Autumn (Or What It Feels Like To Fall) Vol. 3

After the record-breaking hot and humid summer we just had, Autumn and the cooler temperatures that come with it, is a most welcome change. Who doesn’t love pulling out their sweaters and scarfs, admiring the lovely shades of reds and yellows, and the smell of the bonfires and apple cider in the air? With the changing trees and temperatures, the music I most associate with the season is different too, focusing on the wistful, laid-back and mostly acoustic songs that wrap around you like a warm sweater. As we always do at Music For Ants, we’re proving a new mix of songs for you put on while you’re walking across the quad with leaves crunching under your feet or drinking your hot Pumpkin Spice Latte on the way to work in the morning. Download below or listen at Spotify. Enjoy!

MP3 A.C. Newman – I’m Not Talking
MP3 The Tallest Man On Earth – Little Brother
MP3 Memoryhouse – Heirloom
MP3 Father John Misty – Only Son Of The Ladies Man
MP3 The National – Exile Villify
MP3 Air Review – America’s Son
MP3 DIIV – Earthboy
MP3 Sharon Van Etten – Leonard
MP3 The Helio Sequence – October
MP3 Grizzly Bear – Gun-Shy
MP3 Wild Nothing – Through The Grass
MP3 Andrew Bird – Lusitania
MP3 Evans The Death – Letter Of Complaint
MP3 Sun Kil Moon – Among The Leaves
MP3 Bowerbirds – In The Yard
MP3 Band of Horses – Slow Cruel Hands Of Time
MP3 TW Walsh – Natural Causes
MP3 First Aid Kit – King of the World
MP3 The Walkmen – Song For Leigh
MP3 M. Ward – There’s A Key
MP3 Sarah Mary Chadwick – Fools Like Me
MP3 Farewell J.R. – A Thought, A Mind
MP3 Wilco – Rising Red Lung
MP3 The Mynabirds – Greatest Revenge

Download the full mix here: AutumnMix-Vol3.zip (177.99 MB)
Spotify Playlist: Autumn (Or What It Feels Like To Fall) Vol. 3

Favorite Live Shows of 2011

We’re still working on the Best Albums of 2011 list, but in the meantime here’s my annual recap of my favorite live shows + concert photos of the year. Unfortunately, I wasn’t able to catch as many shows in 2011 (getting old I guess?), but I still managed to see quite a bunch of bands I love play on some very memorable sets. Below are my 15 favorite. Make sure to visit the musicforants.com flickr page to view all my concert pictures from the year.

15. Youth Lagoon @ Canopy Club (Urbana)

MP3 Youth Lagoon – July

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14. Neko Case @ Pitchfork Festival (Chicago)

(Side note: I met Danny Pudi from Community at this show. Photo proof!)

MP3 Neko Case – People Got A Lotta Nerve

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13. Girl Talk / Max Tundra @ Aragon Ballroom (Chicago)

MP3 Girl Talk – Jump On Stage

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12. Unknown Mortal Orchestra @ Canopy Club (Urbana)

MP3 Unknown Mortal Orchestra – How Can U Luv Me

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11. Bright Eyes / The Mynabirds @ Foellinger Auditorium (Urbana)

MP3 Bright Eyes – Shell Games

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10. The Dodos @ Channing-Murray Foundation (Urbana)

MP3 The Dodos – Don’t Stop

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9. Mates of State / Suckers @ The Metro (Chicago)

MP3 Mates of State – Sway

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8. Robyn / Diamond Rings @ Canopy Club (Urbana)

MP3 Robyn – Call Your Girlfriend

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7. Destroyer @ Pitchfork Festival (Pitchfork Festival)

MP3 Destroyer – Suicide Demo For Kara Walker

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6. TV on the Radio @ Pitchfork Festival (Chicago)

MP3 TV on the Radio – Wolf Like Me

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5. Explosions in the Sky / Viva Voce @ Pygmalion Festival (Urbana)

MP3 Explosions in the Sky – Your Hand In Mine

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4. Cut Copy @ Pitchfork (Chicago)

MP3 Cut Copy – Need You Now

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3. Wilco @ Riviera Theatre (Chicago)

MP3 Wilco – Dawned On Me

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2. Fleet Foxes @ Pitchfork Festival Chicago)

MP3 Fleet Foxes – Helplessness Blues

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1. Arcade Fire w/ The National @ UIC Pavillion (Chicago)

MP3 Arcade Fire – We Used To Wait
MP3 The National – Bloodbuzz Ohio

MP3: The National – "Rylan" / "I Need My Girl"

