannot come to an end without hearing something brilliant from the genius that is Bradley Cox. Halcyon Digest is undoubtedly Deerhunter’s most accessible album to date. Their once isolated and dissonant sound has evolved into something cohesive on this record and believe me when I say that it hits the stage at best as their most attention-getting, especially for those hearing them for the first time. Despite some overly reverbed vocals, each track transitions to the next with palatable instrumentation and the album as a whole brings a refreshing perspective to the table. –Cheryse

MP3 Revival
MP3 Memory Boy

15. Jonsi – Go

As the lead singer of Sigur Ros, Jonsi helped produce some of the most beautiful, ethereal music of the past decade, and his first solo album, Go showcases the artist at his most exuberant and accessible. These songs are overflowing with glorious, flourishing instrumentation of piccolos, strings, trumpets and piano. With help from some fabulous collaborators, composer Nico Muhly’s phenomenal compositions, producer Peter Katis’ dense soundscapes, and drummer Samuli’s powerful percussion, Jonsi has made an album that is both triumphant and awe-inspiring. –Taylor

MP3 Go Do
MP3 Boy Lilikoi

14. The Tallest Man on Earth The Wild Hunt

Trying to capture this album with words is mostly pointless. Description doesn’t do it justice; it’s impossible to catalog the intensity and emotion contained within The Wild Hunt. Kristian Matsson is more shaman than musician; he conjures tales and sounds that exist outside of time. Even with its spare pallet, The Wild Hunt invites and rewards exploration. Eventually, the only word needed to describe it is “home”. — Matt

MP3 King of Spain
MP3 Troubles Will Be Gone

13. Foals Total Life Forever

At any given time I begin to question the depth of Oxford Rock, I am instantly put into place by the Foals. Total Life Forever was an album I literally stumbled upon–and by that I mean it rendered me completely speechless. The frenetic temperament of their previous record Antidotes seemingly consumed itself and completely sedated their sound, creating a very docile sophomore release that has their likability factor hitting its peak. This album is their most consistent to date and without any hesitation is a step in the right direction. –Cheryse

MP3 Spanish Sahara

12. Titus Andronicus – The Monitor

I don’t know if there’s been a more hate-it-or-love-it album this year then New Jersey rockers, Titus Andronicus’ sophomore album, The Monitor. Of course, I am firmly in the “love it” category of this sprawling Civil War-themed album , which SPIN magazine aptly described as “Born to Run’s pissed stepchild on an epic spree”. This is an album that is oozing with fiery, youthful abandon which it channels through a barrage of piano, trumpets, violins, vehemently-played guitars and anthemic, sing-a-long choruses at every turn. It’s a fully immersive listening experience that leaves a lasting impression, taking you through breathtaking highs and crushing lows. –Taylor

MP3 A More Perfect Union
MP3 A Pot In Which To Piss

11. Hot Chip – One Life Stand

With One Life Stand, Hot Chip have succeeded in becoming more heartfelt and musically accomplished then ever before without losing any of their dance-floor appeal. The London electro-pop quintet’s focus here is on straightforward pop songwriting without losing those huge, club-banging climaxes of cascading synths and frenzied disco beats. From the explosive synth / guitar attack of opening jam, “Thieves In The Night” to the irresistibly catchy closer “Take It In”, the band provides one spectacular song after another, resulting in their most consistent and overall best album yet. –Taylor

MP3 One Life Stand
MP3 Take It In

10. Local Natives – Gorilla Manor

I can’t think of an Artist Spotlight that I was more excited to write this year than that of Local Natives. Gorilla Manor earned, and rather comfortably, an infectious debut–and that stretches beyond any bias I have towards the Silverlake music scene. There isn’t a single filler on this record and is probably one of the few that harnesses its artful density even when played acoustically. From the leaks until the actual release, almost every song that has made its way to the blogosphere still continues to dominate the hype machine. –Cheryse

MP3 Camera Talk
MP3 Sun Hands

9. Janelle Monae The Archandroid

What makes Janelle Monae’s Archandroid such a magnificent album is it’s tenacious creativity and unconventionality. A sci-fi concept album about a time-traveling dancing android that combines funk, pop, R&B, hip-hop, classical, indie and soul (to name a few) sounds like it would be a complete mess, but Monae succeeds tremendously at just about everything she tries. With her effervescent charisma, killer hooks, and out-of-this-world vocals, she’s made an album which should be considered a pop music classic. — Taylor

