Album Art Lover: Blurry

For this edition of my ongoing album art lover series (where I discuss album art trends and stuff), I’m focusing on the album covers using blur, an effect I’ve seen pop up more and more this year, from Cloud Nothings to The Antlers to Chromatics. Probably the most iconic blurry album photo is Bob Dylan’s Blonde on Blonde, which was thought to symbolize the dazed and druggy times of the mid-60’s (but was actually because it was freezing cold the day of the photo shoot).

From the 60′ on, blurry and out-of-focus album art continues to be popular aesthetic choice, used to evoke feelings of confusion, intoxication, dizziness or unrest, or it could just be that artists think it looks cool. Whatever the case, below is a mix of 15 albums featuring blurry covers. View the cover art and download an track from each album below, just make sure to take your dramamine first.

MP3 The Antlers – Drift Dive

MP3 The Cure – In Between Days

MP3 Cloud Nothings – Wasted Days

MP3 Bob Dylan – I Want You

MP3 Blur – Beetlebum

MP3 Tom Waits – Hell Broke Luce

MP3 The Gloria Record – The Arctic Cat

MP3 James Blake – The Wilhelm Scream

MP3 Moonface – Fast Peter

MP3 Avril Lavigne – Complicated

MP3 The Raveonettes – She Owns The Streets

MP3 My Morning Jacket – Heartbreakin Man

MP3 Black Sabbath – Paranoid

MP3 Nada Surf – Popular

MP3 Chromatics – Kill For Love

***

More album art lover posts:

Close-Up Faces
High-Speed
Sepia
Look-alikes
Cats
Hands
Circles

musicforants.com's Best Albums of 2011


(photo by cubagallery)

Well, here we go again. Like last year, we voted for our favorite albums of the year and put it all together to make one definitive (not really), collaborative Best Albums list. We even all pitched in on writing some blurbs too. As can be expected, there are many albums we loved that couldn’t quite fit on the list, so you we each have Honorable Mention sections where listed a few of our other favorites.

Thanks for continuing to support this blog and reading what we have to say (even when you have streaming services like Spotify and Rdio that make music blogs seem passé). As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. Have a wonderful new year!

25. Smith Westerns – Dye It Blonde

Dye It Blonde is an album that aims high, and won’t settle for anything less than transcendence. Smith Westerns’ songs are massive, packed with two, three, sometimes four hooks until you just can’t take any more and have to give in. It’s steeped in classic power-pop, but never feels rote. Instead, where many bands fall into imitation and repetition, Smith Westerns have crafted a record that could stand alongside many of the albums that inspired it. Dye It Blonde is a fresh and exciting spin on a well-worn tradition, and one sure to become a future touchstone.–Matt

MP3 All Die Young
MP3 Imagine, Pt. 3

24. Cults – Cults

Although Madeline and Brian of Cults have done a remarkable job of sustaining this portrayal of a “it just happened” band-slash-couple, the puppy-eyed duo seems to have rebutted their mysterious existence with catchy, straightforward music. The long-awaited debut of their self-titled record is a token of hard-edged, nostalgic pop and stands as a wonderful tribute to the idea that we don’t always need to know more. –Cheryse

MP3 Abducted
MP3 You Know What I Mean

23. Junior Boys – It’s All True

I always appreciate a band that finds their niche and perfects it from album to album and that’s exactly what Canadian electronica duo Junior Boys have done. The band has never sounded better then on It’s All True, which features some of the their most dynamic and infectious dance-pop tunes all culminating in the masterfully-structured 9-minute closer, “Banana Ripple”, a tour de force of bursting synths, pulsating rhythms and layered falsettos. –Taylor

MP3 Banana Ripple

22. Colin Stetson – New History Warfare Vol. 2: Judges

On first listen, New History Warfare Vol 2.: Judges can be disorienting, disconcerting and downright intimidating. But once you are acclimated to Colin Stetson’s world, you notice folds and wrinkles in his music that went heretofore unperceived, like your eyes adjusting to a new light source. What once seemed oppressive becomes rapturous when placed in the context of the whole. Judges is by no means an easy listen, but it reveals its rewards to those willing to let Stetson take them on this journey.– Matt

MP3 The Stars in His Head (Dark Lights Remix)

21. The Head and the Heart – The Head and the Heart

Bursting at the seams with soul and sincerity, The Head and the Heart’s self-titled debut album captures the essence of folk music while simultaneously showcasing their unique aesthetics through their immense vitality and heart-stopping crescendos. Violinist Charity Thielen showers songs such as “Rivers and Roads” and “Down In The Valley” with her magnificently raspy and raw vocals, bringing the already fervor-filled music to even more life. –Xakota