The National debuted two songs on Canadian Public Radio yesterday, and seeing that they are incapable of making anything less then spectacular, the tracks are predictably amazing. The first is called “Rylan”, a classic-sounding National ballad like “Start A War” or “Runaway” with stately piano chords, swelling guitar and Matt Berninger’s moving baritone. The folky “I Need My Girl” is perhaps even more interesting, with acoustic guitar that sounds a bit like the finger-picked outro of “Impossible Soul” (which if you remember, Bryce Dressner performed with Sufjan earlier this year). I Am Fuel You Are Friends was nice enough to post the MP3s which I’ve included below.

MP3 The National – Rylan
MP3 The National – I Need My Girl

The band also performed High Violet closer “Vanderlyle Crybaby Geeks” with the so-hot-right-now Justin Vernon. Stereogum has the video.

MP3: Sharon Van Etten – Serpents

After earning a swarm of fans with her 2010 album Epic, Sharon Van Etten is preparing to release her third album, Tramp, and the Brooklyn-based singer/songwriter has brought a few friends along with her. The album was produced by The National’s Aaron Dressner with Bryce Dressner on guitar and there are definite similarities between the brooding, tumultuous first single “Serpents” and the Dressner brother’s main gig. The comparison is most evident for me in the drumming (provided by The Walkmen’s Matt Barrick) which has the same thunderous quality as tracks like “Mr. November” and “Bloodbuzz Ohio”. Sharon’s new album also includes appearances by Zach Condon of Beirut, Wye Oak’s Jenn Wasner and Doveman’s Thomas Bartlett, and as evident by this fiery cut it’s definitely going to one to watch for next year. Download below.

MP3 Sharon Van Etten – Serpents

Tramp will be released on February 7th on Jagjaguwar.

50 Songs Of The Decade (2000 – 2009)


(photo by dcdead)

I released my 50 albums of the decade list two years ago with all intentions to follow it up with a matching songs list. Days turned into weeks and weeks into months. No such list ever materialized and I kindof gave up on the idea. That is until earlier this summer when I took a weekend trip to visit some friends in Chicago and decided to soundtrack the drive with a playlist of my favorite songs from 2000-2009. I thought the mix turned out pretty good so I chiseled it down to my absolute favorite 50 songs, gave them a mostly-arbitrary ranking and now I’m sharing it with you. Of course, belating this list for two years has given me the necessary perspective to narrow this list down to only the essentials. These are the tracks that I play over and over and never get tired of, the songs that always make me turn the volume up when they shuffle on my iPod, basically the songs that are “really, really ridiculously good looking” and not just “so hot right now”.

A few words of about this list, I’m not claiming to have made an end-all be-all “greatest songs of the naughts” list, just my personal favorites. A few folks took offense to the lack of  some genres (ahem, hip hop) on the albums list but hopefully this one will counterbalance that woeful underrepresentation somewhat. Furthermore, I didn’t do full reviews of each track, because seriously, who has that kind of time, but I’ve created a Spotify Playlist where you can listen to all of the tracks (there’s also vimeo/youtube videos linked to each one). In keeping with my yearly songs lists I’ve limited myself to one track per artist.  If you scroll all the way down you’ll see some songs that “just missed” and some per-year stats (‘05 reins supreme again in my book). So here it is, the long overdue top 50 songs of the decade according to me. Feel free to dispute or agree with my choices in the comments. Enjoy!

music for kids who can’t read good presents: 50 Songs Of The Decade (2000 – 2009)

Most easily found on: The Earth Is Not A Cold Dead Place

Most easily found on: The Execution Of All Things

Most easily found on: Bows + Arrows

Most easily found on: Veckatimest

Most easily found on: Sticking Fingers Into Sockets

Most easily found on: Black Sheep Boy

Most easily found on: White Blood Cells

Most easily found on: Let It Die

Most easily found on: Shut Up I Am Dreaming

Most easily found on: Give Up

Follow the jump to see the rest!

Continue reading “50 Songs Of The Decade (2000 – 2009)”

Arcade Fire / The National – Live @ UIC Pavillion

It’s hard to imagine that when Arcade Fire first came to Chicago six years ago they played a dive bar with a 400 person capacity. As recent youtube videos have pointed out, they were opening for bands at house shows before that. The Canadian eight-piece, who now have a #1 album under their belt and Grammy for Album of the Year, have truly become one of the most worldwide acclaimed and beloved rock bands of this generation. The passion that their multitudes of fans have for the band is only matched by their own passion for playing music and these two unstoppable forces collide every time they play a live show. Arcade Fire truly leaves everything on stage, every time they play, which is why seeing them in concert is such an amazing experience.