MP3 Tightrope (ft. Big Boi)
MP3 Cold War

8. Joanna Newsom – Have One On Me

Have One On Me is an overwhelming album in scope, length, and ambition, filled with beautifully woven and masterfully performed songs such as “Good Intentions Paving Company” and “Baby Birch”. It’s an album you feel that Newsom worked every waking second perfecting since the masterful Ys was released in 2006. An rich and plentiful listening experience, it will astound you the first time you hear it but requires multiple listens to unlock all of it’s lavish beauty. — Taylor

MP3 Good Intentions Paving Company
MP3 ’81

7. Big Boi – Sir Luscious Left Foot: Son of Chico Dusty

Sir Lucious Left Foot… is a fundamentally weird album. It’s hip-hop from another galaxy, one where Big Boi’s lightspeed flow and black hole lyrics are as common as two purple suns. The beats are supernovae, consuming everything in their path. It’s an amalgam of styles that could only come from out there, the place few dare to travel but Big Boi calls home. — Matt

MP3 Shutterbugg (ft. Cutty)
MP3 Shine Blockas (ft. Gucci Mane)

6. Arcade Fire – The Suburbs

It’s almost hard to imagine that at one time, Arcade Fire were just another obscure band from Canada, releasing music that reached very few ears and playing shows in half-empty bars. What’s amazing though, is through their journey from mildly successful underground band to Grammy-nominated chart-toppers, they haven’t lost touch of what makes them great, their life-affirming, overwhelmingly beautiful music.

The band expands their palette on this album, adding surging disco beats and euphoric synths to their exhilarating rock anthems, all while taking their overarching themes of innocence, rebellion, escapism, the universal human struggle, and looking at it from a new, wiser perspective. The album may be their most rewarding listen yet, complex, and fully immersive, delivering songs like “We Used To Wait” and “Sprawl II”, that stand among the most powerful of their career. Most of all, The Suburbs confirms Arcade Fire’s status as the best rock band in the world. — Taylor

MP3 We Used To Wait
MP3 Sprawl II (Mountains Beyond Mountains)

5. LCD Soundsystem – This Is Happening

This is a not a record, it’s an event of the style 40 years gone. Rent a mansion across the country. Build your own studio. Strict dress code. Labor over every minute detail. Do the drums sound perfect? Is the bass fuzzy enough? How many people do we need shouting on this chorus? After everything, it sounds completely effortless, as if the songs just formed as they went along. No one makes albums like James Murphy, because no one else can. –Matt

MP3 Dance Yrself Clean
MP3 All I Want

4. Beach House Teen Dream

Maybe it is unfair that I was allowed to speak on this album… considering how bat-shit crazy I am about this band, but dream-pop duo, Beach House, truly proved that third time’s a charm and again, I sit here grinning as a fan from the start. Teen Dream waltzed into the new year with its breathtaking composition, subtletly demonstrating a sense of confidence wrapped lyrical romanticism. This is an album of real grace and power the variety found within the song collection is truly endless. Perhaps credit is due to producer Chris Cowady, but in contrast to their previous releases, this record is incredibly tangible and punctuates on any infatuation you’ve might have the band prior. –Cheryse

MP3 Zebra (UK Edit)
MP3 10 Mile Stereo

3. Kanye West – My Beautiful Dark Twisted Fantasy

Kanye West will not settle for being anything but the greatest, and he makes his case with this album. My Beautiful Dark Twisted Fantasy is an amalgamation of everything so far, the perfect summation of West-to-now. He has created a hydra, a siren, a phoenix, eternal and relentless, simultaneously beautiful, dark, and twisted. It is perfect and flawed, consummate and incomplete, alpha and omega. It is an album that could only be made right now and could only be made by him. — Matt

MP3 Runaway (ft. Pusha T)

2. Sufjan Stevens The Age of Adz

Sufjan Stevens makes intimate music. Even when tackling subjects like entire states or serial killers, he has always found a way to turn his focus inward, hoping to illuminate some hidden truth about himself. But with The Age of Adz, Sufjan Stevens has created his darkest and most personal album yet. The oppressive atmosphere, the despondent lyrics, the apocalyptic artwork: this is the product of someone working through some serious issues and letting us witness the process. The results are entirely uplifting, resulting in the kind of true catharsis few get to experience, even vicariously. We are all lucky Stevens let us face this with him. — Matt