MP3 Down in the Valley
MP3 Rivers and Roads

20. James Blake – James Blake

James Blake’s full-length debut is a deceptively simple affair. The songs are sparse, built with only a few blocks, and Blake repeats vocal lines until they become mantras. The overall effect is incredibly hypnotic; Blake’s restraint provides the songs the necessary room they need to fully unfurl. The record envelops you and provides a sense of comfort and security. It’s as if these songs have always been with you, and Blake is just reminding you how they go. — Matt

MP3 The Wilhelm Scream
MP3 Limit To Your Love

19. Mates of State – Mountaintops

Mates of State have been one of my favorites from the beginning of this blog and their latest Mountaintops is an excellent addition to their catalogue. While 2009’s Re-Arrange Us, which was pegged as the mature, coming-of-age album, was filled with stately, piano arrangements, the band returns to upbeat, synth-heavy sound on this album, most evident on the exhilarating, cheerful opener “Palomino” and quirky, keyboard jam “Maracas”. All the while, the band don’t shy from embracing their emotional side on tracks like the gorgeous ballad “Mistakes”, a refreshingly honest reflection on the ups-and-downs of married life. –Taylor

MP3 Palomino
MP3 Sway

18. Girls – Father, Son, Holy Ghost

With Father, Son, Holy Ghost!, Girls turned up the talent while turning down the gimmicks, resulting in an album that exponentially exceeds their previous work. The album adopts a consistently vintage feel, with influences spanning over multiple past decades, but primarily channeling the 70s with centerpiece “Vomit”. The band continues to be charmingly simplistic, with infectious melodies and mellifluous harmonies heard in not only the opening, but star track of the album “Honey Bunny.” — Xakota

MP3 Honey Bunny
MP3 Vomit

17. Gang Gang Dance – Eye Contact

Eye Contact might be the most fundamentally strange record of the year. Gang Gang Dance transport the listener to an alternate reality where lines between genres are meaningless, there is only sound. Pure, joyous sound. The album can be bewildering, sometimes downright baffling, but it’s always exciting. You never know what twists Gang Gang Dance will throw at you, but following them down their various rabbit holes, portals, and stargates is what makes Eye Contact so enjoyable. –Matt

MP3 Mindkilla

16. Youth Lagoon – The Year of Hibernation

Trevor’s cunning ability to seamlessly merge what-ifs and has-beens into moments of clarity has in more ways than one, left my heart racing. He has singlehandedly transported his listeners from the quiet quarters of his bedroom studio to an endless landscape of possibilities. There really isn’t an album on this list that is more aptly named. With its ferns of fuzzy riffs and sun-drenched synths, The Year of Hibernation harks from start to finish with a sound that comes awful close to one I’ve spent all of 2011 searching for. –Cheryse

MP3 Cannons
MP3 July

15. The Mountain Goats – All Eternal’s Deck

On his 18th studio album, John Darnielle has made another spectacular collection of songs that ranks among his best work. All Eternal’s Deck doesn’t have an over-arching theme like many of his previous works, which gives the illustrious singer-songwriter opportunity to make a looser, more diverse collection of songs with jagged folk-punk, stripped-down acoustic, jubilant folk-pop and even a song that features a haunting a capella backing choir. Darnielle’s knack for clever word play is still as riveting as ever and the impeccable production and dramatic arrangements add a palpable weight to those lyrics. –Taylor

MP3 Birth of Serpents
MP3 High Hawk Season

14. Young Galaxy – Shapeshifting

As they say, third time’s a charm… and Dan Lissvik, well, he’s just a modern-day Picasso. That isn’t to say Montreal’s indie-rock band, Young Galaxy, had ever been subpar, but unbound by the complexities of imagination, you could say they needed a little direction—or maybe just someone to guide their musical hands. The result is groundbreaking, with Shapeshifting becoming an album that continuously plays and never the same way, easily the most entrancing record on this year’s list. –Cheryse

MP3 We Have Everything
MP3 Cover Your Tracks

13. The Decemberists – The King Is Dead

It’s tempting to peg The King Is Dead as a comeback album, but almost the opposite is true. Sure, it is easier to digest than The Decemberists’ previous record, The Hazards of Love, but it’s far more of an outlier in the band’s canon than it seems. The Hazards of Love represented the logical conclusion of The Decemberists’ aesthetic up to that point, The King Is Dead finds the band stripping away their songs, laying them bare and offering them to the listener as simple truths. Gone are the crutches of grandiose stories and flamboyant characters, and in their place is a sense of humility heretofore unhinted at by the band. The King Is Dead proves that The Decemberists are still capable of making fantastic music, even if they sound less like themselves than ever before. — Matt