What made this particular run of shows special was the opening act, The National, who are just about the only other band in the world that I love as much as Arcade Fire. The Brooklyn quintet have achieved a great deal of success, finishing up a massive headlining tour in support of their latest album High Violet (including a spectacular show at The Pageant in St. Louis, which I was lucky enough to see). If there’s a band next in line to achieve Arcade Fire’s level of success, I would venture to say that The National would be it, and they definitely proved their worthiness with their solid opening performance.

I arrived at UIC Pavillion just as The National were beginning their hour-long set and got settled in time to catch some of my favorite songs of theirs including “Bloodbuzz Ohio” “Conversation 16” and “Slow Show”. It’s always a pleasure to watch the band’s slowly building intensity unfold live, I don’t know if there’s any band that dominates the loud / soft dynamic quite like they do. The band’s depth continues to be one of their strongest point. with Bryan Devendorf’s fervent drums, the Dressner brothers’ whirlwind of guitar, the majestic touring brass section adding a density to the brooding songs. Of course, Matt Berninger’s booming vocals is the anchor that holds all it all together, even when yowling to the point of his voice almost giving out (my friend was convinced that he had to have been in a hardcore band at some point).

The band filled out the set with a few surprises, Richard Reed Parry joined them on “Afraid of Everyone” and Win Butler came out to duet with Matt Berninger on “Start a War” (causing him to note “he’s so much taller in person”). It was great to see that even with the shorter set time Matt was still able to interact with the crowd, at one point throwing jellybeans out and telling us they were each filled with a flash drive that contained a new Flaming Lips single (LOL!). The band ended with the one-two punch of “Mr. November” and “Terrible Love”, two of the most uproarious, rousing songs in their catalogue. and if anyone in the crowd wasn’t paying attention at that point, they were when the huge choruses of those songs shook the stadium.

After a thirty minute break, the mood was set with some 80’s-style b-movie trailers that were both thematically fitting and hilariously campy played under a marquee that said “Coming Soon. Arcade Fire!”. As the trailers finished playing, the “feature presentation” began and the Arcade Fire opened with the relentless punk energy of “Month of May”, a song that I don’t really care for on record, but is undeniable in a live setting. The band followed with one of it’s most visceral tracks, “Rebellion (Lies)”, a song usually saved for the end of the set but worked brilliantly as an early shot in the arm for the crowd, especially with Win venturing through the audience and his brother Will carrying around a tom drum and banging it like a madman. The band continued with Funeral classic “Neighborhood #2 (Laika)”, another showcase for the band’s superb percussive qualities before focusing on their latest opus The Suburbs for a few songs.

The most fascinating aspect of seeing Arcade Fire live is the incredible spread of talent and personality across the stage. Win Butler is a sensational front man and his commanding presence and intense glare adds enormous weight to his fiery vocals. His wife Regine Chassagne shares lead vocal duties while playing everything from drums and keys to accordian and hurdy gurdy, making her a prime candidate for most versatile member of the group. Also in contention would be Richard Reed Parry and Will Butler, who are both electrifying as expert multi-instrumentalists, shifting as the songs require from guitars, keys, strings, to auxiliary percussion and doing so with absolutely infectious energy and passion. Sarah Neufield and Marika Shaw play the all-important role of contributing the gorgeous strings flourishes that are so instrumental band’s sound, while the two criminally underrecognized members, drummer Jeremy Gara and bassist Tim Kinsbury each perform their duties with incredible precision and flair.

One of the biggest surprises was the band’s performance of “My Body Is A Cage” the powerful closer to Neon Bible that is something of a rarity in their live show. Only a select few tracks the band’s second album made it into their set, including the spine-tingling “Intervention” and lush, anthemic “No Cars Go” and all the tracks played seemed to be chosen to amplify the band’s massive scope. Even the more mid-tempo tracks like “Rococo” and “The Suburbs” were played with an emotional heft and vigor that made the night an altogether uplifting experience. The band’s stage set-up also reflected that goal with flags decorating the stage and a three-part video screen that mixed a live feed of the band with vintage graphics and selected clips from Scenes From The Suburbs, the film the band worked on with Spike Jonze.