MP3 I Walked
MP3 Impossible Soul

1. The National – High Violet

The National were once pegged as a perpetual underdog, but now with three genuine masterpieces under their belt, the Brooklyn-via-Ohio quintet have become a band that’s impossible to ignore. High Violet may just take the prize for their most exceptional album yet. The album is their most captivating, gorgeous creation as well as being the most staggeringly emotional. The band has taken their orchestral arrangement prowess to the next level with a breathtaking symphonic concoction of guitars, strings, horns, vocals and those oh so, important drum fills.

The band is ceaseless with their near-hysteric melodrama (equating marriage to cannibalism, fatherhood with paranoia, family reunions to a swarm of bees) but I don’t think that there’s anyone describing the American experience better in this day and age. And even in their somber ruminations, there’s dynamic performances and massive choruses to lift your spirits. I think Peter Silberman of The Antlers described it best when he said “The National isn’t so much ‘a band’ as it’s a piece of another person’s life that helps yours make sense.” By matching the sensational emotions that we all feel with delicately epic music, the band embraces the melancholy of society and makes our world that much more colorful. –Taylor

MP3 Bloodbuzz Ohio
MP3 Conversation 16

Taylor’s Honorable Mention:

Spoon – Transference
Broken Social Scene – Forgiveness Rock Record
Tokyo Police Club – Champ
The New Pornographers – Together
Laura Veirs – July Flame
Two Door Cinema Club – Tourist History
Shearwater – Golden Archipelago
Delorean – Subiza
Suckers – Wild Smile

Matt’s Honorable Mention

How To Dress Well – Love Remains
Gil Scott Heron – I’m Still Here
Robyn – Body Talk
Chromeo – Business Casual
Clive Tanaka y su orquesta – Jet Set Siempre 1°
The-Dream – Love King
James Blake – CMYK / Bell’s Sketch / Klavierwerke
Vampire Weekend – Contra
Sleigh Bells – Treats

Cheryse’s Honorable Mention:

Yeasayer – Odd Blood
Phantogram – Eyelid Movies
Mumford & Sons – Sigh No More
Dr. Dog – Shame
Love Language – Libraries
Toro y Moi – Causers of This
The Walkmen – Lisbon
Ra Ra Riot – Orchid
Born Ruffians – Say It

Thanks again to everyone for reading! We will be back in 2011…

musicforants.com's Best Songs of 2010


(photo by cubagallery)

Best songs of the year is typically the most difficult list to make but also the most rewarding. There’s nothing more indicative of a year in music then it’s greatest songs, and evident from the tracks listed below, I’d venture to say 2010 was a pretty great year.

To add some perspective and keep my head from exploding due to too much writing (it could happen), I asked Matt to help with the list this year. We combined our favorite songs (carefully removing any artist overlaps) and came up with a definitive 50 best songs of 2010, presented in highly unscientific ordered list form. My songs have a “-TJ” next to them and Matt’s are marked with a “-MG”. Simple enough, right?

There’s a link by each song choice where you can download/hear the song, and you can download complete zip of all the songs listed below by clicking this link. If you like a song, do the right thing and go buy music by that artist. I hope you enjoy these 50 songs just as much as we do!

50. Pure Ecstasy – Easy MP3
“Easy” is some perfect pop melancholy wrapped in a blanket of fuzz. That might make Pure Ecstasy sound like hundreds of other bands right now, but these guys have it down better than just about everyone else. Now if only we could get a full-length, or at least a singles collection. -MG

49. Phantogram – Mouthful of Diamonds MP3

“Mouthful of Diamonds” hooks you in immediately with it’s old-school drum loops, irresistibly buzzy synths, and Sarah Barthel’s seductive vocals. The duo specializes in addicting, well-crafted electro pop and there’s no better example then this exquisite tune. – TJ

48. Lindstrom & Christabelle – Lovesick MP3

Lindstrøm dropped this song early in the year, but it stayed in heavy rotation for the next 11 months. “Lovesick” sounds like some alternate universe future disco, complete with piano stabs Christabelle cooing over everything. Also, it sounds like she’s saying “caramel empanada”. -MG