MP3 Calamity Song
MP3 June Hymn

12. TV on the Radio – Nine Types of Light

Four albums deep, TV on the Radio still manages to keep us on our toes, just not in the way one would expect. The group seems to have tapered off from their experimental instrumentation and have settled down to a more accessible and lighter sound than previously heard. Frontman Tunde Adebimpe still carries the album with his larger-than-life and unique vocals, however Nine Types of Light surprisingly seems to have found its strength in the mellower tracks such as opener “Second Song”, rather than their typically popular upbeat and obscure melodies. –Xakota

MP3 Second Song
MP3 Will Do

11. Radiohead – The King of Limbs

While there’s some truth to the cries of King of Limbs being Radiohead’s most elusive and obscure album, with it’s sublimity comes a deep-seated beauty that’s most clearly seen on the magnificent second half (although the densely-packed first half has it’s share of treasures as well). Like all the band’s work, it takes more then a few spins to absorb it all and that’s increasingly true with this album. Whether it’s the shuffling hand claps on “Lotus Flower”, the slowly evolving guitar riff on “Separator”, the rapid-fire drumming in “Feral” or the mesmerizing trumpet line in “Codex”, I’ve continued to notice precious new details emerging throughout the album on every listen. –Taylor

MP3 Lotus Flower

10. St. Vincent – Strange Mercy

Annie Clark always seems content to do what she feels, whether it aligns with listener expectations or not. But Strange Mercy finds Clark crafting her best songs yet, while staying true to the foundation her music is built on. All the parts are here, the spindly guitar lines, the blasts of noise, Clark’s angelic voice, but everything just seems to fit better than before. Strange Mercy is a more visceral, tender, and altogether enchanting experience, unlike any other this year.–Matt

MP3 Cruel
MP3 Strange Mercy

9. The Antlers – Burst Apart

In a melting pot of poignant lyrics, velvety synthesizers, and Peter Silberman’s striking falsetto, the result nothing short of superb—and Burst Apart is just that. The Antlers’ sophomore album is by no means a half-hearted attempt at recreating the melancholy of Hospice, as it is carefully crafted to perfection with its fine mastery of somber lyrics and dreamlike coos juxtaposed with ethereal guitar swoops and mist-covered drum loops, creating an overall emotion-filled and cathartic listening experience. — Xakota

MP3 I Don’t Want Love
MP3 Putting The Dog To Sleep

8. Cut Copy – Zonoscope

When Cut Copy emerged a few years ago, they seemed destined to be written off as dancepunk also-rans. No one could have guessed that they would one day give us something as fully-formed and downright enjoyable as Zonoscope. Indebted to the music of their past, Cut Copy have created a rare treat: an album full of terrific songs that add up to more than their sum when taken together. Front to back, Zonoscope is an engaging listen, capable of stimulating the brain and feet simultaneously. Now that James Murphy has hung it up, it seems entirely plausible that Cut Copy could take up the mantle for forward-thinking dance music purveyors.– Matt

MP3 Need You Now
MP3 Take Me Over

7. Wilco – The Whole Love

The curse of making an album like Yankee Hotel Foxtrot is that the rest of your career, everything you will make will be compared to it. YHF is uniquely the most experimental album in Wilco’s catalogue but also the most accessible, and the incredible story behind the album (wonderfully illustrated in I Am Trying To Break Your Heart) cemented it’s instant classic status. Although it may be impossible to top, I believe The Whole Love comes the closest to recreating the album’s indescribable magic. From the opening krautrock mayhem of “Art of Almost”, giving guitarist Nels Cline invitation to unleash his insane guitar mastery, to the infectious, whistle-happy “Dawned On Me”, one of the finest pop moments in the band’s career, to the breathtaking and incredibly poignant acoustic closer “One Sunday Morning”, the album proves that Jeff Tweedy and co. are still in a class all of their own as songwriters. — Taylor

MP3 Dawned On Me
MP3 I Might

6. Lykke Li – Wounded Rhythms

Following Youth Novels, the bar was set high for Lykke Li. However the siren singer not only met, but surpassed our expectations as she balances her feminine romanticism with the eerily dark. Following her endearing debut, Lykke Li dims the lights with her melancholic “Love Out Of Lust” and “Unrequited Love” without venturing into depressing territory. Oozing with synths, Wounded Rhymes takes 60’s-influenced pop music and adds a sultrily ghostly—but shining—flair to it all. — Xakota

MP3 Get Some
MP3 Love Out Of Lust

5. Beirut – The Rip Tide

The Rip Tide is easily one of the most underrated albums of the year, perhaps due to its understated nature and slight departure from Zach Condon’s typical baroque instrumentation. With the tone-down, the album benefits from Condon’s restraint with its simplistic melodies, brought to perfection in the delicate “Santa Fe”. Yet while the maturation brings a breath of fresh air, a musk of nostalgia hangs over the album, with the bands upbeat, horn-loving, bohemian roots never entirely fading away with songs like “East Harlem” and “Santa Fe”. –Xakota