The band’s final stretch began with two of their finest jams from Funeral, the thoroughly danceable “Haiti” and perhaps the band’s most beautifully realized anthem “Neighborhood #1 (Tunnels)” which was lovingly accompanied by snow flurries on the video screens. After Win spent another song wading through the adoring crowd during the extraordinary “We Used To Wait”, they unleashed their most riveting, bon-a-fide thrasher on the audience “Neighborhood #3 (Power Out)” which delivered a jolt of energy that didn’t let up for the rest of the night. The set ended with the triumphant synth-pop number “Sprawl II (Mountains Beyond Mountains)” which saw Regine taking the reins on vocals delivering a blissful performance complete with jazz hands and ribbon-dancing.

After a short break the band returned with “Ready to Start”, which was bestowed with a extended disco-like ending followed by a rapturous performance of “Keep The Car Running”. The band ended the night in the most perfect way possible, with “Wake Up” (which Win announced as “Wake Up Jesus, It’s Easter!”) which easily received the biggest reception of the evening, creating a genuinely transcendent, even life-affirming moment as the entire band and the crowd joined in singing the bombastic “oooh, oooh” chorus. It’s the type of moment that the oft-overused word “epic” should be saved for, with the crowd of thousands dancing in the aisles, raising their hands in the air and their voices to the sky in complete harmony. I was left in a state of pure unbridled joy and from hearing the exhilarated, hyperbolic reviews from other people leaving the stadium, I’m pretty sure that mine was a universally shared sentiment. Arcade Fire and The National provided everything I hoped for and more, an overwhelming and mind-blowing show that I’m positive will go down as one of the best concerts I’ve ever seen.

MP3 The National – Bloodbuzz Ohio
MP3 Arcade Fire – Sprawl II (Mountains Beyond Mountains)
MP3 Arcade Fire – Wake Up

View many more Arcade Fire / The National pictures after the jump. Click here for the entire set.

Continue reading “Arcade Fire / The National – Live @ UIC Pavillion”

The mix with all the girls names

Songs with girls names in the title are just about as old as pop music itself, from “Peggy Sue” to “Layla” to “Jenny (867-5309)” to “For Emma, Forever Ago”, artists have been written love songs addressed directly to that particular special someone. So to celebrate that tradition (and keeping in mind Valentine’s Day is quickly approaching), this is a mix of some of my favorite girls-name-in-the-title songs. Since there’s so many of these and I would have never been able to narrow it down otherwise, I stuck with only songs where the title is the girls name and nothing more; it’s simpler that way (sorry to “Come On, Eileen”, “Oh, Yoko” and “Yoshimi Battles The Pink Robots Pt. 1 & 2”). Download the songs below and submit your own faves in the comments.

MP3 The National – Karen
MP3 Elliott Smith – Clementine
MP3 The Pixies – Allison
MP3 Jens Lekman – Julie
MP3 Simon & Garfunkel – Cecilia
MP3 Belle & Sebastian – Mary Jo
MP3 The Mountain Goats – Jenny
MP3 The Kinks – Lola
MP3 Atlas Sound – Sheila
MP3 The White Stripes – Jolene
MP3 Girls – Laura
MP3 The New Pornographers – Jackie
MP3 The Beatles – Michelle
MP3 Cut Copy – Alisa
MP3 Iron & Wine – Jezebel
MP3 Wolf Parade – Yulia

Side note: From doing this post, I would venture to guess that “Jenny” is the most popular girls name to appear in song titles. If anyone has another guess though, let me know.

MP3: Little Scream – The Heron & The Fox

Produced by Richard Reed Parry of Arcade Fire and featuring Aaron Dessner of The National, Little Scream‘s “The Heron & The Fox” already has an edge over other whatever other tracks may be coming your way this week, but even without the famous collaborators, this song is brilliant enough to stand on it’s own. It’s a delightfully simple song, not much more then picked guitar and whispered vocals, but the results are breathtaking. Laurel Sprengelmeyer gives an achingly pretty vocal performance and the multi-tracked acoustic guitar is lush and exquisite. You won’t be able to take this off repeat.

MP3 Little Scream – The Heron & The Fox

Little Scream’s debut LP, The Golden Record will be out April 12th on Secretly Canadian.

musicforants.com's Best Albums of 2010


(photo by cubagallery)

In a few days 2010 will come to a close and as I look back, I really must say this has been one of my favorite years to cover since I started writing about music. I don’t know how the rest of the decade will keep up the pace, because this year has set the standards extremely high. I’ve commented before that it seems almost all of my favorite artists (Arcade Fire, Sufjan Stevens, Belle & Sebastian, The National, of Montreal, etc) released albums in 2010, and fortunately most of them were magnificent. There was also terrific debut albums (Janelle, Monae, Local Natives, Twin Shadow), sophomore successes (Tallest Man on Earth, Titus Andronicus, Morning Benders) and established artists gone solo (Jonsi, Owen Pallett) that filled our ears with lovely music this year.