47. Japandroids – Younger Us MP3

One of my favorite tracks last year was Japandroids thrilling garage-punk anthem “Young Hearts Spark Fire” and this year’s single, “Younger Us” is a perfect continuation of the song’s passionate, nostalgic lyrics and explosive, fuzzed-out guitar riffs. -TJ

46. Gorillaz – Some Kind of Nature (ft. Lou Reed) Y2B

Picking just one song from Plastic Beach was hard, but I found myself going back to this one featuring Lou Reed rather than something more obvious. I don’t know how Damon Albarn managed to make the wily Reed sound at home so far out of his comfort zone, but it totally works. -MG

45. Cults – Go Outside MP3

Cults splashed onto the indie scene this year with nary more than a random press photo and a couple of exuberant throwback pop songs and now look how far they’ve come. I said: It really shows how far an infectious sing-a-long chorus and some glockenspiel will go when put in the right hands. The band has used some simple elements and made one of the most charming, joyous tracks of the year. – TJ

44. Gil Scott-Heron – Your Soul and Mine MP3

I’m New Here has no shortage of great tracks, but they’re all good for different reasons. “Your Soul and Mine” encapsulates the entire album, the sparse production providing accompaniment to Scott-Heron’s despondent prose but still somehow coming off as completely beautiful. -MG

43. Delorean – Real Love MP3

“Real Love” is one of the most cathartic tracks of the year and, as evidenced by their live show, also one of the funnest to dance along with. Mixing fluttering vocals with swirling bursts of synths and a vibrant house beat, the song is one breathtaking high after another. – TJ

42. Matthew Dear – You Put A Smell On Me MP3

Was there a song this year that sounded as filthy? You can almost taste the sweat dripping off of this jam. The songs blasts with the right kind of dark bombast to turn it into the soundtrack to any number of lascivious behaviors. -MG

41. Fang Island – Daisy MP3

I said: “Daisy” is an incredibly dense, nosiefest of a song that beats even Los Campesinos! in it’s excess and musical unrestraint. Comparisons are really mute though, because in all honestly this doesn’t sound like anything I’ve heard before, all I know for sure is that I really like it. Prepare for yourself for time-signature changes, outrageous guitar solos, and finely-tuned vocal harmonies. – TJ

Follow the jump below to see the rest of the list!

Continue reading “musicforants.com's Best Songs of 2010”

Pygmalion Festival: Janelle Monae, of Montreal

Now that is how you open a festival. Janelle Monae‘s The Archandroid has become one of my favorite albums of the year and now she’s also secured a spot in my favorite live shows of the year list. Before Janelle took the stage one of the Wondaland Arts Society members, dressed stylishly in a tuxedo, gave a rousing introduction which included asking everyone to turn their camera around and take a picture of themselves so they can show their kids one day that they were at this concert. Then we were shown a video of Janelle in her alien/robot from the future character where she commanded the crowd to “dance or die”. The audience fully complied and were treated to a non-stop breathtaking hour long set. She opened with the first three songs on her album Dance or Die / Faster / Locked Inside and immediately won any doubters over. Seriously, believe all the hype, this girl is amazing.

Probably the most remarkable part of Janelle Monae’s show, besides from her magnetic stage presence, infectious energy, electrifying dance moves and stunning good looks, is her vocals. She belted out every song and never sounded anything less then ravishing. Whether it was on slow songs like the Charlie Chaplin cover “Smile” where her soulful vocals were the main attraction or on big grandiose numbers like “Cold War”, I was continuously impressed with her pipes. She’s also one for theatrics (which I’m sure you know if you’ve listened to any of her music) and had an array of skits intertwined in the music, the most memorable involving some kind of zombie army which she heroically shot down one by one with her pointer finger. She even invited Kevin Barnes on stage for a performance of “Make The Bus” which I very much enjoyed hearing live. The set closed with an incredible rendition of one of my favorite songs of the year, “Tightrope” and a bombastic “Come Alive” which featured the singer venturing into the crowd during the climax. I think everyone left the set feeling like they witnessed something incredible, I know I did.