MP3 East Harlem
MP3 Santa Fe

4. M83 – Hurry Up, We’re Dreaming

With Hurry Up We’re Dreaming, Anthony Gonzalez of M83 has made his most vast, ambitious albums to date, one that seems to take all the good parts from previous work (the epic synth-rock majesty of Before The Dawn Heals Us, the glistening shoegaze of Dead Cities, Red Seas & Lost Ghosts, the 80’s synth-pop nostalgia of Saturdays=Youth) a well as offer up an entirely new experience. Gonzalez’ imagination seems to have no bounds like on “Raconte-Moi Une Histoire” which unites Kraftwerk-like keyboards, banjo / mandolin, and a full choir with a pre-schooler’s monologue about magic frogs. The album also offers up the two most immense, synth-pop anthems in his career with the exhilarating, saxophone-assisted “Midnight City” and the life-affirming propulsion of “Steve McQueen”.-Taylor

MP3 Midnight City
MP3 Steve McQueen

3. Fleet Foxes – Helplessness Blues

I’m not sure there was any album this year met with as high expectations as Fleet Foxes’ follow-up to their beloved debut album. The Seattle quintet were able to triumphantly exceed all of them with an album that builds upon the ideas of their debut and then completely surpasses them. The band stays true to the orchestral folk-rock of their debut while going for a much wider scope both musically, where psychedelia and prog-rock now inhabit the pastoral folk landscape and lyrically with Robin Pecknold’s emotional soul-searching making the achingly pretty songs like “Grown Ocean” and the title track even more meaningful. And of course, the band’s stunning vocal melodies and multi-part harmonies are still in a league all of their own. — Taylor

MP3 Helplessness Blues
MP3 Grown Ocean

2. Destroyer – Kaputt

The last couple years has seen many indie artists reclaiming the vintage 80′s soft-rock sound, but no artist has done so with such awe-inspiring results as Destroyer’s Dan Bejar. Kaputt strikes a balance of being faithful to the sound, with it’s palette of smooth jazz sax solos, airy synths and soulful back-up singers, and creating something entirely new that makes tracks like “Suicide Demo For Kara Walker”, “Downtown” and “Kaputt” both whimsical and stunning. This album further elevates the eccentric songwriter as one being of the most unique and talented voices of our generation. — Taylor

MP3 Suicide Demo For Kara Walker
MP3 Downtown

1. Bon Iver – Bon Iver, Bon Iver

In many ways, Bon Iver is Justin Vernon’s first album. For Emma, Forever Ago was an album built out of necessity, sounding exactly like you would think a folk record recorded in a Wisconsin cabin in the dead of winter would sound. But thanks to that album’s success, Vernon was afforded the means to create an album precisely as imagined, free of any restrictions, either monetary or temporal. The result is an expertly crafted record, able to simultaneously engage the listener at the micro and macro levels. There are moments so intimate they border on uncomfortable, Vernon’s lyrics mixing naked truths and obscure allegory. Then there are those moments of pure, transcendental bliss, moments where the sound breaks free and completely overtakes all of your senses. It’s overwhelming, honest, difficult, exciting, indulgent, and enchanting. But most of all it’s Bon Iver, fully-realized at last.–Matt

MP3 Calgary
MP3 Holocene

Taylor’s Honorable Mention:

I Break Horses – Hearts
The Rural Alberta Advantage – Departing
STRFKR – Reptilians
Iron & Wine – Kiss Each Other Clean
Patrick Wolf – Lupercalia
Summer Camp – Welcome To Condale
The Dodos – No Color
Bodies of Water – Twist Again
The Pains of Being Pure At Heart – Belong

Matt’s Honorable Mention:

F**ked Up – David Comes to Life
Ford & Lopatin – Channel Pressure
John Maus – We Must Become the Pitiless Censors of Ourselves
The Weeknd – House of Balloons
Angel Olsen – Strange Cacti
Matthewdavid – Outmind
Yuck – Yuck
Clams Casino – Instrumental Mixtape
Toro Y Moi – Underneath the Pine

Xakota’s Honorable Mention:

Real Estate – Days
Phantogram – Nightlife EP
The Strokes – Angles
Panda Bear – Tomboy
Nurses – Dracula
Kurt Vile – Smoke Ring For My Halo
Neon Indian – Era Extrana
Joy Formidable – The Big Roar
Class Actress – Rapproacher

Cheryse’s Honorable Mention:

Little Dragon – Ritual Union
Foster the People – Torches
Memory Tapes – Player Piano
The Black Keys – El Camino
Bombay Bicycle Club – A Different Kind of Fix
Fiest – Metals
Dale Earnhardt Jr. Jr. – It’s a Corporate World
Austra – Feel It Break
Generationals – Actor-Caster
tUnE-yArDs – w h o k i l l

Spotify Playlist: musicforants.com’s Best Albums of 2011

Thanks again to everyone for reading! We will be back in 2012…

The Antlers, Rihanna do The xx

Whether it’s covers, remixes, side-projects, tv commercials, or Mercury Prizes, British minimalist indie pop band The xx have managed to stay in the spotlight ever since their sensational debut album in 2009, which is both a testament to their overwhelming popularity in the indie music scene and their ever-growing mainstream appeal. Both sides were on full display the past few days, as musicforants.com faves The Antlers offered a studio version of their gorgeous VCR cover (which was debuted in its live form at a radio station in our neck of the woods).

Meanwhile everyone’s favorite Barbadian pop star Rihanna proved yet again The xx is a favorite among the mainstream elite (also see: Shakira’s cover of “Islands”) with her sample of the band’s “Intro” in her dazzling new tune “Drunk On Love”. With this sample and that amazing Trainspotting / Requiem For A Dream-like music video, I’d say Rihanna’s spot as coolest international pop star is pretty well-secured. Hear both tracks + the originals below:

MP3 The Antlers – VCR (The xx cover)


Rihanna – Drunk On Love

Originals:

MP3 The xx – Intro
MP3 The xx – VCR

Best Albums of 2011 (so far)


photo via cubagallery

We’re halfway through 2011 which means it’s time for the annual mid-year recap of the best albums of the year so far. If there’s a theme for 2011 so far it’s been defying the sophomore slump with Fleet Foxes, Bon Iver, The Antlers, Lykke Li, STRFKR and The Rural Alberta Advantage all providing some of the best music of the year. There’s also been plenty of reliable favorites like The Mountain Goats, Junior Boys, The Decemberists and Iron & Wine and a good number of debuts bidding for time from my eardrums this year. As before, I’m listing my favorite 15 albums in chronological order with a few that didn’t quite make it below. So without further ado, these are the best albums released in 2011 so far.

The Decemberists – The King Is Dead (January 18, Capitol)
After the unfortunate side-step that was Hazards of Love, The Decemberists, one of the most consistently excellent indie bands, have made a triumphant return with The King Is Dead. Gone are the lengthy prog-opera jams and in it’s place are a collection of brisk, stripped-down folk rock songs that recall 80’s-era R.E.M. (and at times, even feature Peter Buck). Colin Meloy’s expert songwriting and poetic lyrics are in top form on exquisite tracks like “Calamity Song” and “June Hymn”.

MP3 Down By The Water
MP3 June Hymn

Destroyer – Kaputt (January 25, Merge)
The last couple years has seen many indie artists reclaiming the vintage 80’s soft-rock sound, but no artist has done so with such awe-inspiring results as Destroyer’s Dan Bejar. Kaputt strikes a balance of being faithful to the sound, with it’s palette of smooth jazz sax solos, airy synths and soulful back-up singers, and creating something entirely new that’s both whimsical and stunning. This album further elevates the eccentric songwriter as one being of the most unique and talented voices of our generation.

MP3 Chinatown
MP3 Suicide Demo For Kara Walker

Iron & Wine – Kiss Each Other Clean (January 25, Warner Bros)
Iron & Wine has grown a lot as an artist since his lo-fi whisper folk beginnings and with Kiss Each Other Clean, he continues to evolve. Opening with a breathtaking electronica-tinged gospel tune, “Walking Far From Home” the album is full of gorgeous, densely orchestrated tunes that sees see Mr. Beam expanding his horizons even further with offbeat percussion, woodwinds, and doo-wop back-up singers all working together to support his striking melodies.

MP3 Walking Far From Home

Cut Copy – Zonoscope (Februrary 8, Modular)
With it’s wall-to-wall synths and a string of dancefloor-murdering climaxes, Zonoscope is Cut Copy’s most exhilarating album yet and also their most bombastic (take “Sun God”, the 15 minute dance-pop behemoth that closes the album). The album is chock full of blissed-out jams like the irresistibly catchy synth-pop banger “Need You Now” and the lush dream-pop of “This Is All We’ve Got”. This is the album I want blasting out of my car with the windows open on a sunny day.

MP3 Need You Now
MP3 Take Me Over

Radiohead – King of Limbs (February 16, Self-Released)
While there’s some truth to the cries of King of Limbs being Radiohead’s most elusive and obscure album, with it’s sublimity comes a deep-seated beauty that’s most clearly seen in the magnificent second half (although the densely-packed first half has it’s share of treasures as well). Like all the band’s work, it takes more then a few spins to absorb it all and I’ve continued to notice precious new details emerging throughout the album on every listen.