This year myself and the other two other brilliant writers on this blog, Matt and Cheryse, voted (very democratically, I may add) on our favorite albums of the year to make one definitive, collaborative list. Below is our Best Albums of 2010 and since there so many albums we loved that couldn’t quite fit on the list, we each have Honorable Mention sections where listed a few of our other favorites. As always, make sure to leave a comment if you like what you see or have your own favorite albums to add. To the readers, thank you for continuing to support this blog year after year and reading what we have to say. Have a wonderful new year!

25. Caribou – Swim

Dan Snaith’s release as Caribous is perhaps the most cleverly named album of the year. From start to finish Swim plays with absolute fluidity like some sort of dance music album marked by the mischievery of skinny-dipping. Each track picturizes the algorithm of oceanic behavior with wavelike breakbeats sequious to life and never really assuming an end. If it not watery and textured, it is a swimmingy rhythmic album that leaves all of the others drowning in sound. –Cheryse

MP3 Odessa
MP3 Kaili

24. Owen Pallett – Heartland

Owen Pallett has already created an impressive body of work at his young age whether it’s the wonderful albums he created under his previous moniker, Final Fantasy or the lovely string arrangements he composes for Arcade Fire. Heartland is his magnum opus though, mixing grandiose, classically-inspired instrumentation and addictive melodies to create thrilling pop gems like “Midnight Directives”, “E Is For Estranged” and “Lewis Takes Off His Shirt”. –Taylor

MP3 Midnight Directives
MP3 Lewis Takes Off His Shirt

23. The Black Keys – Brothers

The Black Keys have gone back to the basics with their six-full length release to date. Dan Aurbech and Patrick Carney have taken the dove-colored intentions of Attack & Release and stolen the spotlight of bluesy rock with riffs of contemptuous optimism. Brothers is an album of pure heart, one I’d like to consider the unofficial confession of a good man weighted with ugly truths yet empowered by his loyalty to the matter at hand. –Cheryse

MP3 Tighten Up

22. Twin Shadow – Forget

Twin Shadow simply appeared earlier this year, fully formed and with a debut album that sounded completely sure of its intentions. With Forget, George Lewis Jr. has made a record that hearkens back to archaic techniques while simultaneously sounding fresh and original. It’s as if these songs have been in the back of your mind for years and you’re just now remembering them. Call it immediate nostalgia. — Matt

MP3 I Can’t Wait
MP3 Castles in the Snow

21. Wolf Parade – Expo 86

You can usually tell a lot about a record in the opening seconds. Wolf Parade’s third the record begins with a relentless guitar riff, piercing synths, and Spencer Krug yelping about hammocks, dream-catchers, and minivans, and the album doesn’t ever let up after that. Both Krug and Dan Boeckner have grown monumentally as artists and the tunes found on this album like “Little Golden Age”, “What Would Your Lover Say”, and “Yulia” stand among the most electrifying and passionate rock anthems these intensely creative songwriters have crafted. –Taylor

MP3 What Did My Lover Say
MP3 Yulia

20. Gorillaz Plastic Beach

For all his world travel and style-dipping, Damon Albarn has ultimately decided he just wants to make great pop music. Eschewing the rigid concepts of the first two records and adopting a loose theme, Plastic Beach is free to sample and explore at will. Albarn recruited his best cast of guests yet, each adding their unique touch in wonderful, and sometimes surprising, ways. Who knew Lou Reed could sound so at home on an electro beat? — Matt

MP3 Superfast Jellyfish (ft. Gruff Rhys and De La Soul)

19. of Montreal False Priest

After the bizarre, kaleidoscopic Skeletal Lamping, it’s great to see Kevin Barnes embracing some more straightforward pop songwriting without losing his proclivity for stylistic experimentation. From the explosive electro-funk opening of “I Feel Ya Strutter” to the magnificent psych-pop of Janelle Monae-featuring “Enemy Gene” and playful, humorous synth-pop of “Famine Affair” and “Our Riotous Defects”, False Priest is a phenomenal addition to an already outstanding catalogue. — Taylor