MP3 Janelle Monae – Tightrope (feat. Big Boi)

Of Montreal had the extremely difficult job of following up Janelle Monae’s incredible show and unfortunately they came up a bit short. This was my fourth time seeing the band live so maybe I was underwhelmed from comparing the show to those fantastic past performances. It also probably has to do with the fact that both things I was anticipating most from the concert, the Michael Jackson cover medley and an appearance from Janelle Monae, didn’t happen. The show wasn’t anywhere near a complete bust though. Many of the new songs sounded great live. I really enjoyed hearing “Coquette Coquette”, “Like A Tourist”, and “Sex Karma”. They also played a good deal of songs from my favorite album of the band, Hissing Fauna, Are You The Destroyer?. “Heimdalsgate Like a Promethean Curse” and “The Past Is a Grotesque Animal” still sounded amazing and really energized the crowd. Only two pre-2007 songs were played (“Party’s Crashing Us” and “Olso In the Summertime”) but I guess that is to be expected.

One thing you have to expect with an of Monteral show these days is the bizarre, occasionally absurd performance art. The theme of the night seemed to be Kevin Barnes being attacked / sexed / worshipped (sometimes all at once) by swarms of colorfully costumed creatures from skeleton children in pajams to dudes with fish heads, gas masks, and shotguns for arms. It was all pretty fascinating to watch and I admit I cracked up laughing a few times by the ridiculousness of what was going on stage (I’ll let my photos speak for themselves in that regard). I also have nothing but good things to say about the band, especially the Late B.P. Helium and the violinist, both of who ventured to into the crowd multiple times during the set and just generally killed it all night long.

One part of the show that I really enjoyed was when a large video screen was rolled on stage which showed a live feed of Kevin performing a song from outside the venue. He played a few bars of Sibylle Baier’s “Tonight” before going into a completely new song nicknamed “Ghetto World” by fans. It was a very cool moment and reminded me of how innovative and unique a of Montreal concert can be. I just wish they could have maintained that spark for the entirety of the show. In the end though, it was a perfectly adequate performance from of Montreal which is far better then just about any other live band and Janelle Monae was spectacular, so there’s no way I can complain.

MP3 Coquet Coquette
MP3 Heimdalsgate Like a Promethean Curse

Follow the jump below for many more Janelle Monae / of Montreal pictures from the night. Click here for the full set.

Continue reading “Pygmalion Festival: Janelle Monae, of Montreal”

The Rest of the Best Albums of 2010 (So Far)

Taylor posted his favorite albums of the year so far last week, and while it’s a fine list all around, there were a few glaring omissions that I needed to rectify. Some of the things here were actually on Taylor’s honorable mention and near-misses lists and some of it was completely absent, but they’re all things that I think deserve more attention. If you think there is still something we missed, feel free to yell at us in the comments. Or better yet, why not post the albums you think have been overlooked this year? Anyway here you have it: The Rest of the Best Albums of 2010 (So Far)

Beach House – Teen Dream (January 26, Sub Pop)
Teen Dream sounds a lot like Beach House’s previous albums, just better. All the elements are in place, the band has just spiffed them up a bit and done some slight rearranging. The songs have a lived-in quality that makes them feel likes they have been sitting around for years. Victoria Legrand seems to finally be grasping what her voice is capable of, and her spectral wail hovers over these songs like a ghostly haze. Teen Dream certainly has its highlights (“Norway”, “10 Mile Stereo”), but it’s great front to back with nary a dud in the bunch. It’s not rare that I’ll throw it on only to realize I’ve listened to the album three times in a row.

MP3 Beach House – Norway

The-Dream – Love King (June 29, Def Jam)
Love King might actually be The-Dream’s worst album, but a lackluster The-Dream album is still better than 99% of the pop music being made right now. I’ve been hyping The-Dream to everyone I know since Love/Hate, and he’s had enormous success with jams like “Umbrella” and “Single Ladies (Put a Ring on It)”, but I still don’t think he’s as popular as he should be. There isn’t anyone making pop music as forward-thinking as Terius Nash; he’s found the perfect mix of ambition and craft, and to listen to his songs is to listen to someone who knows exactly how to hit all the right spots. Even if Love King is a slight misstep in the grand scheme of things, it’s a grower that is definitely worth your time.