MP3 Lotus Flower

The Rural Alberta Advantage – Departing (March 1, Saddle Creek)
Although the temptation for any previously-unknown indie band would be to say “their old stuff was better”, with Departing The Rural Alberta Advantage have crafted another album full of intense, passionate folk-rock songs. The band’s stripped-down arrangements, gripping vocals, and explosive drumming are as visceral as ever, most clearly seen in incendiary and engaging songs like “Stamp” and “Barnes’ Yard”.

MP3 Stamp
MP3 Barnes’ Yard

Lykke Li – Wounded Rhymes (March 1, Atlantic)
Three years after Swedish pop singer Lykke Li released her charming debut album, she takes on new territory with her sophomore release, a beautifully-constructed, melodramatic breakup album that owes as much to 60’s girl-groups then to her Swede peers. The album moves from desolate, dark ballads like “Sadness is a Blessing” and “Love out of Lust” to the fiery upbeat swagger of “Get Some” with ease, Li playing both parts with magnetic tenacity.

MP3 Get Some

Starfucker – Reptilians (March 8, Polyvinyl)
Early this year Starfucker became one of my new favorites with the release of Reptilians, the groups second full-length album. The album takes you on an exciting, space-like journey through the world of superb synthesizers and stellar melodies. The Portland-based band has mastered the combination of cool vibes ( “Mona Vegas”), reverberating vocals (“Born”) and upbeat dance hooks (“Julius”), with each song providing the listener a different experience than the last. – XE

MP3 Bury Us Alive
MP3 Death As A Fetish

The Mountain Goats – All Eternal’s Deck (March 29, Merge)
On his 18th studio album, John Darnielle has made another spectacular collection of songs that ranks among his best work. All Eternal’s Deck doesn’t have an over-arching theme which gives the illustrious singer-songwriter opportunity to make a looser, more diverse album with jagged folk-punk, stripped-down acoustic, jubilant folk-pop and even a song that features a haunting a capella backing choir. Darnielle’s knack for clever word play is still as riveting as ever and the impeccable production and dramatic arrangements add a palpable weight to those lyrics.

MP3 Damn These Vampires
MP3 Never Quite Free

TV on the Radio – Nine Types of Light (April 12, Interscope)
I’ll admit I wasn’t too keen on this album at first, but I’ve come to appreciate the more sophisticated, refined direction the band is headed on Nine Types of Light. It doesn’t quite kick out the jams as often as Dear Science, but I’ve now found the soulful, intimate love songs like “Second Song” and “You” to be just as satisfying, and when the band does kick it up a notch on spastic stompers like “New Cannonball Blues” and “No Future Shock” they show they can rock the dancefloor just as effortlessly as the bedroom.

MP3 Caffeinated Consciousness
MP3 Will Do

Fleet Foxes – Helplessness Blues (May 3, Sub Pop)
I’m not sure there was any album this year met with as high expectations as Fleet Foxes’ follow-up to their beloved debut album. The Seattle quintet were able to triumphantly exceed all of them with an album that builds upon the ideas of their debut and then completely surpasses them. The band goes for a much wider scope both musically, where psychedelia and prog-rock now inhabit the pastoral folk landscape and lyrically with Robin Pecknold’s emotional soul-searching making the achingly pretty music even more meaningful. And of course, the band’s stunning vocal melodies and multi-part harmonies are still in a league all of their own.

MP3 Helplessness Blues
MP3 Grown Ocean

The Antlers – Burst Apart (May 10, Frenchkiss)
Listening to The Antlers second album, Burst Apart was both an emotional and intensely gratifying experience. The somber lyrics heard on almost every song convey the albums poignant theme perfectly, especially when combined with velvety synthesizers and frontman Peter Silberman’s truly stellar vocals. Silberman’s delicate falsetto and cooing creates a dramatic yet ethereal mood, heard most prominently in “No Windows” and “I Don’t Want Love”. Burst Apart manages to surpass the bands already fantastic first album, Hospice, making this album one of the best of the year. – XE

MP3 I Don’t Want Love
MP3 Every Night My Teeth Are Falling Out

Cults – Cults (June 7, ITNO/Columbia)
Cults seemed to have come out of nowhere, but the bands self-titled debut album quickly gained its well-deserved popularity. Contrary to what one might think, Cults isn’t just your typical female-driven, 60’s themed, poppy Brooklyn-duo, as a distinct element of mystery and darkness hovers over the entire album. Madeline Follin’s powerful vocals go as far as giving me goosebumps every time I hear the intense and climactic “You Know What I Mean,” a song that truly exceeded my expectations. With its unpredictable turns and overall display of true talent, Cults was a refreshing surprise. – XE

MP3 Abducted
MP3 You Know What I Mean

Junior Boys – It’s All True (June 14, Domino)
I appreciate a band that finds their niche and perfects it from album to album and that’s exactly what Canadian electronica duo Junior Boys have done. The band has never sounded better then on It’s All True, which features some of the their most dynamic and infectious dance-pop tunes all culminating in the masterfully-structured 9-minute closer, “Banana Ripple”, a tour de force of bursting synths, pulsating rhythms and layered falsettos.