MP3 Coquet Coquette
MP3 Enemy Gene (ft. Janelle Monae)

18. The Morning Benders Big Echo

The Morning Benders have come a long way since their 2008 release Talking Through Tin Cans. Although they have always been lyrically sound and collectively cool, Big Echo hit the shelves with alarming growth, mostly instrumental which has directly brought Chris Chu’s vocal ability to life. This record is full of beautiful arrangements and harmonies so romantic you might actually just misinterpret the meaning of the song. I’m still trying to figure out how they’ve taken such an innovative direction with their sound and yet have produced something that is unexpectedly nostalgic. –Cheryse

MP3 Excuses
MP3 Promises

17. Belle & Sebastian Write About Love

As has been well-documented on this blog, Belle & Sebastian are one of my favorite bands in the universe and through eight albums, the Scottish collective has become one of the most prolific and consistently wonderful pop bands in recent history. Though their latest album Write About Love doesn’t quite reach the heights of past masterpieces it’s such an immensely enjoyable album that it hardly matters. Energetic, sunny pop numbers that have defined the band for the last decade are mixed in with wispy, twee-pop reminiscent of early B&S, all making for a captivating and highly satisfying listen. –Taylor

MP3 I Want The World To Stop
MP3 Write About Love

16. Deerhunter Halycon Digest

It is as though a year cannot come to an end without hearing something brilliant from the genius that is Bradley Cox. Halcyon Digest is undoubtedly Deerhunter’s most accessible album to date. Their once isolated and dissonant sound has evolved into something cohesive on this record and believe me when I say that it hits the stage at best as their most attention-getting, especially for those hearing them for the first time. Despite some overly reverbed vocals, each track transitions to the next with palatable instrumentation and the album as a whole brings a refreshing perspective to the table. –Cheryse

MP3 Revival
MP3 Memory Boy

15. Jonsi – Go

As the lead singer of Sigur Ros, Jonsi helped produce some of the most beautiful, ethereal music of the past decade, and his first solo album, Go showcases the artist at his most exuberant and accessible. These songs are overflowing with glorious, flourishing instrumentation of piccolos, strings, trumpets and piano. With help from some fabulous collaborators, composer Nico Muhly’s phenomenal compositions, producer Peter Katis’ dense soundscapes, and drummer Samuli’s powerful percussion, Jonsi has made an album that is both triumphant and awe-inspiring. –Taylor

MP3 Go Do
MP3 Boy Lilikoi

14. The Tallest Man on Earth The Wild Hunt

Trying to capture this album with words is mostly pointless. Description doesn’t do it justice; it’s impossible to catalog the intensity and emotion contained within The Wild Hunt. Kristian Matsson is more shaman than musician; he conjures tales and sounds that exist outside of time. Even with its spare pallet, The Wild Hunt invites and rewards exploration. Eventually, the only word needed to describe it is “home”. — Matt

MP3 King of Spain
MP3 Troubles Will Be Gone

13. Foals Total Life Forever

At any given time I begin to question the depth of Oxford Rock, I am instantly put into place by the Foals. Total Life Forever was an album I literally stumbled upon–and by that I mean it rendered me completely speechless. The frenetic temperament of their previous record Antidotes seemingly consumed itself and completely sedated their sound, creating a very docile sophomore release that has their likability factor hitting its peak. This album is their most consistent to date and without any hesitation is a step in the right direction. –Cheryse

MP3 Spanish Sahara

12. Titus Andronicus – The Monitor

I don’t know if there’s been a more hate-it-or-love-it album this year then New Jersey rockers, Titus Andronicus’ sophomore album, The Monitor. Of course, I am firmly in the “love it” category of this sprawling Civil War-themed album , which SPIN magazine aptly described as “Born to Run’s pissed stepchild on an epic spree”. This is an album that is oozing with fiery, youthful abandon which it channels through a barrage of piano, trumpets, violins, vehemently-played guitars and anthemic, sing-a-long choruses at every turn. It’s a fully immersive listening experience that leaves a lasting impression, taking you through breathtaking highs and crushing lows. –Taylor

MP3 A More Perfect Union
MP3 A Pot In Which To Piss

11. Hot Chip – One Life Stand

With One Life Stand, Hot Chip have succeeded in becoming more heartfelt and musically accomplished then ever before without losing any of their dance-floor appeal. The London electro-pop quintet’s focus here is on straightforward pop songwriting without losing those huge, club-banging climaxes of cascading synths and frenzied disco beats. From the explosive synth / guitar attack of opening jam, “Thieves In The Night” to the irresistibly catchy closer “Take It In”, the band provides one spectacular song after another, resulting in their most consistent and overall best album yet. –Taylor