MP3 The-Dream – Yamaha

Gorillaz – Plastic Beach (March 9, Virgin Records)
This far into the life of a project like this, most people probably would have abandoned the exploits of a crazy cartoon band. But Damon Albarn and Jamie Hewlett have instead taken things even further, this time exiling the group to a man-made island as some kind of commentary on consumerism. It’s an interesting idea, and the group pulls it off quite well, but the story takes a back seat to the songs. Albarn eschewed outside influence and produced Plastic Beach himself, and in the process created his best album in years. The songs are tight and filled to the brim with hooks. Even the myriad guests don’t detract from the flow, even the ones that, on paper, seem out of place (Lou Reed? Mark E. Smith?). The album kind of snuck up on me, but once I stopped resisting and let the world Albarn and Hewlett created take over, I haven’t looked back.

MP3 Gorillaz – Some Kind of Nature (Feat. Lou Reed)

Janelle Monáe – The ArchAndriod (May 18, Atlantic Records)
The ArchAndroid is almost as important culturally as it is musically. It’s a record that could have only been made in the current musical climate. If you would have told me even three years ago that Diddy would produce an R&B concept album about a robot that falls in love with a human and features Of Montreal, I would have thought you found some music-themed Madlibs book. The ArchAndroid is a harbinger of a musical utopia where genres and conventions have been completely and totally destroyed. Of course, none of that would really matter if the music wasn’t incredibile, which it is. Monáe has an unstoppable voice and the album is solid from start to finish. I just hope that Cindi Mayweather and Anthony Greendown don’t end up like a certain other pair of star-crossed lovers by the end of Suite IV.

MP3 Janelle Monáe – Tightrope (Feat. Big Boi)

The Morning Benders – Big Echo (March 9, Rough Trade)
The Morning Benders make their contemporaries seem lazy by comparison. The band trades in the same sunshine sound that has been popular the past year, but they imbue their songs with a craft missing from other west coast-influenced artists. Just take one listen to “Promises” and it’s easy to see how someone like Grizzly Bear’s Chris Taylor would want to be involved. The arrangements are tight, and the band knows when to hold back and when to let loose. But the star of the show is “Excuses”, a brilliant piece of wall-of-sound production perfection that captures the feel some some lost nugget of the past. The Morning Benders make it all seem effortless, like these song just happened to come together when they were hanging out one afternoon.

MP3 The Morning Benders – Excuses

Gil Scott-Heron – I’m New Here (February 9, XL Recordings)
I’m New Here is the best record of the year that no one seems to be talking about. I don’t think there has been a record this year that has hit me quite like it; it’s hard for me to even put in words what I love about the album. Gil Scott-Heron is clearly a master of language, turning phrases into quotable lines like it’s nothing. The sparse production compliments Scott-Heron’s gravel drawl perfectly, knowing when to push him along and when to stay out of the way and let him do his thing. Scott-Heron has had a hell of a life, and distilling that experience into a slim 28 minutes takes some serious restraint and skill. But he pulls it off perfectly, blending poetry, spoken word, hip-hop, soul, folk, and whatever else he wants. I’m New Here will punch you right in the gut, but it will help you get back on your feet, too.

MP3 Gil Scott-Heron – Your Soul and Mine

Sleigh Bells – Treats (June 1, Mom & Pop Music)
The most overhyped band of the year? Probably. But when you crate a song a unstoppable as “Crown on the Ground”, all other concerns go right out the window. Treats can be a bit much to endure in one go, but taken in bursts it’s a face-melting blast of overdriven pop perfection. Sleigh Bells take feedback fuzz other bands have been using and take it to the nth degree until it sounds like your speakers are just going to give up. But what separates Sleigh Bells from those other bands is that songs like “Rill Rill” prove that, stripped of the noise, there are some really good songs hiding underneath.

MP3 Sleigh Bells – Rill Rill

The Tallest Man on Earth – The Wild Hunt (April 13, Dead Oceans)
The Wild Hunt is a deceptively simple album. The songs consist of just Kristian Matsson’s raspy voice and guitar or piano, but these song will burrow into your brain stem and take root until you have no other choice but to listen to the record over and over and over again. Everyone I know has had a similar experience with the album; it will just take over the stereo for a week and there isn’t anything you can do about it. The songs are more like vignettes, with imagery equal parts rustic and whimsical. It’s almost as if Mattson’s music comes from some other world, a place where a man with a guitar can sound like nothing you’ve ever heard before.

MP3 The Tallest Man on Earth – King of Spain