MP3 Banana Ripple
MP3 ep

Bon Iver – Bon Iver, Bon Iver (June 21, Jagjaguwar)
Bon Iver’s debut was a deeply emotional work that touched many people on a personal level. For all the understated beauty that was contained in those songs though, I far prefer this album with it’s richer tones and increased sonic landscape. Bon Iver, Bon Iver takes the strummed acoustic guitar and Vernon’s phenomenal vocals that we all know and love and adds some of the most colorful and enchanting instrumental arrangements that I’ve had the pleasure of hearing. And while “Beth / Rest” has become a divisive issue for some, I personally love it.

MP3 Perth
MP3 Calgary

Just Missed:
Smith Westerns
James Blake
The Dodos

Honorable Mentions:

Bright Eyes
Wye Oak
Battles
Panda Bear
Braids
Bodies of Water
The Pains of Being Pure At Heart

Leave your favorite albums so far this year in the comments. Thanks for reading!

Burst Apart

While the The Antlers previous album, the catharsis-driven Hospice, centers around a gripping narrative of a relationship between a hospice worker and patient on the brink of death, their follow-up album, the newly released Burst Apart focuses on the balance between love, hate, and loneliness in a far less direct manner. However despite its broader lens, Burst Apart still maintains the sentimentality of Hospice that turned so many listeners into ardent fans.

The opening track, “I Don’t Want Love” immediately indicated to me that this would be another album filled with poignant and emotion-driven lyrics, beginning with the lines “You wanna climb up the stairs/ I wanna push you back down.” Throughout the album frontman Peter Silberman constantly switches between exuding feelings of resilience and fragility, as his brilliant falsetto sends the listener into an alternate universe of reflection. Silberman’s solitary dreamlike cooing heard on a number of tracks on the album is shown in full force in “No Windows,” casting a soft shadow over the song, capturing the true tender essence of the album.

In addition to Silberman’s gorgeous vocals, sprinkled throughout the Burst Apart are delicately placed horns, brought to prominence in “Rolled Together” and “Tiptoe,” as well as distinct electronic textures, most noticeable in the ambient “French Exit.” The metaphor-driven closing track, “Putting the Dog to Sleep” thematically channels Hospice as Silberman asks his lover to “Prove to me/I’m not gonna die alone…While my trust in you/Is a dog with a broken leg.”

Burst Apart is by no means a half-hearted attempt at recreating the melancholy of Hospice, as it is carefully crafted to perfection with its fine mastery of somber lyrics juxtaposed with ethereal guitar swoops and mist-covered drum loops, thus indicating the Brooklyn trio’s tremendous growth both instrumentally and psychologically.

MP3 The Antlers – I Don’t Want Love
MP3 The Antlers – Putting The Dog To Sleep

Album Art Lover: High-Speed Photography

As a Digital Communications major who’s dabbled in photography, one of my favorite things to see on an album cover is a really great photograph. I also have always loved the look of high speed photography. Album art featuring high-speed photos are usually pretty far and few between but recently I’ve noticed a few examples of these shots which use quick shutter speed to seemingly freeze time.

High-speed photos are used to capture extremely fast phenomena like a water droplet, something bursting apart, or a person whipping their hair back and forth. I’ve collected my favorite high-speed cover art below and you can download an MP3 from the preceding albums. Let me know if you have any more examples of high-speed photography in album art.

Stream: The Antlers – Every Night My Teeth Are Falling Out

MP3 Yeah Yeah Yeahs – Hysteric

MP3 Gastr Del Sol – The Relay

MP3 PJ Harvey – 50ft Queenie

MP3 Architecture in Helsinki – Desert Island

MP3 Weezer – (If You Are Wondering If I Want You To) I Want You To

MP3 Moby – Porcelain

MP3 Cults – Abducted

MP3 Mos Def – History (ft. Tailb Kweli)

MP3 Beck – Devil’s Haircut

Care to see more high-speed photos? Check out 40 Stunning Examples of High Speed Photography at Smashing Apps.