MP3 One Life Stand
MP3 Take It In

10. Local Natives – Gorilla Manor

I can’t think of an Artist Spotlight that I was more excited to write this year than that of Local Natives. Gorilla Manor earned, and rather comfortably, an infectious debut–and that stretches beyond any bias I have towards the Silverlake music scene. There isn’t a single filler on this record and is probably one of the few that harnesses its artful density even when played acoustically. From the leaks until the actual release, almost every song that has made its way to the blogosphere still continues to dominate the hype machine. –Cheryse

MP3 Camera Talk
MP3 Sun Hands

9. Janelle Monae The Archandroid

What makes Janelle Monae’s Archandroid such a magnificent album is it’s tenacious creativity and unconventionality. A sci-fi concept album about a time-traveling dancing android that combines funk, pop, R&B, hip-hop, classical, indie and soul (to name a few) sounds like it would be a complete mess, but Monae succeeds tremendously at just about everything she tries. With her effervescent charisma, killer hooks, and out-of-this-world vocals, she’s made an album which should be considered a pop music classic. — Taylor

MP3 Tightrope (ft. Big Boi)
MP3 Cold War

8. Joanna Newsom – Have One On Me

Have One On Me is an overwhelming album in scope, length, and ambition, filled with beautifully woven and masterfully performed songs such as “Good Intentions Paving Company” and “Baby Birch”. It’s an album you feel that Newsom worked every waking second perfecting since the masterful Ys was released in 2006. An rich and plentiful listening experience, it will astound you the first time you hear it but requires multiple listens to unlock all of it’s lavish beauty. — Taylor

MP3 Good Intentions Paving Company
MP3 ’81

7. Big Boi – Sir Luscious Left Foot: Son of Chico Dusty

Sir Lucious Left Foot… is a fundamentally weird album. It’s hip-hop from another galaxy, one where Big Boi’s lightspeed flow and black hole lyrics are as common as two purple suns. The beats are supernovae, consuming everything in their path. It’s an amalgam of styles that could only come from out there, the place few dare to travel but Big Boi calls home. — Matt

MP3 Shutterbugg (ft. Cutty)
MP3 Shine Blockas (ft. Gucci Mane)

6. Arcade Fire – The Suburbs

It’s almost hard to imagine that at one time, Arcade Fire were just another obscure band from Canada, releasing music that reached very few ears and playing shows in half-empty bars. What’s amazing though, is through their journey from mildly successful underground band to Grammy-nominated chart-toppers, they haven’t lost touch of what makes them great, their life-affirming, overwhelmingly beautiful music.

The band expands their palette on this album, adding surging disco beats and euphoric synths to their exhilarating rock anthems, all while taking their overarching themes of innocence, rebellion, escapism, the universal human struggle, and looking at it from a new, wiser perspective. The album may be their most rewarding listen yet, complex, and fully immersive, delivering songs like “We Used To Wait” and “Sprawl II”, that stand among the most powerful of their career. Most of all, The Suburbs confirms Arcade Fire’s status as the best rock band in the world. — Taylor

MP3 We Used To Wait
MP3 Sprawl II (Mountains Beyond Mountains)

5. LCD Soundsystem – This Is Happening

This is a not a record, it’s an event of the style 40 years gone. Rent a mansion across the country. Build your own studio. Strict dress code. Labor over every minute detail. Do the drums sound perfect? Is the bass fuzzy enough? How many people do we need shouting on this chorus? After everything, it sounds completely effortless, as if the songs just formed as they went along. No one makes albums like James Murphy, because no one else can. –Matt

MP3 Dance Yrself Clean
MP3 All I Want

4. Beach House Teen Dream

Maybe it is unfair that I was allowed to speak on this album… considering how bat-shit crazy I am about this band, but dream-pop duo, Beach House, truly proved that third time’s a charm and again, I sit here grinning as a fan from the start. Teen Dream waltzed into the new year with its breathtaking composition, subtletly demonstrating a sense of confidence wrapped lyrical romanticism. This is an album of real grace and power the variety found within the song collection is truly endless. Perhaps credit is due to producer Chris Cowady, but in contrast to their previous releases, this record is incredibly tangible and punctuates on any infatuation you’ve might have the band prior. –Cheryse