Listen: The Antlers – Parentheses

We’re of the opinion here that The AntlersHospice is one of the finest debut albums of the last few years and the excitement has been slowly building for the band’s sophomore follow-up album, Burst Apart. The new song “Parentheses” was released yesterday and sees the Brooklyn trio broadening their sonic palette . The track opens with spiraling keyboards, siren-like guitars and an ominous drum loop, before adding a thumping bass line and crunchy guitar riff. It’s rounded out by Peter Silberman’s lovely falsetto which is as otherworldy and stunning as ever. The result is a groovy, heavily textured sound that is reminiscent of early Radiohead or Portishead. Well played, Antlers.

MP3 The Antlers – Parentheses*

*Removed by request. Stream below.

Pre-order Burst Apart at the band’s website.

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I’m looking for someone that’s going to be at Coachella this year and can take photos for musicforants.com. If you’re at all interested, please email me.

"Who the he'll is that fire who?" and other twitter reactions to Arcade Fire's Grammy win.

Since there’s no hope in me trying to post about anything else today, here’s some of my favorite twitter reactions of last night’s triumphant, beyond-shocking album of the year win by Arcade Fire at the Grammys. These are mostly gathered from my own twitter feed or the WhoIsArcadeFire tumblr. Also in the awesome mind-blowing news category, Radiohead announced a new album this morning to be released this Saturday (!!!). Read all about it here.

MP3 Arcade Fire – Sprawl II (Mountains Beyond Mountains)

Continue reading “"Who the he'll is that fire who?" and other twitter reactions to Arcade Fire's Grammy win.”

Commercial Watch: Joanna Newsom, Morning Benders, Los Campesinos! + more

It’s time once again to highlight some of the hippest, indiest songs that are out there soundtracking commercials for cars, beers, clothing collections and chocolate-covered peanut butter confections. So for all the Hulu / DVR / next-day-on-youtube watchers, here’s a few of the best songs that the modern day Don Drapers and Peggy Olsons are harvesting for mass consumption (make sure to hit continue reading… to see them all). I used to do these little write-ups for each ad that I’m pretty sure no one ever read, so in the spirit of cutting to the chase, now we have video embeds for each commercial instead! MP3s also included. Batteries sold separately.

LG Mobile Phones: The Play

MP3 Joanna Newsom – Bridges and Balloons

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Reese’s Peanut Butter Cups: Gears

MP3 The Morning Benders – Excuses

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HBO Upcoming Programs Fall/Winter 2010 Promo

MP3 The Antlers – Kettering

Continue reading “Commercial Watch: Joanna Newsom, Morning Benders, Los Campesinos! + more”

The F-Bomb Mix

When Sufjan Stevens’s new album Age of Adz hit the web, apart from the auto-tune section in “Impossible Soul”, the most talked thing about the album was the multiple F-bomb drops in the song “I Want To Be Well”. Rewind a couple months back and Cee-Lo’s delightful anthem “F*** You” was making waves for it’s incessant usage of the word. So, inspired by the recent upswing of F-bombin’, I’ve made a mix of my favorite uses using the notorious word in song (with the lyric in question highlighted below). Let me know some of your favorites in the f***ing comments.

MP3 Sufjan Stevens – I Want To Be Well
“I’m not f***ing around I’m not, I’m not, I’m not f***ing around”

MP3 The Antlers – Two
“Daddy was an asshole, he f***ed you up”

MP3 MC5 – Kick Out The Jams
“Right now, Right Now, Right Now, I think it’s time to…KICK OUT THE JAMS MOTHERF***ER!”

MP3 Vampire Weekend – Oxford Comma
“Who gives a f*** about an Oxford comma?”

MP3 Cee-Lo Green – F*** You
“I see you driving ’round town with the girl I love and I’m like, F*** you!”

MP3 Bright Eyes – Lover I Don’t Have To Love
“I want a lover I don’t have to love / I want a girl who’s too sad to give a f***”

MP3 UGK – Int’l Players Anthem (I Choose You)
“My partner yellin “Too soon! Dont do it! Reconsider! Read some litera – ture on the subject. You sure? F*** it”

MP3 Broken Social Scene – Cause = Time
“They all want to f*** the cause”

MP3 Islands – Don’t Call Me Whitney, Bobby
“f*** what you heard, you were lied to”

MP3 The National – Mr. November
“I won’t f*** us over, I’m Mr. November”

MP3 Wilco – Ashes of American Flag
“I wonder why we listen to poets and nobody gives a f***”

MP3 MGMT – Time To Pretend
“I’ll move to Paris, shoot some heroin and f*** with the stars”

MP3 Ryan Adams – Come Pick Me Up
“i wish you would come pick me up, take me out, f*** me up”

MP3 Titus Andronicus – Theme from “Cheers”
“And now that I’m older, I look back and say, ‘What the f*** was it for anyway?'”

MP3 Rilo Kiley – Spectacular Views
“It’s so f***ing beautiful”