MP3 Zebra (UK Edit)
MP3 10 Mile Stereo

3. Kanye West – My Beautiful Dark Twisted Fantasy

Kanye West will not settle for being anything but the greatest, and he makes his case with this album. My Beautiful Dark Twisted Fantasy is an amalgamation of everything so far, the perfect summation of West-to-now. He has created a hydra, a siren, a phoenix, eternal and relentless, simultaneously beautiful, dark, and twisted. It is perfect and flawed, consummate and incomplete, alpha and omega. It is an album that could only be made right now and could only be made by him. — Matt

MP3 Runaway (ft. Pusha T)

2. Sufjan Stevens The Age of Adz

Sufjan Stevens makes intimate music. Even when tackling subjects like entire states or serial killers, he has always found a way to turn his focus inward, hoping to illuminate some hidden truth about himself. But with The Age of Adz, Sufjan Stevens has created his darkest and most personal album yet. The oppressive atmosphere, the despondent lyrics, the apocalyptic artwork: this is the product of someone working through some serious issues and letting us witness the process. The results are entirely uplifting, resulting in the kind of true catharsis few get to experience, even vicariously. We are all lucky Stevens let us face this with him. — Matt

MP3 I Walked
MP3 Impossible Soul

1. The National – High Violet

The National were once pegged as a perpetual underdog, but now with three genuine masterpieces under their belt, the Brooklyn-via-Ohio quintet have become a band that’s impossible to ignore. High Violet may just take the prize for their most exceptional album yet. The album is their most captivating, gorgeous creation as well as being the most staggeringly emotional. The band has taken their orchestral arrangement prowess to the next level with a breathtaking symphonic concoction of guitars, strings, horns, vocals and those oh so, important drum fills.

The band is ceaseless with their near-hysteric melodrama (equating marriage to cannibalism, fatherhood with paranoia, family reunions to a swarm of bees) but I don’t think that there’s anyone describing the American experience better in this day and age. And even in their somber ruminations, there’s dynamic performances and massive choruses to lift your spirits. I think Peter Silberman of The Antlers described it best when he said “The National isn’t so much ‘a band’ as it’s a piece of another person’s life that helps yours make sense.” By matching the sensational emotions that we all feel with delicately epic music, the band embraces the melancholy of society and makes our world that much more colorful. –Taylor

MP3 Bloodbuzz Ohio
MP3 Conversation 16

Taylor’s Honorable Mention:

Spoon – Transference
Broken Social Scene – Forgiveness Rock Record
Tokyo Police Club – Champ
The New Pornographers – Together
Laura Veirs – July Flame
Two Door Cinema Club – Tourist History
Shearwater – Golden Archipelago
Delorean – Subiza
Suckers – Wild Smile

Matt’s Honorable Mention

How To Dress Well – Love Remains
Gil Scott Heron – I’m Still Here
Robyn – Body Talk
Chromeo – Business Casual
Clive Tanaka y su orquesta – Jet Set Siempre 1°
The-Dream – Love King
James Blake – CMYK / Bell’s Sketch / Klavierwerke
Vampire Weekend – Contra
Sleigh Bells – Treats

Cheryse’s Honorable Mention:

Yeasayer – Odd Blood
Phantogram – Eyelid Movies
Mumford & Sons – Sigh No More
Dr. Dog – Shame
Love Language – Libraries
Toro y Moi – Causers of This
The Walkmen – Lisbon
Ra Ra Riot – Orchid
Born Ruffians – Say It

Thanks again to everyone for reading! We will be back in 2011…

MP3: Sufjan Stevens (w/ Dressner Brothers, Richard Reed Parry) – Lumberjack Christmas/No One Can Save You From Christmasses Past

As is our holiday tradition, my family and I have been jamming to Sufjan’s Songs for Christmas. Fortunately for us, we’ve been treated with a new Christmas EP: Gloria! Songs For Christmas, Vol. 6 which features Aaron and Bryce Dressner of The National and Richard Reed Parry of Arcade Fire (an indie rock supergroup, if I’ve ever heard one). “Lumberjack Christmas/No One Can Save You From Christmasses Past” has quickly become a favorite of mine.

The first half is in the style of traditional Appalachian folk music (complete with knee-slappin’ fiddles and lyrics about drinking) and midway the track segues into a introspective folk ballad with layered vocals and spacey keyboards. Listen below (and buy it when it inevitably comes out on the next Songs for Christmas box set)

MP3 Sufjan Stevens (w/ Dressner Brothers, Richard Parry) – Lumberjack Christmas/No One Can Save You From Christmasses Past